|
The Singles (2007 The Clash Album)
''The Singles'' is a 2007 compilation album by British punk rock band The Clash that presents the singles of the band's career, it does not include any of the B-sides incorporated into the release of the earlier collection and compiled onto a single disc. Track listing # "London Calling" (from ''London Calling'') # "Rock the Casbah" (from '' Combat Rock'') # "Should I Stay or Should I Go" (from ''Combat Rock'') # "I Fought the Law" (from '' The Cost of Living'' and ''The Clash (U.S.)'') # " (White Man) In Hammersmith Palais" (from ''The Clash (U.S.)'') # "The Magnificent Seven" (from '' Sandinista!'') # " Bankrobber" (from ''Black Market Clash'') # "The Call Up" (from ''Sandinista!'') # "Complete Control" (from ''The Clash (U.S.)'') # "White Riot" (from ''The Clash (U.K.)'') # "Remote Control" (from ''The Clash (U.K.)'') # "Tommy Gun" (from ''Give 'Em Enough Rope'') # "Clash City Rockers" (from ''The Clash (U.S.)'') # "English Civil War" (from ''Give 'Em Enough Rope'') # " Hits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock The Casbah
"Rock the Casbah" is a song by the English punk rock band The Clash, released in 1982. The song was released as the second single from their fifth album, ''Combat Rock''. It reached number eight on the ''Billboard'' Hot 100 chart in the US (their only top 10 single in the United States) and, along with the track "Mustapha Dance", it also reached number eight on the dance chart. Recording "Rock the Casbah" was composed by the band's drummer Topper Headon, based on a piano part that he had been toying with. Finding himself in the studio without his three bandmates, Headon progressively taped the drum, piano and bass parts, recording the bulk of the song's musical instrumentation himself. This origin makes "Rock the Casbah" different from the majority of Clash songs, which tended to originate with music written by the Joe Strummer– Mick Jones songwriting partnership. Upon entering the studio to hear Headon's recording, the other Clash members were impressed with his creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Riot
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album. Versions There are two versions of the song: the single version (also appearing on the US version of the album released in 1979), was one of the first songs they recorded at CBS Studio 3 on Whitfield Street in Central London, after signing with CBS Records. However, when they were recording the debut album, they decided to use a demo version of the song that they had recorded earlier in 1976 at Beaconsfield Studios in Buckinghamshire with Julien Temple. The rest of the demo tracks would eventually be released on the '' Sound System'' compilation album. The album version has a running time of 1:58 and starts with Mick Jones counting off "1-2-3-4". The single version begins with the sound of a police siren and has a running time of 1:55. Composition Lyrically, the song is about class economics and race and thus pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complete Control
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album. Background The song is often cited as one of punk's greatest singles and is a fiery polemic on record companies, managers and the state of punk music itself, the motivation for the song being the band's label (CBS Records) releasing "Remote Control" without asking them, which infuriated the group. ''Stereogum'' described it as "this extraordinary airing of grievances, a desperately catchy cataloguing of the many ills visited upon a young band experiencing its first forays into corporate culture". The song also refers to managers of the time who sought to control their groups–Bernie Rhodes (of The Clash) and Malcolm McLaren (the Sex Pistols)–the song's title is derived from this theme. Bernie Rhodes had arranged a band meeting at the Ship, a pub in Soho's Wardour Street, where he said he wanted "complete control". The track also refers to the band's r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Call Up
"The Call Up" is a song by English punk rock group the Clash. It was released as the first single from the band's fourth album, ''Sandinista!''. The single was released in November 1980, in advance of the release of ''Sandinista!'', with "Stop the World" as its B-side. Re-releases The single was reissued in 1981 in the U.S. by Epic Records (catalog number 02036) in 7" vinyl format and with a different cover. On the B-side of the US release was "The Cool Out", a dub of "The Call Up". In addition to its inclusion on ''Sandinista!'', "The Call Up" has been included on both '' The Clash on Broadway'' and '' The Singles''. It is absent from ''The Essential Clash'', although "Stop The World", its B-side that was not included on ''Sandinista'', is included. "Stop The World" is also included on ''The Clash on Broadway'' and the B-side compilation ''Super Black Market Clash''. The single was reissued on CD as Disc 12 of Singles Box, complete with a re-creation of the original sleeve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Market Clash
''Super Black Market Clash'' is a 1993 compilation album released by the English punk rock band The Clash. It contains B-sides and rare tracks not available on the group's regular studio albums. The album is an expanded repackaging of the 1980 release ''Black Market Clash'', a 10-inch EP containing nine songs. The man in the foreground of the front cover art on both releases is Don Letts, who worked with The Clash on several projects and later was a founding member of Big Audio Dynamite. ''Black Market Clash'' ''Black Market Clash'' was released in October 1980, only in the US and Canada, in between ''London Calling'' and ''Sandinista!''. It compiled recordings which were then unavailable in the US except as imports. The disc was one in the series of "Nu-Disk" 10-inch records from Epic. Other artists in the series included New Musik and Cheap Trick. "The Prisoner," the cover of "Pressure Drop" by Toots and the Maytals, "City of the Dead," and "Armagideon Time" had all been U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bankrobber
