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The Story Of The Clash, Volume 1
''The Story of the Clash, Vol. 1'' is a double-disc compilation album by the English punk rock band the Clash. Consisting of 28 tracks, it was released on 29 February 1988 by Epic Records. The compilation presents a relatively thorough overview of their career, but does not feature any material from their final studio album, ''Cut the Crap'' (1985). An anticipated second volume was to have consisted of live recordings but remains unreleased, although a live compilation, '' From Here to Eternity: Live'', was released in 1999. The original vinyl set was released with four different colored cover variations: red, blue, yellow and green. The compilation was promoted by reissued singles of "I Fought the Law" and "London Calling". Liner notes The extensive inner notes are told from the perspective of frontman Joe Strummer's alter-ego, Albert Transom. Transom, described by himself as "...their valet from the early beginnings to the bitter end...", tells many anecdotes, including one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cut The Crap
''Cut the Crap'' is the sixth and final studio album by English punk band the Clash, released on 4 November 1985 by CBS Records. It was recorded in early 1985 at Weryton Studios, Munich, following a turbulent period: co-founder, lead guitarist and co-principal songwriter Mick Jones and drummer Topper Headon had been dismissed by lead vocalist Joe Strummer and bassist Paul Simonon. Jones and Headon were replaced by three unknowns: guitarists Vince White and Nick Sheppard and drummer Pete Howard. During the tense recording sessions, Clash manager Bernie Rhodes and Strummer fought each other for control over the band's songwriting and musical direction. Strummer and Rhodes co-wrote most of the songs. During production, Rhodes took charge of the arrangements, track sequencing and the final mix. His production choices, which rely heavily on Strummer's preference for synthetic drum sounds and Rhodes' own inclusion of sampling, were widely derided. One writer described the al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Is Radio Clash
"This Is Radio Clash" is a song by the English punk rock band the Clash. It was released as a single in 1981 on various formats. The song was performed months before its release, beginning with the Impossible Mission Tour of April and May 1981. A live performance was televised on Tom Snyder's '' Tomorrow'' show on 5 June 1981. The song received mixed reviews from critics, who were hoping The Clash would return to its anarchic punk roots. Despite the mixed reviews, the song received some praise for its experimental nature and the Clash's signature anti-authoritarian political lyrics. As well as the previous Clash single (The Magnificent Seven), "This is Radio Clash" also continued the Clash's genre experiments with Rap rock and funk, which had broken through the American markets. Release 7-inch single The 7-inch single also contains a B-side titled simply "Radio Clash", which is a remix of the title track with additional lyrics. The Clash stated at the time that they intended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Combat Rock
''Combat Rock'' is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. The album was propelled by Topper Headon's "Rock the Casbah" which became a staple in the newly launched MTV. ''Combat Rock'' continued the influence of funk and reggae like the previous albums, but also featured a more radio friendly sound which alienated some Clash fans. The recording and producing process of the album was tiring and full of infighting between Mick Jones and Joe Strummer. Headon's heroin addiction grew worse and he slowly became distant from the band. The band had disagreed on the creative process of the album and called in Glyn Johns to produce the more radio friendly sound of ''Combat Rock.'' ''Combat Rock'' is the group's best-selling album, being certified double p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock The Casbah
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982. The song was released as the second single from their fifth album, ''Combat Rock''. It reached number eight on the ''Billboard'' Hot 100 chart in the US (their only top 10 single in the United States) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart. Recording "Rock the Casbah" was composed by the band's drummer Topper Headon, based on a piano part that he had been toying with. Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song's musical instrumentation himself. This origin makes "Rock the Casbah" different from the majority of Clash songs, which tended to originate with music written by the Joe Strummer– Mick Jones songwriting partnership. Upon entering the studio to hear Headon's recording, the other Clash members were impressed with his creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandinista!
