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The Sound Dimensions
Sound Dimension (previously named The Soul Vendors) was a Jamaican reggae band formed in 1967 in Kingston, Jamaica. They were the house band at Clement "Coxsone" Dodd's Studio One. They were named after a piece of studio equipment called the Sound Dimension. Their 1967 recorded track " Real Rock" became a famous riddim. Members Membership varied from time to time. The following musicians appear on Sound Dimension recordings: * Vocals: Leroy Sibbles * Guitar: Eric Frater, Ernest Ranglin * Bass; Boris Gardiner, Leroy Sibbles * Keyboards: Richard Ace, Robbie Lyn, Jackie Mittoo * Saxophone: Headley Bennett, Cedric Brooks, Karl Bryan * Trombone: Vin Gordon * Percussion: Fil Callender, Enid Campbell, Denzel Laing, Leroy Wallace * Drums: Fil Callender, Joe Isaacs, Leroy Wallace Leroy "Horsemouth" Wallace (born 22 August 1950) is a Jamaican drummer who worked for several years at Studio One, and has worked with numerous reggae artists including The Gladiators, Inner Circle,Hebd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingston, Jamaica
Kingston is the capital and largest city of Jamaica, located on the southeastern coast of the island. It faces a natural harbour protected by the Palisadoes, a long sand spit which connects the town of Port Royal and the Norman Manley International Airport to the rest of the island. In the Americas, Kingston is the largest predominantly English-speaking city in the Caribbean. The local government bodies of the parishes of Kingston and Saint Andrew were amalgamated by the Kingston and St. Andrew Corporation Act of 1923, to form the Kingston and St. Andrew Corporation (KSAC). Greater Kingston, or the "Corporate Area" refers to those areas under the KSAC; however, it does not solely refer to Kingston Parish, which only consists of the old downtown and Port Royal. Kingston Parish had a population of 89,057, and St. Andrew Parish had a population of 573,369 in 2011 Kingston is only bordered by Saint Andrew to the east, west and north. The geographical border for the parish of K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackie Mittoo
Donat Roy Mittoo (3 March 1948 – 16 December 1990), better known as Jackie Mittoo, was a Jamaican-Canadian keyboardist, songwriter and musical director. He was a member of The Skatalites and musical director of the Studio One record label. Upon hearing of Mittoo's death, Coxsone Dodd commented "He was an ambassador of our music worldwide... there can be no doubt. Read the legacy this young man has left behind. May his name be remembered and his music live on." Biography Mittoo, of partial Indo-Jamaican descent, was born in Brown's Town, Saint Ann Parish, Jamaica, and began learning to play the piano when he was three under the tutelage of his grandmother. In the 1960s, he was a member of The Skatalites, The Sheiks, The Soul Brothers, The Soul Vendors and Sound Dimension. Mittoo's compositions in this period included "Darker Shade of Black", "Feel Like Jumping", and "Baby Why". He played with Lloyd "Matador" Daley in 1968 and 1969. In the mid-1970s, he emigrated to Tor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim
Riddim is the Jamaican Patois pronunciation of the English word "rhythm". In the context of reggae and dancehall, it refers to the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. The resulting song structure is distinctive in many ways. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper regist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Real Rock
"Real Rock" is an instrumental reggae song by the Jamaican band Sound Dimension. It was recorded in 1967 at Jamaica Recording Studio in Kingston, Jamaica, and released as a single in 1968 by Studio One. The song was produced by Clement "Coxsone" Dodd and performed by Eric Frater (guitar), Boris Gardiner (bass guitar), Phil Callender (drums), Denzel Laing (percussion), Vin Gordon (trombone) and Jackie Mittoo (keyboards), who played the riddim's signature three-note Hammond organ figure. The song is significant for giving rise to perhaps the most popular reggae riddim of all time, having been versioned hundreds of times by artists including The Clash, KRS-One and 311. According to a 2004 ''The New York Times'' article, C. Dodd considered the song his crowning achievement. Partial list of songs using the "Real Rock" riddim * "Real Rock", Sound Dimension (1967) * "Rockers' Rock", Augustus Pablo (1973) * "Cool Out Son", Junior Murvin (1978) * "Friday Evening", Joe Tex & U Black ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Wallace
Leroy "Horsemouth" Wallace (born 22 August 1950) is a Jamaican drummer who worked for several years at Studio One, and has worked with numerous reggae artists including The Gladiators, Inner Circle,Hebdige, Dick (1987) ''Cut 'n' Mix: Culture, Identity and Caribbean Music'', Routledge, , p. 68 Prince Far I, Sound Dimension, Gregory Isaacs, Burning Spear, Ijahman Levi, Bruno Blum and Pierpoljak. He starred as himself in the lead role of the film '' Rockers''. Wallace attended the Alpha Boys School in the 1960s and early 1970s, where he studied under Lennie Hibbert. Wallace also joined The Skatalites The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including " Guns of Navarone." They also played on records by Prince Buster and backed many othe ... when they reformed in the mid-1970s.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 265 Wallace has been cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Sibbles
