The Smithereens Play Tommy
''The Smithereens Play Tommy'' is the tenth studio album by Carteret, New Jersey-based rock band The Smithereens, released on 5 May 2009 by E1 Music. The album features the band covering highlights from The Who's 1969 concept album, ''Tommy'', creating an abridged version of the original story. The Smithereens edited the original album's 24 selections down to 13 songs, with a total running time of 41 minutes, compared to the original's 75 minutes. It is The Smithereens' fourth cover album in a row, following two albums devoted entirely to Beatles songs (''Meet The Smithereens!'' and ''B-Sides The Beatles'') and an album of Christmas-themed songs (''Christmas with The Smithereens''). The album cover is illustrated by William Stout, who also designed The Who's bootleg albums ''Who's Zoo'' and ''Tales from the Who''. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Smithereens
The Smithereens are an American rock band from Carteret, New Jersey, United States. The group formed in 1980 with members Pat DiNizio (vocals & guitar), Jim Babjak (guitar & vocals), Mike Mesaros (bass guitar & vocals), and Dennis Diken (drums & percussion). This original lineup continued until 2006, when Mesaros left the band and Severo Jornacion took over on bass guitar until Mesaros' return in 2016. After DiNizio died in 2017, the band continued performing live shows as a trio (Babjak, Mesaros and Diken) with various guest vocalists. The band are perhaps best known for a string of hits in the late 1980s through the mid-1990s, including "Only a Memory", " A Girl Like You" and " Too Much Passion". The Smithereens have collaborated with numerous musicians, both in the studio (Belinda Carlisle, Julian Lennon, Lou Reed, Suzanne Vega) and live (Graham Parker and The Kinks). The band's name comes from a Yosemite Sam catchphrase, "Varmint, I'm a-gonna blow you to smithereens!" Histor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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William Stout
William Stout (born September 18, 1949) is an American fantasy artist and illustrator with a specialization in paleoart, paleontological art. His paintings have been shown in over seventy exhibitions, including twelve one-man shows. He has worked on over thirty feature films, doing everything from storyboard art to production design. He has designed theme parks and has worked in radio with the Firesign Theatre. Biography Comics and music industry In 1973 Stout began drawing album covers for the Trademark of Quality bootleg recording, bootleg record label. He created 42 sleeves for the label and its subsidiaries, including the Rolling Stones' ''All-Meat Music'' (his first), the Yardbirds' ''Golden Eggs'' and ''More Golden Eggs'', and the Who's ''Who's Zoo'' and ''Tales from the Who''. He became associated with the Firesign Theatre, and designed his first official album cover, ''In the Next World, You're on Your Own'', in 1974.Randy Fox, "Tales from the Boots: the album art of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sonny Boy Williamson II
Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II. He first recorded with Elmore James on "Dust My Broom". Some of his popular songs include " Don't Start Me Talkin'", " Help Me", "Checkin' Up on My Baby", and " Bring It On Home". He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals. "Help Me" became a blues standard, and many blues and rock artists have recorded his songs. Bi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Eyesight To The Blind
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II (Aleck "Rice" Miller). He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera ''Tommy''. In 2022, Williamson's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Sonny Boy Williamson versions The song was recorded by Sonny Boy Williamson in 1951 as his first single release on Trumpet Records. Three versions of the song were released as 78 rpm singles. The first version featured Sonny Boy Williamson II on vocals and harmonica, Willie Love on piano, Joe Willie Wilkins on guitar, Elmore James on guitar, and Joe Dyso ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Overture (The Who Song)
"Overture" is a song by English rock band the Who, written by Pete Townshend. The track is one of three instrumental tracks released on ''Tommy'', the other two being "Underture" and "Sparks". On 9 October 1970, the song was released as the B-side of "See Me, Feel Me" – which did not chart – and was titled "Overture from Tommy". Song structure As an overture the song features samples of ''Tommy''s themes: *0:00 – 0:32 Adapted from "1921" *0:33 - 0:36 Adapted from “The Hawker” *0:36 – 0:58 Adapted from "We're Not Gonna Take It" *0:59 – 1:33 Adapted from "Go to the Mirror!" *1:34 – 1:55 Adapted from "See Me, Feel Me" *1:56 – 2:18 Adapted from "Go to the Mirror!" *2:19 – 2:55 Adapted from "Listening to You" *2:56 - 3:03 Adapted from “Go to the Mirror!” *3:04 – 3:19 Adapted from "We're Not Gonna Take It" *3:20 – 3:50 Adapted from "Pinball Wizard” * There is no pause between the tracks "Overture" and "It's a Boy" so the songs are often combined ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Who's Next
''Who's Next'' is the fifth studio album by English rock band the Who. It developed from the aborted '' Lifehouse'' project, a multi-media rock opera conceived by the group's guitarist Pete Townshend as a follow-up to the band's 1969 album ''Tommy''. The project was cancelled owing to its complexity and to conflicts with Kit Lambert, the band's manager, but the group salvaged some of the songs, without the connecting story elements, to release as their next album. Eight of the nine songs on ''Who's Next'' were from ''Lifehouse'', the lone exception being the John Entwistle-penned "My Wife". Ultimately, the remaining ''Lifehouse'' tracks would all be released on other albums throughout the next decade. The Who recorded ''Who's Next'' with assistance from recording engineer Glyn Johns. After producing the song "Won't Get Fooled Again" in the Rolling Stones Mobile Studio, they relocated to Olympic Studios to record and mix most of the album's remaining songs. They made prominent u ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Live At Leeds
