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The Shipbuilder And His Wife
''The Shipbuilder and his Wife'' is a 1633 painting by Rembrandt. The sitters were identified in 1970 as Jan Rijcksen (1560/2–1637) and his wife Griet Jans Rijcksen. Rijcksen was a shareholder in the Dutch East India Company, and became its master shipbuilder in 1620. The painting has been in the Royal Collection since 1811. At this relatively early date, Rembrandt was accomplished at depicting the natural surfaces of wood, leather, skin, and hair, and he had become a fashionable portrait painter. Rather than making the usual pair of separate husband-and-wife paintings, like his more typical ''Portrait of a Man Rising from His Chair'' and ''Portrait of a Young Woman with a Fan'', Rembrandt combined them into a single double portrait, with the two sitters interacting. Rijcksen is shown seated as a desk, where he has been making drawings of ship designs, holding a pair of compasses; his wife has just entered the room to hand her husband a written note. The letter shown in ...
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Rembrandt - The Shipbuilder And His Wife- Jan Rijcksen (1560-2-1637) And His Wife, Griet Jans - Google Art Project
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, su ...
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The Shipbuilder And His Wife; He Working At His Plans, She B Wellcome V0025320
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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Jan Rijcksen
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring ...
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Dutch East India Company
The United East India Company ( nl, Verenigde Oostindische Compagnie, the VOC) was a chartered company established on the 20th March 1602 by the States General of the Netherlands amalgamating existing companies into the first joint-stock company in the world, granting it a 21-year monopoly to carry out trade activities in Asia. Shares in the company could be bought by any resident of the United Provinces and then subsequently bought and sold in open-air secondary markets (one of which became the Amsterdam Stock Exchange). It is sometimes considered to have been the first multinational corporation. It was a powerful company, possessing quasi-governmental powers, including the ability to wage war, imprison and execute convicts, negotiate treaties, strike its own coins, and establish colonies. They are also known for their international slave trade. Statistically, the VOC eclipsed all of its rivals in the Asia trade. Between 1602 and 1796 the VOC sent almost a million Eur ...
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Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences an ...
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Portrait Of A Man Rising From His Chair
''Portrait of a Man Rising from His Chair'' is a painting by the Dutch painter Rembrandt, painted in 1633. It hangs in the Taft Museum of Art of Cincinnati, Ohio, United States. The oil-on-canvas portrait measures . It is signed and dated 1633, and there is no doubt of its authenticity. Description The pose of the wealthy subject is unusually animated, as he is rising, perhaps to greet a visitor or to introduce him to his wife depicted in a companion painting. The portrait and its pendant, '' Portrait of a Young Woman with a Fan'', have been separated since 1793. Occasional exhibitions have reunited the pair. Wilhelm von Bode Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now c ... was the first one to notice the similarities in size and composition and presented the man and woman as p ...
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Portrait Of A Young Woman With A Fan
''Portrait of a Young Woman with a Fan'' is a 1633 portrait painting by Rembrandt. It shows a woman holding a fan, pendant to ''Portrait of a Man Rising from His Chair''. It is in the collection of the Metropolitan Museum of Art. Description Rembrandt created this painting as a pendant to the Taft Museum's portrait of a man, probably as a wedding pendant. Only a few pairs of pendant portraits by Rembrandt have survived. This half of the pair came into the collection via the Helen Swift Neilson bequest in 1945. This painting was documented by Hofstede de Groot in 1914, who wrote; "881. A YOUNG LADY WITH A FAN. Bode 253; Dut. 285; Wb. 217; B.-HdG. 101. Three-quarter length; life size. She sits, seen in full face, in an arm-chair, and looks straight out of the picture. She holds her right hand, grasping a black feather fan by its gold chain, to her bosom; her left hand rests on a table beside her to the right. She wears a black silk gown with puffed and slashed sleeves, a triple ...
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Double Portrait
A double is a look-alike or doppelgänger; one person or being that resembles another. Double, The Double or Dubble may also refer to: Film and television * Double (filmmaking), someone who substitutes for the credited actor of a character * ''The Double'' (1934 film), a German crime comedy film * ''The Double'' (1971 film), an Italian film * ''The Double'' (2011 film), a spy thriller film * ''The Double'' (2013 film), a film based on the Dostoevsky novella * '' Kamen Rider Double'', a 2009–10 Japanese television series ** Kamen Rider Double (character), the protagonist in a Japanese television series of the same name Food and drink * Doppio, a double shot of espresso * Dubbel, a strong Belgian Trappist beer or, more generally, a strong brown ale * A drink order of two shots of hard liquor in one glass * A "double decker", a hamburger with two patties in a single bun Games * Double, action in games whereby a competitor raises the stakes ** , in contract bridge ** Dou ...
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Jan Gildemeester
Jan Gildemeester Jansz. ( Lisbon, 1744 – Amsterdam, 1799) was a Dutch art collector. Biography Jan's parents had moved to the Netherlands a few years after the 1755 Lisbon earthquake. He lived with his father in a house on the Keizersgracht in Amsterdam, where he began to form an art collection. He was involved in whaling and in 1778 was appointed as Portugal's agent and consul general to the Dutch Republic. Also in 1778 he donated nearly one hundred thousand guilders for Felix Meritis's house. In 1779 he inherited his father's country seat Frankendael in Watergraafsmeer - when a tree of liberty was placed (the ground was frozen too hard to plant it) on the Dam in Amsterdam in January 1795, it came from Gildemeester's garden. In 1792 he bought the prestigious stone-clad double canal mansion in the Gouden Bocht at 475 Herengracht which had been redecorated in the popular Louis XV style by Daniel Marot for the former owner, the wealthy widow Petronella van Lennep-de Neufville. Sh ...
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Christie's
Christie's is a British auction house founded in 1766 by James Christie (auctioneer), James Christie. Its main premises are on King Street, St James's in London, at Rockefeller Center in New York City and at Alexandra House in Hong Kong. It is owned by Groupe Artémis, the holding company of François-Henri Pinault. Sales in 2015 totalled £4.8 billion (US$7.4 billion). In 2017, the ''Salvator Mundi (Leonardo), Salvator Mundi'' was sold for $400 million at Christie's in New York, at the time List of most expensive paintings, the highest price ever paid for a single painting at an auction. History Founding The official company literature states that founder James Christie (auctioneer), James Christie (1730–1803) conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766. However, other sources note that James Christie rented auction rooms from 1762, and newspaper advertisements for Christi ...
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George IV Of The United Kingdom
George IV (George Augustus Frederick; 12 August 1762 – 26 June 1830) was King of the United Kingdom of Great Britain and Ireland and King of Hanover from the death of his father, King George III, on 29 January 1820, until his own death ten years later. At the time of his accession to the throne, he was acting as Prince Regent, having done so since 5 February 1811, during his father's final mental illness. George IV was the eldest child of King George III and Queen Charlotte. He led an extravagant lifestyle that contributed to the fashions of the Regency era. He was a patron of new forms of leisure, style and taste. He commissioned John Nash to build the Royal Pavilion in Brighton and remodel Buckingham Palace, and commissioned Jeffry Wyatville to rebuild Windsor Castle. George's charm and culture earned him the title "the first gentleman of England", but his dissolute way of life and poor relationships with his parents and his wife, Caroline of Brunswick, earned him t ...
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