Leroy Sibbles (born Leroy Sibblies, 29 January 1949) is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s. In addition to his work with The Heptones, Sibbles was a session bassist and arranger at Clement "Coxsone" Dodd's Jamaica Recording and Publishing Studio and the associated Studio One label during the prolific late 1960s. He was described as "the greatest all-round talent in reggae history" by Kevin O'Brien Chang and Wayne Chen in their 1998 book ''Reggae Routes''.Chang & Chen, p. 181. Biography The son of a grocer, Sibbles began singing in the 1950s and also played guitar, having been taught by Trench Town Rastas Brother Huntley and "Carrot". Barry Llewellyn and Earl Morgan had formed The Heptones in 1958, and Sibbles was in a rival group along with two friends. Sibbles joined The Heptones in 1965 after the two groups competed in a street-corner contest.Thompson, p. 114. The trio made their first recordings for Ken ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Ranglin
Ernest Ranglin (born 19 June 1932) is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One (record label), Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.Larkin, Colin (ed.) (1998) ''The Virgin Encyclopedia of Reggae'', Virgin Books, , p. 235. Early life Ernest Ranglin was born in Manchester, Jamaica, Manchester, Jamaica. His family moved to Kingston, Jamaica, Kingston, where he attended the Providence Primary School, Kingston Senior School and Bodin Coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robbie Lyn
Robert "Robbie" Bernard Lyn is a Jamaican session musician who plays piano, keyboard and synthesiser. Biography Robbie Lyn is a popular Jamaican session musician, who has played with various session/backing bands including Now Generation, Sound Dimension, Word, Sound and Power, and Sly and Robbie. He has also backed and/or toured with many reggae artists, including Burning Spear, Peter Tosh, Dennis Brown and Third World. Discography Solo albums * ''Making Notes'' (2007) – for which Lyn received the Reggae Academy Award for ''Best Instrumental Album'', 2008. Participated Albums *'' Never Ending by Beres Hammond'' (2018), VP Records VP Records is an independent Caribbean-owned record label in Queens, New York (state), New York. The label is known for releasing music by notable artists in reggae, dancehall and Soca music, soca. VP Records has offices in New York City, Miami ... - Keyboards References External links Robbie's MySpace pageListing of playing creditsat Root ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vin Gordon
Vin Gordon (a.k.a. Trommie, Don D. Junior or Don Drummond Jr) (born 4 August 1949) is a Jamaican trombone player. Biography Gordon grew up in Jones Town, Kingston, Jamaica as one of eight children. He went to Kingston's Catholic Alpha Boys School, where he learned to play trombone and string bass. He began his career in 1964 with The Skatalites. He became the main trombonist of Studio One and he recorded for all major producers of Jamaican music in ska, rocksteady and reggae. At Studio One Gordon met Lee Perry and played with many reggae artists during the rock steady years. He played on records by B.B. Seaton, The Heptones, Bob Andy and Keith Hudson. From 1965 to 1978 he was Bob Marley's trombonist and performed on albums such as ''Kaya'' and ''Exodus''. One solo album was produced by Lee Perry in 1973 (''Musical Bones''), which was originally released on Dip in the UK on blank labels in 300 copies only. His landing in England in the 80s influenced a mostly British-born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Gardiner
Boris Gardiner (born 13 January 1943) is a Jamaican singer, songwriter and bass guitarist. He was a member of several groups during the 1960s before recording as a solo artist and having hit singles with " Elizabethan Reggae" (in 1970), " I Wanna Wake Up with You" and "You're Everything to Me" (both 1986). One of his most notable credits is bass on the influential reggae song "Real Rock." Career Born in the Rollington Town area of Kingston, Jamaica, Gardiner attended Franklin Town Government School and St Monica's College, dropping out of education after being diagnosed with tachycardia. In 1960 he joined Richard Ace's band the Rhythm Aces, which also included Delano Stewart, later of the Gaylads. With the group he recorded "Angella", and the local hits "A Thousand Teardrops" and "C–H–R–I–S–T–M–A–S" (written with his brother Barrington). The group split up and by 1963 Gardiner had joined Kes Chin and The Souvenirs as vocalist, and began learning guitar. He went ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