"Bankrobber" is a song by English punk rock band The Clash. The song was not released on any of their studio albums, instead appearing on their compilation ''Black Market Clash''. Upon its 1980 release as a single (initially available in the UK on import only) it peaked at number 12 on the UK Singles Chart, and at number 14 on both the Irish Singles Chart and the New Zealand Singles Chart. Young Ian Brown and Pete Garner, later of The Stone Roses, were in attendance at the studio recording session of this single. According to Brown, having heard a rumour that the Clash were recording in Manchester, he and Garner were walking through the city centre when they overheard Topper Headon playing the drums at the city's Pluto Studios: Headon subsequently emerged from the studio and invited the pair in. The full account of this incident is in John Robb's ''Stone Roses and the Resurrection of British Pop''. The Clash filmed a low-budget video for the song, depicting members of the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandinista!
''Sandinista!'' is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap.Related news articles: * * * For the first time, the band's traditional songwriting credits of Strummer and Jones were replaced by a generic credit to the Clash. The band agreed to a decrease in album royalties in order to release the 3-LP at a low price.Related news articles: * The title refers to the Sandinistas in Nicaragua, and its catalogue number, 'FSLN1', refers to the abbreviation of the party's Spanish name, ''Frente Sandinista de Liberación Nacional''.Jaffee, Larry. "The Politics of Rock". ''Popular Music and Society'', Winter 1987, pp. 19–30. ''Sandinista!'' was mostly well received, however, there was criticism towards the large size of the triple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magnificent Seven (song)
"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, ''Sandinista!''. It reached number 34 on the UK Singles Chart. Composition The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create ''Sandinista!s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than Blondie's "Rapture" by six months. Strummer said o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(White Man) In Hammersmith Palais
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records. Produced by The Clash and engineered by Simon Humphries, the song was recorded for (but not included on) the group's second studio album ''Give 'Em Enough Rope''; it was later featured on the American version of their debut studio album ''The Clash'' between the single version of "White Riot" and " London's Burning". Inspiration and composition The song showed considerable musical and lyrical maturity for the band at the time. Compared with their other early singles, it is stylistically more in line with their version of Junior Murvin's " Police and Thieves" as the powerful guitar intro of "(White Man) In Hammersmith Palais" descends into a slower ska rhythm, and was disorienting to a lot of the fans who had grown used to their earlier work. “The music is a mixture of the reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash (album)
''The Clash'' is the debut studio album by English punk rock band the Clash. It was released on 8 April 1977 through CBS Records. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time. Songs on the album were composed by guitarists Joe Strummer and Mick Jones, with the notable exception of the reggae cover "Police and Thieves". Several songs from these sessions, including " Janie Jones", "White Riot", and " London's Burning" became classics of the punk genre and were among the first punk songs to see significant presence on singles charts. The album featured Jones and Strummer sharing guitar and vocal duties, with Paul Simonon on bass and Terry Chimes on drums, his only studio appearance with the band. The album was not released in the US until 1979, making it their second US release. The US version also included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cost Of Living (EP)
''The Cost of Living'' is an EP by the English punk rock band the Clash. It was released on 11 May 1979 in a gatefold sleeve. The EP was produced by the band and Bill Price. It marked a transition in musical styles for the band, bridging the intensity of their earlier, punky albums with the broader, more American influenced rock and roll yet to come on ''London Calling'', most evident on the folk rocking "Groovy Times" and "Gates of the West". The Clash's cover of Sonny Curtis' "I Fought the Law" became one of the definitive recordings of the song, and remained in the band's live set list for much of the rest of their career. Joe Strummer also performed it with his later bands, including during his stint with The Pogues. The early single "Capital Radio" was re-recorded because the band learned that copies of the original ''Capital Radio'' EP were selling for high prices. "Capital Radio", later listed as "Capital Radio Two", is much longer, mainly because of a protracted outro. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