''Sandinista!'' is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap.Related news articles: * * * For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.Related news articles: * The title refers to the Sandinistas in Nicaragua, and its catalogue number, 'FSLN1', refers to the abbreviation of the party's Spanish name, ''Frente Sandinista de Liberación Nacional''.Jaffee, Larry. "The Politics of Rock". ''Popular Music and Society'', Winter 1987, pp. 19–30. ''Sandinista!'' was mostly well received, however, there was criticism towards the large size of the triple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magnificent Seven (song)
"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, ''Sandinista!''. It reached number 34 on the UK Singles Chart. Composition The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create ''Sandinista!s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than Blondie's "Rapture" by six months. Strummer said o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mick Jones (The Clash)
Michael Geoffrey Jones (born 26 June 1955) is a British musician, singer, songwriter, and record producer best known as the lead guitarist, co-lead vocalist, co-founder and songwriter for the Clash until 1983. In 1984, he formed Big Audio Dynamite with Don Letts. Jones has played with the band Carbon/Silicon along with Tony James (formerly of Generation X and Sigue Sigue Sputnik) since 2002 and was part of the Gorillaz live band for a world tour in 2010–2011. In late 2011, Jones collaborated with Pete Wylie and members of the Farm to form the Justice Tonight Band. Early life Michael Geoffrey Jones was born on 26 June 1955 in Wandsworth, London, England, to a Welsh father, Tommy Jones, and a Russian Jewish mother, Renee Zegansky. Jones' maternal grandmother Stella was born in 1899 to Jewish parents in Russia and escaped the Russian pogroms by migrating to the United Kingdom. He spent much of his early life living with his maternal grandmother, Stella Class, in South Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roxy Music
Roxy Music are an English rock music, rock band formed in 1970 by Bryan Ferry—who became the band's lead vocalist and principal songwriter—and bassist Graham Simpson (musician), Graham Simpson. The other longtime members are Phil Manzanera (guitar), Andy Mackay (saxophone and oboe), and Paul Thompson (musician), Paul Thompson (drums and percussion). Other members included Brian Eno (synthesizer and "treatments") and Eddie Jobson (synthesizer and violin). Although the band took a break from group activities in 1976 and again in 1983, they reunited for a concert tour in 2001, and have toured together intermittently since. Ferry frequently enlisted band members as session musicians for his solo releases. Roxy Music became a successful act in Europe and Australia during the 1970s. This success began with their self-titled Roxy Music (album), debut studio album in 1972. The band pioneered more musically sophisticated elements of glam rock while significantly influencing early En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devo
Devo (, originally ) is an American rock band from Akron, Ohio, formed in 1973. Their classic line-up consisted of two sets of brothers, the Mothersbaughs (Mark and Bob) and the Casales (Gerald and Bob), along with Alan Myers. The band had a No. 14 ''Billboard'' chart hit in 1980 with the single " Whip It", the song that gave the band mainstream popularity. Devo's music and visual presentation (including stage shows and costumes) mingle kitsch science fiction themes, deadpan surrealist humor and mordantly satirical social commentary. The band's namesake, the tongue-in-cheek social theory of "de-evolution", was an integral concept in their early work, which was marked by experimental and dissonant art punk that merged rock music with electronics. Their output in the 1980s embraced synth-pop and a more mainstream, less conceptual style, though the band's satirical and quirky humor remained intact. Their music has proven influential on subsequent movements, particularly on new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Boys
The Teddy Boys or Teds were a mainly British youth subculture of the mid 1950s to mid 1960s who were interested in rock and roll and R&B music, wearing clothes partly inspired by the styles worn by dandies in the Edwardian period, which Savile Row tailors had attempted to re-introduce in Britain after the Second World War. History A mainly British phenomenon, the Teddy Boy subculture started among teenagers in London in the early 1950s, and rapidly spread across the UK, becoming strongly associated with American rock and roll music. After World War II, male youths in delinquent gangs who had adopted Edwardian-era fashion were sometimes known as "Cosh Boys", or "Edwardians". But the name ''Teddy Boy'' was coined when a 23 September 1953 ''Daily Express'' newspaper report headline shortened ''Edwardian'' to ''Teddy''. Nevertheless, the term had previously been used in Edwardian England to refer to members of the Territorial Army (see for example '' The Swoop!'' written by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
