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The Spring
''The Spring'' (or ''La Source'') is a large oil painting created in 1912 by the French artist Francis Picabia. The work, both Cubist and abstract, was exhibited in Paris at the Salon d'Automne of 1912. The Cubist contribution to the 1912 Salon d'Automne created a controversy in the Municipal Council of Paris, leading to a debate in the Chambre des Députés about the use of public funds to provide the venue for such 'barbaric' art. The Cubists were defended by the Socialist deputy, Marcel Sembat.Béatrice Joyeux-Prunel, ''Histoire & Mesure'', no. XXII -1 (2007), Guerre et statistiques, ''L'art de la mesure, Le Salon d'Automne (1903-1914), l'av ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Picabia
Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly Abstract art, abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment. Biography Early life Francis Picabia was born in Paris of a French mother and a Cuban father of Spanish descent. Some sources would have his father as of aristocratic Spanish descent, whereas others consider him of non-aristocratic Spanish descent, from the region of Galicia (Spain), Galicia. His birth year of 1879 coincided with the Spanish-Cuban Little War (Cuba), Little War; and though Picabia was born in Paris, his father was involved in Cuba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chambre Des Députés
Chamber of Deputies (french: Chambre des députés) was a parliamentary body in France in the nineteenth and twentieth centuries: * 1814–1848 during the Bourbon Restoration and the July Monarchy, the Chamber of Deputies was the lower house of the French Parliament, elected by census suffrage. * 1875–1940 during the French Third Republic, the Chamber of Deputies was the legislative assembly of the French Parliament, elected by universal suffrage. When reunited with the Senate in Versailles, the French Parliament was called the National Assembly (''Assemblée nationale'') and carried out the election of the president of the French Republic. During the Bourbon Restoration Created by the Charter of 1814 and replacing the Corps législatif, which existed under the First French Empire, the Chamber of Deputies was composed of individuals elected by census suffrage. Its role was to discuss laws and, most importantly, to vote taxes. According to the Charter, deputies were elected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amedeo Modigliani
Amedeo Clemente Modigliani (, ; 12 July 1884 – 24 January 1920) was an Italian painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures that were not received well during his lifetime, but later became much sought-after. Modigliani spent his youth in Italy, where he studied the art of antiquity and the Renaissance. In 1906, he moved to Paris, where he came into contact with such artists as Pablo Picasso and Constantin Brâncuși. By 1912, Modigliani was exhibiting highly stylized sculptures with Cubists of the Section d'Or group at the Salon d'Automne. Modigliani's oeuvre includes paintings and drawings. From 1909 to 1914, he devoted himself mainly to sculpture. His main subject was portraits and full figures, both in the images and in the sculptures. Modigliani had little success while alive, but after his death achieved great popularity. He died of tubercular m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Archipenko
Alexander Porfyrovych Archipenko (also referred to as Olexandr, Oleksandr, or Aleksandr; uk, Олександр Порфирович Архипенко, Romanized: Olexandr Porfyrovych Arkhypenko; February 25, 1964) was a Ukrainian and American avant-garde artist, sculptor, and graphic artist. He was one of the first to apply the principles of Cubism to architecture, analyzing human figure into geometrical forms. Biography Alexander Archipenko was born in Kyiv (Russian Empire, now Ukraine) in 1887, to Porfiry Antonowych Archipenko and Poroskowia Vassylivna Machowa Archipenko; he was the younger brother of Eugene Archipenko. From 1902 to 1905 he attended the Kyiv Art School (KKHU). In 1906 he continued his education in the arts at Serhiy Svetoslavsky (Kyiv), and later that year had an exhibition there with Alexander Bogomazov. He then moved to Moscow where he had a chance to exhibit his work in some group shows. Archipenko moved to Paris in 1908 and quickly enrolled in the É ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
František Kupka
František Kupka (23 September 1871 – 24 June 1957), also known as ''Frank Kupka'' or ''François Kupka,'' was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism ( Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art. Biography Education František Kupka was born in Opočno (eastern Bohemia) in Austria-Hungary in 1871. From 1889 to 1892, he studied at the Academy of Fine Arts in Prague. At this time, he painted historical and patriotic themes. Kupka enrolled at the Academy of Fine Arts in Vienna, where he concentrated on symbolic and allegorical subjects. He was influenced by the painter and social reformer Karl Wilhelm Diefenbach (1851–1913) and his naturistic life-style. Kupka exhibited at the Kunstverein, Vienna, in 1894. His involvement with theosophy and Eastern philosophy dates from this period. By spring 1894, Kupka had settled in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Lhote
