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The Star Of Grenada
''L’Étoile de Grenade'' is a ballet '' divertissement'' choreographed by Marius Petipa to music by Cesare Pugni. This was the first collaboration between Marius Petipa and the composer Cesare Pugni. Petipa did not receive credit for the production of this ballet in the theatre program. The ballet was first presented by the Imperial Ballet on for the imperial court at the theatre of the Palace of the Grand Duchess Elena Pavlovna The Mikhailovsky Palace (russian: Михайловский дворец, tr=Mikhailovskiy dvorets) is a grand ducal palace in Saint Petersburg, Russia. It is located on Arts Square and is an example of Empire style neoclassicism. The palace cu ..., St. Petersburg, Russian Empire. See also * List of ballets by title External linksNew York Choreographic Institute website {{DEFAULTSORT:Etoile De Grenade Ballets by Marius Petipa Ballets by Cesare Pugni 1855 ballet premieres ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera ''Faust'' and Delibes's ballet ''Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called 'intermèdes'. The term is also sometimes used for a ballet suite of loosely connected dances. One 20th-century example is Jacques ...
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Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ...
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Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perro ...
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Mariinsky Ballet
The Mariinsky Ballet (russian: Балет Мариинского театра) is the resident classical ballet company of the Mariinsky Theatre in Saint Petersburg, Russia. Founded in the 18th century and originally known as the Imperial Russian Ballet, the Mariinsky Ballet is one of the world's leading ballet companies. Internationally, the Mariinsky Ballet continues to be known by its former Soviet name the Kirov Ballet. The Mariinsky Ballet is the parent company of the Vaganova Ballet Academy, a leading international ballet school. History The Mariinsky Ballet was founded in the 1740s, following the formation of the first Russian dance school in 1738. The Imperial Theatre School, as it was originally known, was established on 4 May 1738, at the Winter Palace in Saint Petersburg. It would become the predecessor of today's Vaganova Academy of Russian Ballet. The school's founder director was the French ballet master and teacher Jean-Baptiste Landé and the purpose of cr ...
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Palace Of The Grand Duchess Elena Pavlovna
The Mikhailovsky Palace (russian: Михайловский дворец, tr=Mikhailovskiy dvorets) is a grand ducal palace in Saint Petersburg, Russia. It is located on Arts Square and is an example of Empire style neoclassicism. The palace currently houses the main building of the Russian Museum and displays its collections of early, folk, eighteenth, and nineteenth century art. It was originally planned as the residence of Grand Duke Michael Pavlovich, the youngest son of Emperor Paul I. Work had not yet begun on the Mikhailovsky Palace, when Paul was overthrown and killed in a palace coup that brought Michael's elder brother to the throne as Alexander I. The new emperor resurrected the idea for a new palace by the time Michael was 22, and plans were drawn up by Carlo Rossi to develop a new site in Saint Petersburg. The palace, built in the neoclassic style, became the centrepiece of an ensemble that took in new streets and squares. It was lavishly decorated, with the int ...
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Russian Empire
The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. The rise of the Russian Empire coincided with the decline of neighbouring rival powers: the Swedish Empire, the Polish–Lithuanian Commonwealth, Qajar Iran, the Ottoman Empire, and Qing China. It also held colonies in North America between 1799 and 1867. Covering an area of approximately , it remains the third-largest empire in history, surpassed only by the British Empire and the Mongol Empire; it ruled over a population of 125.6 million people per the 1897 Russian census, which was the only census carried out during the entire imperial period. Owing to its geographic extent across three continents at its peak, it featured great ethnic, linguistic, religious, and economic diversity. From the 10th–17th centuries, the land ...
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List Of Ballets By Title
__NOTOC__ The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance. Alphabetical listing 1 * ''2 and 3 Part Inventions'', to music by Johann Sebastian Bach, 1994 A * ''A Folk Tale'', Johan Peter Emilius Hartmann and Niels W. Gade, 1854 * '' A Midsummer Night's Dream'', to music by Felix Mendelssohn, 1964 * '' A Month in the Country'', to music by Frédéric Chopin, 1976 * ''A Suite of Dances'', to music by Johann Sebastian Bach, 1994 * ''A Tragedy of Fashion'', to music by Eugene Aynsley Goossens, 1926 * ''Adam Zero'', Arthur Bliss, 1946 * '' Adams Violin Concerto'', to music by John Adams, 1995 * ''Adagio Hammerklavier'', to music by Ludwig van Beethoven, 1973 * ''Afternoon of a Faun (Nijinsky)'', to music by Claude Debussy, 1912 * '' Afternoon of a Faun (Robbins)'', to music by Claude D ...
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Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flore ...
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Ballets By Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perrot ...
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