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The String-A-Longs
The String-A-Longs were an American instrumental group from Plainview, Texas, United States. The band consisted of Richard Stephens and Jimmy Torres alternating lead guitars, Keith McCormack on rhythm guitar, Aubrey de Cordova, bass guitar and Don Allen, drums. They are best known for their hit single, "Wheels", which reached No. 3 on the ''Billboard'' Hot 100 in and was the number 8 single of 1961. History The band was formed under the name Patio Kids in 1956 by McCormack, Stephens and de Cordova, who were Plainview High School classmates. They were then joined by drummer Charles Jay Edmiston and, in early 1957, and they rechristened themselves the Rock ‘n’ Rollers with the arrival of another guitar player, Jimmy Torres. They began recording in Amarillo, Texas, as the Rock'n Rollers, under their first manager Johnny Voss, Keith McCormack's Uncle. Their first single was on the Ven label. In the later fifties they began recording at Norman Petty's studio in Clovis, New Mexico ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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Billy Vaughn
Richard Smith "Billy" Vaughn (April 12, 1919 – September 26, 1991) was an American singer, multi-instrumentalist, orchestra leader, and A&R man for Dot Records. Biography Vaughn was born in Glasgow, Kentucky, United States, where his father, Alvis Radford Vaughn, was a barber who loved music and inspired Billy to teach himself to play the mandolin at the age of three, while suffering from measles. He went on to learn a number of other instruments. In 1941, Vaughn joined the United States National Guard for what had been planned as a one-year assignment, but when World War II broke out, he was in for the duration as a valued musician and composer at Camp Shelby, Mississippi. Major General Daniel I. Sultan decided that Vaughn was too valuable to the base's Thirty-Eighth Division big band, and kept him at Camp Shelby for the duration of the war. He decided to make music a career when he was discharged from the army at the end of the war, and on the GI Bill, attended Western Kent ...
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Joel Whitburn
Joel Carver Whitburn (November 29, 1939 – June 14, 2022) was an American author and music historian, responsible for setting up the Record Research, Inc. series of books on record chart placings. Early life Joel Carver Whitburn was born in Wauwatosa, Wisconsin on November 29, 1939."Joel (Carver) Whitburn". '' Contemporary Authors''. Detroit: Gale. 2002. He started collecting records in his teens, first subscribed to '' Billboard'' in 1953, and when the Hot 100 was introduced in 1958 started recording the chart placings of records on index cards. After graduating from Menomonee Falls High School in 1957, he attended Elmhurst College and the University of Wisconsin–Milwaukee, but did not receive a degree from either institution. Career Whitburn worked on record distribution for RCA in the mid 1960s, using his chart statistics to inform radio stations, before founding his own company, Record Research, Inc., in Menomonee Falls, Wisconsin, in 1970. He put together a team of re ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ...
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Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ...
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Atco Records
ATCO Records is an American record label founded in 1955. It is owned by Warner Music Group and operates as an imprint of Atlantic Records. After several decades of dormancy and infrequent activity under alternating Warner Music labels, the company was relaunched by Atlantic Records in early 2020. History 1950s–1960s: Beginnings ATCO Records was devised as an outlet for productions by one of Atlantic Records' founders, Herb Abramson, who had returned to the company from military service. The label was also intended as a home for acts that did not fit the format of the main Atlantic brand, which was releasing blues, jazz, rhythm and blues and soul. The ATCO name is an abbreviation of ATlantic COrporation. ATCO also provided distribution for other labels, including RSO, Volt, Island, Modern, Ruthless, Hansa and Rolling Stones. For most of its history, ATCO was known for pop and rock music, but during its early years, it produced some jazz albums. These included Harry Arnold, ...
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Wide World Hits
''Wide World Hits'' is the title of a recording by the instrumental group the String-A-Longs, released on Atco SD 33-241. (According to the aforewikilinked article, the album is actually performed by the Fireballs.) Critical response Wayne Harada of the Honolulu Advertiser called it "a plucky good time." Track listing Side one # "More" (Riz Ortolani/Nino Oliviero/Norman Newell/M. Ciorciolini)– 2:32 # "Places I Remember" (Norman Petty)– 2:10 # " Love Is Blue" ( Andre Popp/Pierre Cour)– 2:20 # "La Pobracita (Poor Little One)"Note that ''pobracita'' is a misspelling of the correct Spanish spelling ''pobrecita'' (femenin of 'poor little one'). (George Tomsco)– 1:48 # " Silence Is Golden" ( Bob Gaudio/ Bob Crewe)– 3:06 # "Black Grass" (Ken Jordan/Ken Davis)– 2:20 Side two # "There Is a Mountain" ( Donovan Leitch)– 2:12 # "I'll Be There" (George Tomsco/Barbara Tomsco)– 3:10 # "Blue Guitar" ( Johnny Duncan)– 2:08 # "Groovin'" (Felix Cavaliere/Eddie Brigati)– 2:33 # ...
