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The Silent Partner (soundtrack)
''The Silent Partner'' is a 1979 soundtrack album composed by Oscar Peterson, for the 1978 film ''The Silent Partner''. Track listing ''All compositions by Oscar Peterson'' # "Theme for Celine" - 7:43 # "The Happy Hour" - 5:01 # "Party Time U.S.A." - 4:50 # "First Reprise on Theme for Celine" - 2:56 # "Elliot (The Silent Partner)" - 7:27 # "Theme for Susannah" - 4:07 # "Blues for Chris (The Fox)" - 5:57 # "Second Reprise on Theme for Celine" - 3:33 Personnel Performance * Oscar Peterson – piano * Benny Carter – alto saxophone * Zoot Sims – tenor saxophone * Clark Terry – flugelhorn * Milt Jackson – vibraphone * John Heard – double bass * Grady Tate – drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks ... References {{DEFAULTSORT:Silent Partner,The Albums pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoot Sims
John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn. Biography Sims was born in 1925 in Inglewood, California, United States, to vaudeville performers Kate Haley and John Sims. His father was a vaudeville hoofer, and Sims prided himself on remembering many of the steps his father taught him. Growing up in a performing family, he learned to play drums and clarinet at an early age. His brother was the trombonist Ray Sims. Sims began on tenor saxophone at age 13. He initially modelled his playing on the work of Lester Young, Ben Webster, and Don Byas. By his late teens, having dropped out of high school, he was playing in big bands, starting with those of Kenny Baker and Bobby Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albums Produced By Norman Granz
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grady Tate
Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated '' Schoolhouse Rock!'' series. Biography Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones's band. Grady Tate's drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp "on top of the beat" timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s. During the 1970s he was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Heard (musician)
John William Heard (July 3, 1938 – December 10, 2021) was an American bass player and artist. His recording credits include albums with Pharoah Sanders, George Duke, Oscar Peterson, Count Basie, Zoot Sims, Ahmad Jamal, Frank Morgan, George Cables. His professional jazz performance career lasted from the 1960s to the early 2010s, during which he also worked as a visual artist, producing drawings, paintings, and sculptures. Background He was born in Pittsburgh, Pennsylvania, United States. He also played saxophone in his early years. He began playing bass at the age of 14. His professional career began in a band that included sax player Booker Ervin, drummer J.C. Moses, pianist Horace Parlan and trumpet player Tommy Turrentine. While in high school, he attended special classes at the Carnegie Museum of Art. In 1958, he joined the United States Air Force and was sent to Germany. Because of his art experience he was given a job of designing posters for events. He also did some a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
