The Slits
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The Slits
The Slits were a punk and post-punk band based in London, formed there in 1976 by members of the groups the Flowers of Romance and the Castrators. The group's early line-up consisted of Ari Up (Ariane Forster) and Palmolive (a.k.a. Paloma Romero, who played briefly with Spizzenergi and later left to join the Raincoats), with Viv Albertine and Tessa Pollitt replacing founding members Kate Korus and Suzy Gutsy. Their 1979 debut album, ''Cut'', has been called one of the defining releases of the post-punk era. Career 1976–1982 The Slits formed in 1976 when Ari Up went to a Patti Smith gig. After having an argument with her mother, Ari was approached by Palmolive and Kate Corris with the offer to form a band. The next day they had their first rehearsal. The group supported the Clash on their 1977 ''White Riot'' tour along with Buzzcocks, the Prefects and Subway Sect. Club performances of the Slits during this period are included in ''The Punk Rock Movie'' (1978). In November ...
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Neneh Cherry
Neneh Mariann Karlsson (born 10 March 1964), better known as Neneh Cherry, is a Swedish singer-songwriter, rapper, occasional DJ and broadcaster. Her musical career started in London in the early 1980s, where she performed in a number of punk rock, punk and post-punk bands in her youth, including the Slits and Rip Rig + Panic. Cherry has released five studio albums under her own name. Her first, ''Raw Like Sushi'', was released in 1989 and peaked at number three on the UK Album Chart, thanks in large part to the worldwide hit single "Buffalo Stance". Her second studio album was 1992's ''Homebrew (Neneh Cherry album), Homebrew''. Four years later she released ''Man (Neneh Cherry album), Man'', with her next studio album, ''Blank Project,'' coming in 2014. Her most recent album, ''Broken Politics'', was released in 2018. In addition to releasing these studio albums, she formed the band cirKus in 2006 and has collaborated with The Thing (jazz band), the Thing, releasing an album enti ...
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Joe Strummer
John Graham Mellor (21 August 1952 – 22 December 2002), known professionally as Joe Strummer, was a British singer, musician and songwriter. He was the co-founder, lyricist, rhythm guitarist and co-lead vocalist of punk rock band the Clash, formed in 1976. The Clash's second album ''Give 'Em Enough Rope'' (1978) reached No. 2 on the UK charts. Soon after, they achieved success in the US, starting with ''London Calling'' (1979) and peaking with '' Combat Rock'' (1982), which reached No. 7 on the US charts and was certified 2× platinum there. The Clash's explosive political lyrics, musical experimentation, and rebellious attitude had a far-reaching influence on rock music in general, especially alternative rock. Their music incorporated reggae, ska, dub, funk, rap and rockabilly. Strummer's other career highlights included stints with the 101ers, the Latino Rockabilly War, the Mescaleros, and the Pogues, as well as solo music. His work as a musician allowed him to explore oth ...
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The Innocents (UK Punk Band)
The Innocents were an English punk rock band, that formed in the spring of 1978 and played frequently with The Clash and The Slits. The original lineup was predominantly female with four women and one male. The band began when Sarah Hall, (ex- Flowers of Romance) approached Marguerite Martin, later Marguerite Van Cook, in the Vortex Club on Wardour Street in London and invited her to start a band. Sarah Hall borrowed a bass from Paul Simonon of The Clash, and they invited Greg Van Cook, who was in the process of breaking away from the Electric Chairs, to play guitar. Greg Van Cook was an original member of the New York Backstreet Boys of Max’s Kansas City, who became The Electric Chairs. He co-authored the punk anthem, "Fuck Off" with Jayne County. The lineup was completed by the addition of Fiona Barry on the piano and Susy Hogarth on drums. They performed self-penned punk songs. The Innocents played gigs at multiple punk friendly venues in London, among them several ...
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The Punk Rock Movie
''The Punk Rock Movie'' (also known as ''The Punk Rock Movie from England'') is a British 1978 film that was assembled from Super 8 camera footage shot by Don Letts, the disc jockey at The Roxy club during the early days of the UK punk rock movement, principally during the 100 days in 1977 in which punk acts were featured at The Roxy club in London. History ::The spikiest home movie of the Seventies captured an embryonic rock revolution. ...Verité rock had become verité celluloid almost by accident. Roxy club disc jockey Don Letts was given a Super 8 camera as a present by fashion editor Caroline Baker. When Letts started to film the acts at The Roxy, it was soon reported that he was making a movie, so Letts determined to film continuously for three months. He needed to sell his possessions in order to continue to purchase film.UncreditedDon Letts at The Roxy Archived article, August, 2003; www.punkandoi.free.fr, as found at www.web.archive.org. A preliminary, 60-minut ...