André Lhote (5 July 1885 – 24 January 1962) was a French Cubist painter of figure subjects, portraits, landscapes and still life. He was also active and influential as a teacher and writer on art. Early life and education Lhote was born 5 July 1885 in Bordeaux, France, and learned wood carving and sculpture from the age of 12, when his father apprenticed him to a local furniture maker to be trained as a sculptor in wood. He enrolled at the École des Beaux-Arts in Bordeaux in 1898 and studied decorative sculpture until 1904. Whilst there, he began to paint in his spare time and he left home in 1905, moving into his own studio to devote himself to painting. He was influenced by Gauguin and Cézanne and held his first one-man exhibition at the Galerie Druet in 1910, four years after he had moved to Paris. Career After initially working in a Fauvist style, Lhote shifted towards Cubism and joined the Section d'Or group in 1912, exhibiting at the Salon de la Section d'Or. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armory Show
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was a show organized by the Association of American Painters and Sculptors in 1913. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories. The three-city exhibition started in New York City's 69th Regiment Armory, on Lexington Avenue between 25th and 26th Streets, from February 17 until March 15, 1913. The exhibition went on to the Art Institute of Chicago and then to The Copley Society of Art in Boston,International Exhibition of Modern Art catalogue cover, Copley Society of Boston, |
Man On A Balcony (Gleizes)
''Man on a Balcony'' (also known as ''Portrait of Dr. Théo Morinaud'' and L'Homme au balcon''), is a large oil painting created in 1912 by the French artist, theorist and writer Albert Gleizes (1881–1953). The painting was exhibited in Paris at the Salon d'Automne of 1912 (no. 689). The Cubist contribution to the salon created a controversy in the French Parliament about the use of public funds to provide the venue for such 'barbaric art'. Gleizes was a founder of Cubism, and demonstrates the principles of the movement in this monumental painting (over six feet tall) with its projecting planes and fragmented lines. The large size of the painting reflects Gleizes's ambition to show it in the large annual salon exhibitions in Paris, where he was able with others of his entourage to bring Cubism to wider audiences.Michael R. Taylor, from Masterpieces from the Philadelphia Museum of Art: Impressionism and Modern Art (2007) In February 1913, Gleizes and other artists introduced the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Le Fauconnier
Henri Victor Gabriel Le Fauconnier (July 5, 1881 – December 25, 1946) was a French Cubist painter born in Hesdin. Le Fauconnier was seen as one of the leading figures among the Montparnasse Cubists. At the 1911 Salon des Indépendants Le Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger and Robert Delaunay caused a scandal with their Cubist paintings. He was in contacts with many European avant-garde artists such as Wassily Kandinsky, writing a theoretical text for the catalogue of the Neue Künstlervereinigung München, Neue Künstlervereinigung in Munich, of which he became a member. His paintings were exhibited in Moscow reproduced as examples of the latest art in ''Der Blaue Reiter, Der Blaue Reiter Almanach'' (''The Blue Rider Almanac''). Career In 1901 Henri Le Fauconnier moved from northern France to Paris, where he studied law, then attended painting classes in the studio of Jean-Paul Laurens, then in the Academie Julian. He changed his name from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger De La Fresnaye
Roger de La Fresnaye (; 11 July 1885 – 27 November 1925) was a French Cubist painter. Early years and education La Fresnaye was born in Le Mans where his father, an officer in the French army, was temporarily stationed. The La Fresnayes were an aristocratic family whose ancestral home, the Château de La Fresnaye, is in Falaise. His education was classically based, and was followed from 1903 to 1904 by studies at the Académie Julian in Paris, and from 1904 to 1908 at the École des Beaux-Arts. From 1908 he studied at the Académie Ranson under Maurice Denis and Paul Sérusier, whose joint influence is evident in early works such as ''Woman with Chrysanthemums'', 1909. This demonstrates the dreamlike symbolist ambience and stylistic character of work by the Les Nabis group. In 1909, Fresnaye travelled to Munich, where he encountered the German Expressionists, and then, in 1911, to northern Italy where he began to introduce more cuboid and abstract elements into his own painting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Léger
Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more Figurative art, figurative, populism, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Biography Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Maison Cubiste
''La Maison Cubiste'' (''The Cubist House''), also called ''Projet d'hôtel'', was an architectural installation in the ''Art Décoratif'' section of the 1912 Paris ''Salon d'Automne'' which presented a Cubist vision of architecture and design. Critics and collectors present at the exhibition were confronted for the first time with the prospect of a Cubist architecture. The facade was designed by the sculptor Raymond Duchamp-Villon. The interior design of the house was conceived by the painter and designer André Mare, in collaboration with Cubist artists from the Section d'Or group. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