''Live at Leeds'' is the first live album by English rock band The Who. It was recorded at the University of Leeds Refectory on 14 February 1970, and is their only live album that was released while the group were still actively recording and performing with their best-known line-up of Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon. The Who were looking for a way to follow up their 1969 album ''Tommy'', and had recorded several shows on tours supporting that album, but didn't like the sound. Consequently, they booked the show at Leeds University, along with one at Hull City Hall the following day, specifically to record a live album. Six songs were taken from the Leeds show, and the cover was pressed to look like a bootleg recording. The sound was significantly different from ''Tommy'' and featured hard rock arrangements that were typical of the band's live shows. The album was released in 23 May 1970 by Decca and MCA in the United States, and by Track and Polydo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Acid Queen
"The Acid Queen" is a song written by Pete Townshend and is the ninth song on the Who's rock opera album ''Tommy''. Townshend also sings the lead vocal. The song tells the attempts of Tommy's parents to try to cure him. They leave him with an eccentric gypsy, a self-proclaimed "Acid Queen", who feeds Tommy various hallucinogenic drugs and performs sexually in an attempt to free him from isolation. Several notable singers have performed the song including Merry Clayton, Patti LaBelle, Bette Midler and Tina Turner. Background "The Acid Queen" is often grouped with the album's next track, "Underture", a lengthy instrumental which deals with Tommy's hallucinations and his experience with acid. The one cover song on ''Tommy'', "Eyesight to the Blind", may have been included to introduce the character of the acid queen. Tommy's parents take Tommy to the Acid Queen to see if her "lascivious attentions" can cure Tommy of his ills. However, she is unsuccessful in awakening him. Pete Town ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roger Daltrey
Roger Harry Daltrey (born 1 March 1944) is an English singer, musician and actor. He is a co-founder and the lead singer of the Rock music, rock band The Who. Daltrey's hit songs with The Who include "My Generation", "Pinball Wizard", "Won't Get Fooled Again", "Baba O'Riley" and "You Better You Bet". He began his solo career in 1973, while still a member of The Who. Since then he has released ten solo studio albums, five compilation albums, and one live album. His solo hits include "Giving It All Away", "Walking the Dog", "Written on the Wind (song), Written on the Wind", "Free Me (Roger Daltrey song), Free Me", "Without Your Love (Roger Daltrey song), Without Your Love" and "Under a Raging Moon (song), Under a Raging Moon". The Who are considered one of the most influential rock bands of the 20th century and have sold over 100 million records worldwide. As a member of the band, Daltrey received a List of lifetime achievement awards, Lifetime achievement award from the British P ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pete Townshend
Peter Dennis Blandford Townshend (; born 19 May 1945) is an English musician. He is co-founder, leader, guitarist, second lead vocalist and principal songwriter of the Who, one of the most influential rock bands of the 1960s and 1970s. Townshend has written more than 100 songs for 12 of the Who's studio albums. These include concept albums, the rock operas ''Tommy'' (1969) and ''Quadrophenia'' (1973), plus popular rock radio staples such as ''Who's Next'' (1971); as well as dozens more that appeared as non-album singles, bonus tracks on reissues, and tracks on rarities compilation albums such as ''Odds & Sods'' (1974). He has also written more than 100 songs that have appeared on his solo albums, as well as radio jingles and television theme songs. While known primarily as a guitarist, Townshend also plays keyboards, banjo, accordion, harmonica, ukulele, mandolin, violin, synthesiser, bass guitar, and drums; he is self-taught on all of these instruments and plays on his own s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mark Deming
Mark may refer to: Currency * Bosnia and Herzegovina convertible mark, the currency of Bosnia and Herzegovina * East German mark, the currency of the German Democratic Republic * Estonian mark, the currency of Estonia between 1918 and 1927 * Finnish markka ( sv, finsk mark, links=no), the currency of Finland from 1860 until 28 February 2002 * Mark (currency), a currency or unit of account in many nations * Polish mark ( pl, marka polska, links=no), the currency of the Kingdom of Poland and of the Republic of Poland between 1917 and 1924 German * Deutsche Mark, the official currency of West Germany from 1948 until 1990 and later the unified Germany from 1990 until 2002 * German gold mark, the currency used in the German Empire from 1873 to 1914 * German Papiermark, the German currency from 4 August 1914 * German rentenmark, a currency issued on 15 November 1923 to stop the hyperinflation of 1922 and 1923 in Weimar Germany * Lodz Ghetto mark, a special currency for Lodz Ghetto. * R ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |