The Stronger (opera)
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The Stronger (opera)
''The Stronger'' is an opera in one act by composer Hugo Weisgall. The English language libretto by Richard Henry Hart is based on August Strindberg's 1889 play of the same name. It premiered at the White Barn Theatre in Westport, Connecticut on August 9, 1952 and was dedicated to that theatre's founder, the actress Lucille Lortel. About the opera ''The Stronger'' is an approximately 25 minute staged duodrama that is in many respects a monologue with one singing role, Estelle (coloratura soprano), and one silent role, Lisa. The opera takes place at a bar on Christmas Eve. The two women meet at the establishment and Estelle talks to her friend Lisa about her family. In the course of the conversation Estelle informs Lisa that she knows that Lisa is in love with her husband Harold. As Estelle leaves the bar she comes to the conclusion that she, Estelle, is the stronger of the two women. But is she? Weisgall said of the opera: "From the first I regarded this piece as an experiment, a k ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Paul Griffiths (writer)
Paul Anthony Griffiths (born 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's ''Marco Polo'' and Elliott Carter's ''What Next?''. Career Paul Griffiths was born on 24 November 1947 in the Welsh town of Bridgend to Fred and Jeanne Griffiths. He received his BA and MSc in biochemistry from University of Oxford, and from 1971 worked as a freelance music critic. He joined the editorial staff of ''The New Grove Dictionary of Music and Musicians'' in 1973 and in 1982 became the chief music critic for ''The Times'', a post which he held for ten years. From 1992 to 1996, he was a music critic for ''The New Yorker'', and from 1997 to 2005, for ''The New York Times''. A collection of his musical criticism for these and other periodicals was published in 2005 as ''The substance of things heard: writings about music'', Volume 31 of ''Eas ...
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League Of Composers
The League of Composers/ International Society for Contemporary Music is a society whose stated mission is "to produce the highest quality performances of new music, to champion American composers in the United States and abroad, and to introduce American audiences to the best new music from around the world." It was founded in New York City in 1923 by Claire Reis, Louis Gruenberg, Alma Wertheim, Lazare Saminsky, Leo Ornstein, Emerson Whithorne, Frederick Jacobi, Stephen Bourgeois, and Minna Lederman, when they seceded from the International Composers Guild. In 1954, the League of Composers became the US chapter of the International Society of Contemporary Music (ISCM) and has since been known as the League of Composers/ISCM. The League draws on a remarkably rich history, including such groundbreaking premieres as Schönberg's Die Glückliche Hand, Béla Bartók's Village Scenes, Samuel Barber’s Piano Sonata and Anton Webern’s Symphony for Chamber Orchestra. The League als ...
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92nd Street Y
92nd Street Y, New York (92NY) is a cultural and community center located on the Upper East Side of Manhattan in New York City, at the corner of East 92nd Street and Lexington Avenue. Founded in 1874 as the Young Men's Hebrew Association, the 92nd Street Y (often simply called "the Y") transformed from a secular social club to a large arts and cultural center in the 20th century. History In 1874, a group of German-Jewish professionals established the New York Jewish Community Center, Young Men's Hebrew Association (YMHA). The founders were predominantly members of the Temple Shaaray Tefila, or synagogue, and New York's YMHA and other across the country grew out of existing Jewish congregations. The YMHA itself was a secular organization intended to serve as a social and literary fraternity. Officially incorporated on September 10, 1874, the YMHA would initially operate out of rented premises on 112 West 21st Street. A few years later, the organization would move to larger acco ...
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Joyce Mathis
Joyce Mathis (1944 – before April 2009) was an American soprano who was a concert artist, recitalist, and opera singer from the 1960s into the early 1990s. She is considered a part of the first generation of black classical singers to achieve success in the United States; breaking down racial barriers within the field of classical music. She won several notable singing competitions, including the Marian Anderson Award in 1967 and the Young Concert Artists in 1968. In 1970 she recorded the role of the High Priestess in Verdi's ''Aida'' alongside Leontyne Price and Luciano Pavarotti. Pullitzer Prize-winning composer Ned Rorem wrote his song cycle ''Women's Voices'' for her in 1975. In 1976 she created the role of Celestina in Roger Ames's opera ''Amistad'' at the Kennedy Center for the Performing Arts. She appeared frequently in performances with Opera Ebony and the Boys Choir of Harlem in addition to touring widely as a recitalist and concert soprano. Early life and career Born ...
