The Stuff That Dreams Are Made Of (album)
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The Stuff That Dreams Are Made Of (album)
''The Stuff That Dreams Are Made Of'' is a two-CD album of blues, country, and old-time music recordings that were originally released in the 1920s and 1930s on 78 rpm records. Subtitled ''The Dead Sea Scrolls of Record Collecting'', it is a compilation of songs from rare and hard-to-find records. It was released in 2006. The cover of ''The Stuff That Dreams Are Made Of'' is the size and shape of a DVD box. The cover art is by Robert Crumb, a noted cartoonist and an avid collector of vintage 78 rpm records. The album also includes a 20-page illustrated booklet. According to the liner notes, the album was remastered using only a moderate level of noise reduction, with the goal of preserving as much as possible of the character and dynamic range of the original recordings. As a result, some of the songs exhibit a considerable amount of noise due to surface wear and damaged grooves on the shellac phonograph records. Critical reception On AllMusic Ronnie D. Lankford Jr. said, " ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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John Hardy (song)
"John Hardy" is a traditional American folk song based on the life of a railroad worker living in McDowell County, West Virginia in the Spring of 1893. The historical John Hardy is believed to have gotten into a drunken dispute during a craps game held near Keystone, and subsequently killed a man named Thomas Drews. Hardy was found guilty of murder in the first degree, and was hanged on January 19, 1894, with 3,000 people allegedly in attendance. Hardy is believed to have made peace with the Lord the morning before his death by being baptized in a river. Overview The song has been performed by numerous artists from the 1920s through the present, including (in alphabetical order) Tom Adams, Clarence "Tom" Ashley, Long John Baldry, Bobby Bare, Leon Bibb, Norman Blake, Billy Strings, Dock Boggs, Jimmy Bowen, The Carter Family, Billy Childish, Roy Clark, Michael Cleveland, The Coachmen, Fred Cockerham, Country Gazette, The Country Gentlemen, The Dillards, Lonnie Donegan, The E ...
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Jesse Thomas (musician)
Jesse "Babyface" Thomas (February 3, 1911 – August 13, 1995) was an American Texas blues guitarist and singer. Known at different times as "Baby Face" or "Mule", and occasionally billed as "The Blues Troubadour", his career performing blues music extended eight decades. Career Born in Logansport, Louisiana, United States, Thomas is best known for the song "Blue Goose Blues", which he recorded for Victor in 1929. He recorded and performed throughout the 1940s and 1950s, based in the Los Angeles area. He recorded for Specialty Records in 1953. His career spanned over 60 years – in 1994 he appeared at the Long Beach Blues Festival. The Texas bluesman, Ramblin' Thomas, was his brother, and fellow Louisiana blues guitar player, Lafayette Thomas Lafayette Jerl Thomas (June 13, 1928 – May 20, 1977)Harris, S. (1981). Blues Who's Who. New York: Da Capo Press, pp. 509–510, was an American blues singer, and guitarist. Early life Thomas was born on June 13, 1928 in Shrevep ...
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Jab Jones
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band. Beginning in 1926, African-American musicians in the Memphis area grouped around the singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of the band varied from day to day, with Shade booking gigs and arranging recording sessions. The band was as a training ground for musicians who would go on to make careers of their own. Members Among the recorded members of the Memphis Jug Band at various times were Will Shade (harmonica, guitar, washtub bass, vocals), Charlie ...
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Sleepy John Estes
John Adam Estes (January 25, 1899 or 1900June 5, 1977),
known as Sleepy John Estes, was an American guitarist, songwriter and vocalist. His music influenced such artists as , and .


Life and career

Estes was born in



Yank Rachell
Yank Rachell (born James A. Rachel; March 16, 1903 or 1910 – April 9, 1997) was an American country blues musician who has been called an "elder statesman of the blues". His career as a performer spanned nearly seventy years, from the late 1920s to the 1990s. Career Rachell grew up in Brownsville, Tennessee. There is uncertainty over his birth year; although his gravestone shows 1910, researchers Bob Eagle and Eric LeBlanc conclude, on the basis of a 1920 census entry, that he was probably born in 1903. In 1958, during the American folk music revival, he moved to Indianapolis. He recorded for Delmark Records and Blue Goose Records. He was a capable guitarist and singer but was better known as a master of the blues mandolin. He bought his first mandolin at age eight, in a trade for a pig his family had given him to raise. He often performed with the guitarist and singer Sleepy John Estes. "She Caught the Katy," which he wrote with Taj Mahal (musician), Taj Mahal, is considered ...
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Lottie Kimbrough
Lottie Kimbrough (born 1893 or 1900; date of death unknown) was an American country blues singer, who was also billed as Lottie Beaman (her married name), Lottie Kimborough, and Lena Kimbrough (among several other names). She was a large woman and was nicknamed "The Kansas City Butterball". Her recording career lasted from 1924 to 1929. The music journalist Burgin Mathews wrote that "Kimbrough's vocal power, and the unique arrangements of several of her best pieces, rank her as one of the sizable talents of the 1920s blues tradition." Biography Kimbrough was born in either Jonesboro, Arkansas, or West Bottoms, Kansas City, Missouri, and had close links with the Kansas City community. By 1915 she was using the name Lottie Mitchell, and by 1920 she had married William Beaman. Her music career began in the early 1920s, when she performed in nightclubs and speakeasies in Kansas City. Her career was managed by Winston Holmes, a local musician and music promoter. In 1924 she undert ...
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Henry Whitter
William Henry Whitter (April 6, 1892 – November 17, 1941) was an early old-time recording artist in the United States. He first performed as a solo singer, guitarist and harmonica player, and later in partnership with the fiddler G. B. Grayson. He recorded the first version of "Going Down the Road Feeling Bad". Biography Whitter was born near Fries, Grayson County, Virginia, United States. He learned to play the guitar from an early age, and later on, the fiddle, banjo, harmonica and piano. His love of music made him dream of a career as an artist and he spent much time listening to cylinder recordings of Uncle Josh. He found work in a cotton mill called "Fries Washington Mill", but through the years from 1923 to 1926, he frequently took time off to record. He claimed that his first session was in March 1923 in New York City for Okeh Records, which would have made him the first truly country singer to record, a few months before Fiddlin' John Carson. However, this claim i ...
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Jaybird Coleman
Burl C. "Jaybird" Coleman (May 20, 1896 – January 28, 1950) was an American country blues harmonica player, vocalist, and guitarist. He was a popular musical attraction throughout Alabama and recorded several sides in the late 1920s and early 1930s. Biography Coleman was born to a family of sharecroppers in Gainesville, Alabama, United States. While he and his three brothers endured hard physical labor, he was exposed to musical influences from his fellow sharecroppers in singing and discovering traditional folk songs. At age 12, he was introduced to the harmonica, in large part teaching himself, and was encouraged by his parents to hone his skills as an alternative to their wearying occupation. He performed locally for small wages at dance halls and parties. In 1914, upon the outbreak of the First World War, Coleman joined the United States Army and was stationed at Fort McClellan for the entirety of the conflict. At the fort, he developed a reputation for being stubbornly ind ...
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Dock Boggs
Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an American old-time singer, songwriter and banjo player. His style of banjo playing, as well as his singing, is considered a unique combination of Appalachian folk music and African-American blues. Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on Harry Smith's 1952 collection ''Anthology of American Folk Music''. Boggs was first recorded in 1927 and again in 1929, although he worked primarily as a coal miner for most of his life. He was rediscovered during the folk music revival of the 1960s and spent much of his later life playing at folk music festivals and recording for Folkways Records.Marcus, Greil (1998). "Dock Boggs." ''The Encyclopedia of Country Music: The Ultimate Guide to the Music''. New York: Oxford University Press. pp. 42–43. Biography Early life Bo ...
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Memphis Jug Band
The Memphis Jug Band was an American band (music), musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard (musical instrument), washboard, washtub bass and Jug (musical instrument), jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band. Beginning in 1926, African American, African-American musicians in the Memphis area grouped around the singer, songwriter, guitarist, and harmonica player Will Shade (also known as Son Brimmer or Sun Brimmer). The personnel of the band varied from day to day, with Shade booking gigs and arranging recording sessions. The band was as a training ground for musicians who would go on to make careers of their own. Members Among the recorded members of the Memphis Jug ...
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Andrew And Jim Baxter
Andrew Baxter (March 1869 – April15, 1955), African-American fiddle player, and Jim Baxter (James Baxter; January18, 1898 – June11, 1950), African-American-Cherokee singer and guitar player, were a father and son fiddle and guitar duet from Gordon County, Georgia, who recorded in the 1920s. The Georgia Yellow Hammers and the Baxters traveled to Charlotte, North Carolina, to record for Victor in the summer of 1927. Because of the Jim Crow laws, the Baxters had to ride several cars behind the Yellow Hammers on the train ride to Charlotte. In Charlotte, each group recorded their individual sessions, with one exception: Andrew Baxter played fiddle on "G Rag" with the Yellow Hammers. It is thought that "G Rag" is one of the earliest integrated recordings of Georgia musicians. Among their recordings is "40 Drops", a tribute to Georgia corn moonshine, an instrumental with vocal comments - a style typical of instrumental recordings of the 1920s. In May 2012, their recording of ...
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