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Bottle Of Wine
"Bottle of Wine" is a song written and recorded by Tom Paxton, which was also a hit for the band The Fireballs, whose version reached #9 on the ''Billboard'' Hot 100 in 1968 and #5 in Canada. It also reached #3 in South Africa. The song, which included only two of Paxton's four verses, with the chorus repeated, appeared on the band's 1967 album, ''Bottle of Wine''. The Fireballs' record was produced by Norman Petty, and was ranked #63 on ''Billboard'' magazine's Top ''Hot 100'' songs of 1968. Other versions *Judy Collins on her 1964 concert album ''The Judy Collins Concert''. *Tom Paxton's original was released on his 1965 album, ''Ain't That News!'' *The Kingston Trio covered the song on their 1965 album 'Stay Awhile' * Joe Brown released a single in 1968. *Sweeney's Men recorded it with the Capitol Showband in 1970. *Doc Watson and Merle Watson in 1973, which reached #71 on the U.S. country chart.
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The Fireballs
The Fireballs, sometimes billed as Jimmy Gilmer and the Fireballs, were an American rock and roll group, particularly popular at the end of the 1950s and in the early 1960s. The original line-up consisted of George Tomsco (lead guitar), Chuck Tharp (vocals), Stan Lark (bass), Eric Budd (drums), and Dan Trammell (rhythm guitar). The Fireballs were formed in Raton, New Mexico, in 1957 and got their start as an instrumental group featuring the distinctive lead guitar of George Tomsco. They recorded at Norman Petty's studio in Clovis, New Mexico. According to group founders Tomsco and Lark, they took their name after their standing ovation performance of Jerry Lee Lewis's "Great Balls of Fire" at the Raton High School PTA talent contest in New Mexico, USA. They reached the top 40 with the singles "Torquay" (1959), "Bulldog" (1960), and "Quite a Party" (1961). "Quite a Party" peaked at No. 29 in the UK Singles Chart in August 1961. Tharp, Budd, and Trammell left the group in the e ...
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Dot Records
Dot Records was an American record label founded by Randy Wood (record producer), Randy Wood and Gene Nobles that was active between 1950 and 1978. The original headquarters of Dot Records were in Gallatin, Tennessee. In 1956, the company moved to Hollywood, California. In its early years, Dot specialized in artists from Tennessee. Then it branched out to include musicians from across the U.S. It recorded country music, rhythm and blues, polkas, waltzes, Gospel music, gospel, rockabilly, pop music, pop, and early rock and roll. After moving to Hollywood, Dot Records bought many recordings by small local independent labels and issued them nationally. In 1957, Wood sold the label to Paramount Pictures, but remained in charge until 1967, when he departed to join Lawrence Welk in the formation of Ranwood Records. In 1968, the label was acquired as part of the acquisition of Paramount by Gulf and Western Industries, Gulf+Western, which transitioned it to exclusively recording country ...
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Joe Loss
Sir Joshua Alexander "Joe" Loss (22 June 1909 – 6 June 1990) was a British dance band leader and musician who founded his own eponymous orchestra. Life Loss was born in Spitalfields, London, the youngest of four children. His parents, Israel and Ada Loss, were Russian Jews and first cousins. His father was a cabinet-maker who had an office furnishing business. Loss attended the Jews' Free School, Trinity College of Music and the London College of Music (now part of the University of West London). He started violin lessons at the age of seven and later played violin at the Tower Ballroom, Blackpool and also with Oscar Rabin. Loss started band leading in the early 1930s, working at the Astoria Ballroom and soon breaking into variety at the Kit-Cat Club. In 1934, he topped the bill at the Holborn Empire but in the same year moved back to the Astoria Ballroom where he led a twelve piece band. In 1935, Vera Lynn appeared with the Joe Loss Orchestra in her first radio broadca ...
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