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The Story Of The Last Chrysanthemum
, also titled ''The Story of the Last Chrysanthemum'' and ''The Story of the Late Chrysanthemums'', is a 1939 Japanese drama film directed by Kenji Mizoguchi. Based on a short story by Shōfu Muramatsu, it follows an onnagata (male actor specialising in playing female roles) struggling for artistic mastery in late 19th century Japan. Plot Kikunosuke Onoe, generally called Kiku, is the adopted son of a famous Tokyo kabuki actor, who is training to succeed his father in an illustrious career. Whilst hypocritically praising Onoe's acting to his face, the rest of his father's troupe deride him behind his back. Otoku, who lives at the father's house as the young wet-nurse of the infant son of the father's natural son, is the only one frank enough to disclose his artistic shortcomings and urge him to improve himself. When Otoku is dismissed by Kiku's family for her over-closeness to the young master, with the potential for scandal, Kiku tracks her down and states that he wishes to marry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Mizoguchi
was a Japanese film director and screenwriter, who directed about one hundred films during his career between 1923 and 1956. His most acclaimed works include ''The Story of the Last Chrysanthemums'' (1939), ''The Life of Oharu'' (1952), ''Ugetsu'' (1953), and '' Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹郎 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1939 Films
The year 1939 in film is widely considered the greatest year in film history. The ten Best Picture-nominated films that year include classics in multiple genres. Top-grossing films (U.S.) The top ten 1939 released films by box office gross in North America are as follows: Events Film historians often rate 1939 as "the greatest year in the history of Hollywood". Hollywood films produced in Southern California were at the height of their Golden Age (in spite of many cheaply made or undistinguished films also being produced, something to be expected with any year in commercial cinema), and during 1939 there are the premieres of an outstandingly large number of exceptional motion pictures, many of which become honored as all-time classic films. ** June 10 – MGM's first successful animated character, Barney Bear, made his debut in ''The Bear That Couldn't Sleep''. ** August 15 – ''The Wizard of Oz'' premiered at Grauman's Chinese Theatre in Los Angeles. ** October 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zangiku Monogatari (1956 Film)
is a 1956 black-and-white Japanese film directed by Koji Shima. Cast * Kazuo Hasegawa * Chikage Awashima * Tamao Nakamura * Mitsuko Yoshikawa See also * ''The Story of the Last Chrysanthemum , also titled ''The Story of the Last Chrysanthemum'' and ''The Story of the Late Chrysanthemums'', is a 1939 Japanese drama film directed by Kenji Mizoguchi. Based on a short story by Shōfu Muramatsu, it follows an onnagata (male actor speciali ...'' (残菊物語 Zangiku monogatari) (1939) by Kenji Mizoguchi References External links * * http://search.varietyjapan.com/moviedb/cinema_24799.html * http://www.allcinema.net/prog/show_c.php?num_c=137212 Japanese black-and-white films 1956 films Films directed by Koji Shima Daiei Film films Films produced by Masaichi Nagata 1950s Japanese films Japanese romantic drama films 1950s romantic drama films {{1950s-Japan-film-stub ja:残菊物語#1956年版 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2015 Cannes Film Festival
The 68th Cannes Film Festival was held from 13 to 24 May 2015. Joel and Ethan Coen were the Presidents of the Jury for the main competition. It was the first time that two people chaired the jury. Since the Coen brothers each received a separate vote, they were joined by seven other jurors to form the customary nine-juror panel. French actor Lambert Wilson was the host for the opening and closing ceremonies. The Palme d'Or was awarded to the French film ''Dheepan'' directed by Jacques Audiard. On winning the award Audiard said "To receive a prize from the Coen brothers is something pretty exceptional. I'm very touched". The festival poster featured Hollywood star and Swedish actress Ingrid Bergman, photographed by David Seymour. The poster was chosen to pay tribute to Bergman for her contributions to films and who also served as the Jury President at 1973 Cannes Film Festival. As part of the tribute to Bergman, the Swedish documentary '' Ingrid Bergman: In Her Own Words'' was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Yorker
''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues covering two-week spans. Although its reviews and events listings often focus on the Culture of New York City, cultural life of New York City, ''The New Yorker'' has a wide audience outside New York and is read internationally. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric American culture, its attention to modern fiction by the inclusion of Short story, short stories and literary reviews, its rigorous Fact-checking, fact checking and copy editing, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue. Overview and history ''The New Yorker'' was founded by Harold Ross and his wife Jane Grant, a ''The New York Times, N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Brody
Richard Brody (born 1958) is an American film critic who has written for ''The New Yorker'' since 1999. Education Brody grew up in Roslyn, New York, and attended Princeton University, receiving a B.A. in comparative literature in 1980. He first became interested in films after seeing Jean-Luc Godard's seminal French New Wave film '' Breathless'' during his freshman year at Princeton. In the early 1980s, after graduating from college, Brody briefly lived in Paris. He is the author of a biography of Godard. Career Before becoming a film critic, Brody worked on documentaries and made several independent films. In December 2014, he was made a Chevalier (Knight) in the Ordre des Arts et des Lettres for his contributions in popularizing French cinema in America. Favorite films Brody participated in the 2012 ''Sight & Sound'' critics' poll, where he listed his ten favorite films as follows: *'' Gertrud'' (Denmark, 1964) *''The Great Dictator'' (USA, 1940) *''Husbands'' (USA, 1970 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith in Hove, who used medium close-ups in films as early as 1898 and by 1900 was incorporating extreme close-ups in films such as ''As Seen Through a Tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Rosenbaum
Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for ''The Chicago Reader'' from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has contributed to such notable film publications as ''Cahiers du cinéma'' and ''Film Comment''. Regarding Rosenbaum, French New Wave director Jean-Luc Godard said, "I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He's one of the best; we don't have writers like him in France today. He's like André Bazin." Early life Rosenbaum grew up in Florence, Alabama, where his grandfather had owned a small chain of movie theaters. He grew up with his father Stanley and mother Mildred in the Rosenbaum House, designed by notable architect Frank Lloyd Wright, the only building by Wright in Alabama. As a teenager, he attended The Putney School in Putney, Vermont, where his cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noël Burch
Noël Burch (born 1932) is an American film theorist and movie maker who moved to France at a young age. Burch is known for his contribution to terms commonly used by film scholars (such as institutional mode of representation (IMR)) and for his theories compiled in books such as ''Theory of Film Practice'' or ''La lucarne de L'Infini''. Work Burch's major contribution to the history of film theory is not his definition of classical Hollywood film tropes, which had already been done, but rather his focus on early cinema. There, he identified a set of film styles that he would identify as the primitive mode of representation (PMR). In doing so, he found what he thought was a "purer" cinema, one untainted by what he considered bourgeois ideology. Whether his ideology informed his understanding of film style, or vice versa, his ''Theory of Film Practice'' is one of the key works in the canon of Western film theory. In the foreword to the 1980 edition of ''Theory Of Film Practice'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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