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Subway Sect
Subway Sect were one of the first British punk bands. Although their commercial success was limited by the small amount of recorded material they released, they have been credited as highly influential on the Postcard Records scene and the indie pop genre which followed. Career Early days The core of the band was singer-songwriter, Vic Godard, plus assorted soul fans, who congregated around early gigs by the Sex Pistols until Malcolm McLaren suggested they form their own band. Subway Sect were among the performers at the 100 Club Punk Festival on Monday, 21 September 1976 – sharing the bill with Siouxsie and the Banshees, The Clash and the Sex Pistols. The first line-up of Godard on vocals, Paul Packham on drums, Paul Myers on bass and Rob Symmons on guitar lasted for four gigs before Mark Laff replaced Packham. Laff himself then left for fellow punk group Generation X after the White Riot tour. A third drummer, Bob Ward, was recruited, and it is this line-up that can be hea ...
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Buzzcocks
Buzzcocks are an English punk rock band formed in Bolton, England in 1976 by singer-songwriter-guitarist Pete Shelley and singer-songwriter Howard Devoto. They are regarded as a seminal influence on the Manchester music scene, the independent record label movement, punk rock, power pop, and pop punk. They achieved commercial success with singles that fused pop craftsmanship with rapid-fire punk energy. These singles were collected on ''Singles Going Steady'', an acclaimed compilation album described by music journalist and critic, Ned Raggett, as a "punk masterpiece". Devoto and Shelley chose the name "Buzzcocks" after reading the headline, "It's the Buzz, Cock!", in a review of the TV series ''Rock Follies'' in ''Time Out (company), Time Out'' magazine. The "buzz" is the excitement of playing on stage; "cock" is northern English slang meaning "friend". They thought it captured the excitement of the nascent punk scene, as well as having humorous sexual connotations following ...
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Concert Tour
A concert tour (or simply tour) is a series of concerts by an artist or group of artists in different cities, countries or locations. Often concert tours are named to differentiate different tours by the same artist and to associate a specific tour with a particular album or product. Especially in the popular music world, such tours can become large-scale enterprises that last for several months or even years, are seen by hundreds of thousands or millions of people, and bring in millions of dollars in ticket revenues. A performer who embarks on a concert tour is called a touring artist. Different segments of longer concert tours are known as "legs". The different legs of a tour are denoted in different ways, dependent on the artist and type of tour, but the most common means of separating legs are dates (especially if there is a long break at some point), countries and/or continents, or different opening acts. In the largest concert tours it has become more common for different ...
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White Riot
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album. Versions There are two versions of the song: the single version (also appearing on the US version of the album released in 1979), was one of the first songs they recorded at CBS Studio 3 on Whitfield Street in Central London, after signing with CBS Records. However, when they were recording the debut album, they decided to use a demo version of the song that they had recorded earlier in 1976 at Beaconsfield Studios in Buckinghamshire with Julien Temple. The rest of the demo tracks would eventually be released on the '' Sound System'' compilation album. The album version has a running time of 1:58 and starts with Mick Jones counting off "1-2-3-4". The single version begins with the sound of a police siren and has a running time of 1:55. Composition Lyrically, the song is about class economics and race and thus pr ...
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The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ...
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Cut (The Slits Album)
''Cut'' is the debut studio album by English punk band the Slits, released on 7 September 1979. It was recorded at Ridge Farm Studios in Rusper and produced by Dennis Bovell. The album was praised by later acts such as Kurt Cobain and Massive Attack. Composition Musically, ''Cut'' works in an "innovative" fusion of punk and reggae. It also incorporates "restless ndoffbeat" art pop. Release and reception The album was originally released on 7 September 1979 on the Island Records label in the UK and on Antilles in the US. It reached number 30 on the UK album charts at the time. In 2004, it was voted 58th in ''The Observer''s ''100 Greatest British Albums'' list. The album was also included in the book ''1001 Albums You Must Hear Before You Die''. In 2020, ''Rolling Stone'' ranked the album at number 260 in its list of the 500 greatest albums of all time. Andy Kellman for AllMusic called it "entirely fun and catchy" despite its "less-than-polished nature and street-toug ...
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The Raincoats
The Raincoats are a British experimental post-punk band. Ana da Silva (vocals, guitar) and Gina Birch (vocals, bass) formed the group in 1977 while they were students at Hornsey College of Art in London. Signed to the label Rough Trade, the band released three albums in their early incarnation: ''The Raincoats'' (1979), ''Odyshape'' (1981), and '' Moving'' (1984). They reformed in 1993 and released the album ''Looking in the Shadows'' in 1996. History 1977–1993 Da Silva and Birch were inspired to make a band after they saw the Slits perform live earlier that year. Birch stated in an interview with ''She Shreds'' magazine, "It was as if suddenly I was given permission. It never occurred to me that I could be in a band. Girls didn’t do that. But when I saw The Slits doing it, I thought, ‘This is me. This is mine.’” For the band's first concert on 9 November 1977 at The Tabernacle, the line-up included Birch, da Silva, Ross Crighton (guitar) and Nick Turner (drums). G ...
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