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New World Records
New World Records is a record label that was established in 1975 through a Rockefeller Foundation grant to celebrate America's bicentennial (1976) by producing a 100-LP anthology, with American music from many genres.New World Records - About Us
accessed 'November 14, 2021 In addition to this project, after 1978 New World produced new jazz by , , , Steve Kuhn,

Aeolian Chamber Players
The Aeolian Chamber Players is an American musical ensemble that is dedicated to the performance of chamber music. Founded in 1961 by violinist Lewis Kaplan, the group has been the resident ensemble at Bowdoin College in Brunswick, Maine since 1964. The ensemble is particularly known for performing new works and has produced several commercial recordings. The ensemble's recording of George Crumb's ''Night of the Four Moons'' for Columbia Records was nominated for a Grammy Award for Best Classical Album The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by m .... Approximately 150 works, many by noted composers, were written for the Aeolians including Luciano Berio"O King", George Crumb "Eleven Echoes of Autumn, 1965" and "Dream Sequence", Ralph Shapey "Discourse for Four Instruments" and "Di ...
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Johanna Meier
Johanna Meier (born February 13, 1938) is an American operatic soprano. She has been described as "one of the foremost Wagnerian sopranos of her era".Johanna Meier
at WagnerOpera.net, accessed 14 July 2010.
She had an international career, including fourteen years at the and three summers singing the role of Isolde in Wagner's '''' for the
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Siegfried Landau
Siegfried Landau (September 4, 1921February 20, 2007) was a German-born American conductor and composer. He was born in Berlin, the son of Ezekiel Landau, an Orthodox rabbi, and Helen (Grynberg) Landau. He was a music student at the Stern and Klindworth-Scharwenka Conservatories in Germany. His family emigrated to London in 1939. In 1940, Landau came to New York City and was a pupil of Pierre Monteux. In 1943, he became a faculty member of the New York College of Music (after 1968 absorbed into New York University's Steinhardt School of Culture, Education and Human Development). Landau joined the Brooklyn Philharmonic (then called the Brooklyn Philharmonia) in 1955, an orchestra comprised at that time of freelance musicians in the New York City area with a focus on contemporary or infrequently performed classical music. His tenure as the orchestra's music director was from 1955 to 1971, when he resigned after the orchestra had reduced its season and programming opportunities ...
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Columbia Chamber Orchestra
Columbia may refer to: * Columbia (personification), the historical female national personification of the United States, and a poetic name for America Places North America Natural features * Columbia Plateau, a geologic and geographic region in the U.S. Pacific Northwest * Columbia River, in Canada and the United States ** Columbia Bar, a sandbar in the estuary of the Columbia River ** Columbia Country, the region of British Columbia encompassing the northern portion of that river's upper reaches *** Columbia Valley, a region within the Columbia Country ** Columbia Lake, a lake at the head of the Columbia River *** Columbia Wetlands, a protected area near Columbia Lake ** Columbia Slough, along the Columbia watercourse near Portland, Oregon * Glacial Lake Columbia, a proglacial lake in Washington state * Columbia Icefield, in the Canadian Rockies * Columbia Island (District of Columbia), in the Potomac River * Columbia Island (New York), in Long Island Sound Populated places ...
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Adelaide Bishop
Adelaide Bishop (23 June 1928 – 20 June 2008) was an American operatic soprano, musical theatre actress, opera director, stage director, and voice teacher. She began her career appearing in Broadway musicals as a teenager during the early 1940s. She became a principal soprano with the New York City Opera (NYCO) in 1948, where she performed through 1960 in a broad repertoire encompassing German, French, Italian, and English operas from a variety of musical periods. In the late 1950s, she started working actively as a stage director and as a voice teacher, working with many opera companies throughout the United States and serving on the music faculties of several different American universities. She also served as the artistic director of the Wolf Trap Opera for many years. Early life and career: 1928–1948 Born in New York City, Bishop started studying singing as a young teenager with various instructors, including Paul Breisach, Louis Polanski, Rose Landver, and at Luigi Ro ...
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