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The Shirley Scott Trio
''The Shirley Scott Trio'' (also referred to as ''Moodsville Volume 5'') is an album by organist Shirley Scott recorded in 1960 and released on the Moodsville label.Payne, DSCOTT TRIO Shirley Scott discographyaccessed July 2, 2012 The album features a trio session from 1958 with Scott overdubbed on piano from the sessions that produced ''Scottie'' and another from 1960. Reception The Allmusic review stated "These are mostly easygoing standards of the Rodgers-Hart variety (two of that team's songs are covered), and is too much on the sedate side to rate as one of her finest efforts".Unterberger, RAllmusic Reviewaccessed July 2, 2012 Track listing # "Sweet Lorraine" (Cliff Burwell, Mitchell Parish) - 4:31 # "I Thought I'd Let You Know" (Cal Massey) - 4:20 # "I Should Care" (Sammy Cahn, Axel Stordahl, Paul Weston) - 4:48 # "Spring Is Here" (Lorenz Hart, Richard Rodgers) - 4:45 # "I Didn't Know What Time It Was" (Hart, Rodgers) - 3:57 # "Gee, Baby, Ain't I Good to Yo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Scott
Shirley Scott (March 14, 1934 – March 10, 2002) was an American jazz organist. Her music was noted for its mixture of bebop, blues and gospel elements. She was known by the nickname "Queen of the Organ". Life and career Scott was born in Philadelphia, Pennsylvania. Her father operated a jazz club in the basement of the family home and her brother played Saxophone. At the age of eight, Scott began piano lessons. After enrolling at Philadelphia High School for Girls, where she was awarded a scholarship, Scott switched to trumpet and played in the all-city schools band. She studied for bachelor and master's degrees at Cheyney University. Later in life Scott would return to the university as a teacher. As a performer in the 1950s, she played the Hammond B-3 organ. Her recordings with Eddie "Lockjaw" Davis included the hit "In the Kitchen". Influenced by gospel and blues, she played soul jazz in the 1960s with Stanley Turrentine, who became her husband during the same decade; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spring Is Here
"Spring is Here" is a 1938 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical ''I Married an Angel'' (1938), where it was introduced by Dennis King and Vivienne Segal. Rodgers and Hart had previously written a song entitled "Spring is Here in Person," which served as the title song for a 1929 Broadway production (filmed in 1930 - see ''Spring is Here (film)''). Theatrical producer Josh Logan, a longtime associate of Rodgers & Hart, would opine that "the most touching f Hart's lyricsare those about unrequited love ith the 1938 song'Spring is Here' eingone of the greatest examples". Hart had had a romantic interest in ''I Married an Angel'' leading lady Vivienne Segal who turned down more than one marriage proposal from him. Logan believed that Hart's lyrics for "Spring is Here" evoked the composer's disappointment over Segal's failure to reciprocate his interest. Notable recordings * Chet Baker – ''Deep in a Dream'' (2002, posthumous, pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Tucker (musician)
George Andrew Tucker (December 10, 1927, in Palatka, Florida – October 10, 1965, in New York City) was an American jazz double-bassist. Career Tucker studied bass at the New York Conservatory of Modern Music in the late 1940s. Early in his career, he played with Earl Bostic, John Coltrane, and Jackie McLean. He worked in the house bands of several lauded New York jazz venues, such as the Continental Lounge, The Playhouse, and Minton's; he played with Eric Dolphy, Clifford Jordan, Horace Parlan, Booker Ervin, Jerome Richardson, and Junior Mance during this time. In 1958, he recorded with Melba Liston on her jazz classic, ''Melba Liston and Her 'Bones''. In 1960–61 he recorded with Stanley Turrentine, Parlan, Ervin, Dexter Gordon, and Shirley Scott, and in 1962–63 he toured with the trio of Dave Lambert, John Hendricks and Yolande Bavan. Near the end of his life Tucker recorded with Coleman Hawkins and Jaki Byard. George Tucker died from a cerebral hemorrhage while performin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger "Ram" Ramirez
Roger "Ram" Ramirez (September 15, 1913 – 11 January 1994) was a Puerto Rican jazz pianist and composer. He was a co-composer of the song "Lover Man (Oh, Where Can You Be?)" Early life Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Later life and career Ramirez's first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band. Ramirez wrote "Lover Man (Oh, Where Can You Be?)" in 1942, which became a jazz standard following Billie Holiday's recording of it two years later. He was a freelance into the mid-1950s, when he added electronic organ to his instruments. In 1953 he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man (Oh, Where Can You Be?)
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Until The Real Thing Comes Along
"(It Will Have to Do) Until the Real Thing Comes Along" is a popular song first published in 1936. Background In 1931, Alberta Nichols wrote the music and Mann Holiner wrote the words for a song titled "Till the Real Thing Comes Along" which was featured in a Broadway revue titled ''Rhapsody in Black''. The review, produced by Lew Leslie, was similar to the famous '' Blackbirds'' reviews of the late 1920s and 1930s, and featured Ethel Waters, who introduced "Till the Real Thing Comes Along". The song was not a hit in its original incarnation, though a sheet music edition was published by Shapiro, Bernstein & Co. in 1931. In 1936, the song was substantially rewritten by composer Saul Chaplin, lyricist Sammy Cahn, and saxophonist L.E. Freeman. A completely new verse replaced the original verse, a new melody replaced the original melody of the refrain, and a mostly new set of lyrics replaced the original lyric of the refrain. What was retained from the 1931 composition was the rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, music arrangement, arranger, bandleader, and composer. Biography Redman was born in Piedmont, West Virginia, Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become Swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Razaf
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) was an American poet, composer and lyricist of such well-known songs as " Ain't Misbehavin'" and " Honeysuckle Rose". Biography Razaf was born in Washington, D.C., United States. His birth name was Andriamanantena Paul Razafinkarefo. He was the son of Henri Razafinkarefo, nephew of Queen Ranavalona III of the Imerina kingdom in Madagascar, and Jennie Razafinkarefo (née Waller), the daughter of John L. Waller, the first African American consul to Imerina. The French invasion of Madagascar (1894-95) left his father dead, and forced his pregnant 15-year-old mother to escape to the United States, where he was born in 1895. He was raised in Harlem, Manhattan, and at the age of 16 he quit school and took a job as an elevator operator at a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. During this time he would spend many ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gee, Baby, Ain't I Good To You
"Gee, Baby, Ain't I Good to You" is a 1929 song written by Andy Razaf and Don Redman. It was recorded by the Redman-led McKinney's Cotton Pickers on Victor on November 5, 1929 as "Gee, Ain't I Good to You." King Cole Trio recording Nat King Cole's King Cole Trio recorded the song on November 30, 1943 during a 3-hour recording session at C.P. MacGregor Studios in Hollywood. "Straighten Up and Fly Right," "If You Can’t Smile and Say Yes," and "Jumpin' at Capitol" were recorded during the same session, produced by Johnny Mercer and engineered by John Palladino. The single peaked at #20 on the national charts and was the group's final #1 on the Harlem Hit Parade. The A-side of the song, "I Realize Now" peaked at #9 on the Harlem Hit Parade. It is usually played in E flat. Other notable recordings Other notable recordings of the song include versions by: Fats Waller, Dizzy Gillespie, Count Basie, Billie Holiday, Peggy Lee, Ella Fitzgerald, Stanley Turrentine, Sonny Clark, Art Bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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