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The Russian Stories (C. J. Cherryh)
''The Russian Stories'', also known as the ''Russian Series'', the ''Russian Trilogy'' and the ''Rusalka Trilogy'', are a series of fantasy novels by science fiction and fantasy author C. J. Cherryh. The stories are set in medieval Russia along the Dnieper river, in a fictional alternate history of Kievan Rus', a predecessor state of modern-day Russia, Belarus and Ukraine. The three books in the series are '' Rusalka'' (1989), ''Chernevog'' (1990), and ''Yvgenie'' (1991). ''Rusalka'' was nominated for a Locus Award in 1990. The stories draw heavily from Slavic mythology and concerns the fate of a girl who has drowned and become a rusalka. For example, a "Rusalka" is a type of life-draining Slavic fairy that haunts a river or lake. And "Chernevog" is an alternate spelling of Chernobog, a mysterious Slavic deity. Other creatures in the books derived from Slavic folklore include Bannik, Leshy and a Vodyanoy. How magic operates in these books sets them apart from other ...
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Rusalka (novel)
''Rusalka'' is a fantasy novel by American science fiction and fantasy author C. J. Cherryh. It was first published in October 1989 in the United States in a hardcover edition by Ballantine Books under its Del Rey Books imprint. ''Rusalka'' is book one of Cherryh's three-book '' Russian Stories'' trilogy set in medieval Russia in forests along the Dnieper river near Kyiv in modern-day Ukraine. The novel draws on Slavic folklore and concerns the fate of a girl who has drowned and becomes a rusalka. It is also an exploration of magic and the development of a young wizard. ''Rusalka'' was nominated for the Locus Award for Best Fantasy Novel in 1990 and was a third-place runner-up. Cherryh self-published a revised edition of ''Rusalka'' in e-book format in October 2010 at Closed Circle Publications. Plot summary :"A rusalka is a wish. A wish not to die. A wish for revenge." — ''Rusalka'', page 226 Sasha is a 15-year-old downtrodden stable boy living with his aunt and uncle at an ...
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Chernobog
Chernobog ( "Black God") and Belobog ( "White God") are an alleged pair of Polabian deities. Chernobog appears in the Helmold's ''Chronicle'' as a god of misfortune worshipped by the Wagri and Obodrites, while Belobog is not mentioned – he was reconstructed in opposition to Chernobog. Both gods also appear in later sources, but they are not considered reliable. Researchers do not agree on the status of Chernobog and Belobog: many scholars recognize the authenticity of these theonyms and explain them, for example, as gods of good and evil; on the other hand, many scholars believe that they are pseudo-deities, and Chernobog may have originally meant "bad fate", and later associated with the Christian devil. Sources In Latin records, this theonym is noted as and . The twelfth century German monk and chronicler Helmold, who accompanied the Christianization missions to the Elbe Slavs, describes in his '' Chronicle of the Slavs'' the cult of Chernobog: Also, the Slavs have a st ...
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Jane Fancher
Jane Suzanne Fancher (born 1952) is a science fiction and fantasy author and artist. Work In the early 1980s, she worked for Warp Graphics as an art assistant on '' Elfquest'', providing inking assistance on the black and white comics and coloring on Books 2 and 3 of the original graphic novel reprints. Reprint editions omitted her name from the art credits, and later graphic novel editions used different coloring. She adapted portions of C. J. Cherryh's ''Gate of Ivrel'', the first novel in Cherryh's '' Morgaine'' series. ''Gate of Ivrel: No. 1'' (1985) was a self-published black and white comic book that lasted one issue. Fancher expanded the material in color intending a series of graphic novels: '' Gate of Ivrel: Claiming Rites'' (1986) and '' Gate of Ivrel: Fever Dreams'' (1987). The adaptations were done in collaboration with Cherryh. She did not complete the series, but the experience led to Fancher becoming a prose author herself, as well as frequent professional collabor ...
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Self-publishing
Self-publishing is the publication of media by its author at their own cost, without the involvement of a publisher. The term usually refers to written media, such as books and magazines, either as an ebook or as a physical copy using POD (print on demand) technology. It may also apply to albums, pamphlets, brochures, games, video content, artwork, and zines. Web fiction is also a major medium for self-publishing. Definitions Although self-publishing is not a new phenomenon, dating back to the 18th century, it has transformed during the internet age with new technologies and services providing increasing alternatives to traditional publishing, becoming a $1 billion market.Jennifer Alsever, Fortune magazine, 30 December 2016The Kindle Effect Retrieved 9 November 2017, "...has become a $1 billion industry..." However, with the increased ease of publishing and the range of services available, confusion has arisen as to what constitutes self-publishing. In 2022, the Society ...
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Roland J
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even further ...
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Celtic Mythology
Celtic mythology is the body of myths belonging to the Celtic peoples.Cunliffe, Barry, (1997) ''The Ancient Celts''. Oxford, Oxford University Press , pp. 183 (religion), 202, 204–8. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples (the Gaels of Ireland and Scotland; the Celtic Britons of western Britain and Brittany). They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology. The supernatural race called the Tuatha ...
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Tzvetan Todorov
Tzvetan Todorov (; ; bg, Цветан Тодоров; 1 March 1939 – 7 February 2017) was a Bulgarian- French historian, philosopher, structuralist literary critic, sociologist and essayist. He was the author of many books and essays, which have had a significant influence in anthropology, sociology, semiotics, literary theory, intellectual history and culture theory. Early life Tzvetan Todorov was born on 1 March 1939 in Sofia, Bulgaria. He earned an M.A. in philology at the University of Sofia in 1963. He enrolled at the University of Paris to do his doctorat de troisième cycle (equivalent to the Ph.D.) in 1966 and his doctorat ès lettres in 1970. Career Todorov was appointed to his post as a director of research at the French Centre National de la Recherche Scientifique in 1968. In 1970, he helped to found the journal ''Poétique'', of which he remained one of the managing editors until 1979. With structuralist literary critic Gérard Genette, he edited the ''Collect ...
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Horror Fiction
Horror is a genre of fiction which is intended to frighten, scare, or disgust. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which is in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. Prevalent elements of the genre include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, extraterrestrials, dystopian and post-apocalyptic worlds, serial killers, cannibalism, cults, dark magic, satanism, the macabre, gore and torture. History Before 1000 The horror genre has ancient origins, with roots in folklore ...
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Historical Fantasy
Historical fantasy is a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic) into a more "realistic" narrative. There is much crossover with other subgenres of fantasy; those classed as Arthurian, Celtic, or Dark Ages could just as easily be placed in historical fantasy. Stories fitting this classification generally take place prior to the 20th century. Films of this genre may have plots set in biblical times or classical antiquity. They often have plots based very loosely on mythology or legends of Greek-Roman history, or the surrounding cultures of the same era. Overview Historical fantasy usually takes one of four common approaches: # Magic, mythical creatures such as dragons or other supernatural elements, such as magic rings co-exist invisibly with the mundane world, with the majority of people being unaware of it. In this, it has a close similarity to contemporary fantasy. This commonly overlaps with the secret hist ...
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High Fantasy
High fantasy, or epic fantasy, is a subgenre of fantasy defined by the epic nature of its setting or by the epic stature of its characters, themes, or plot.Brian Stableford, ''The A to Z of Fantasy Literature'', (p. 198), Scarecrow Press, Plymouth. 2005. The term "high fantasy" was coined by Lloyd Alexander in a 1971 essay, "High Fantasy and Heroic Romance", which was originally given at the New England Round Table of Children's Librarians in October 1969. Characteristics High fantasy is set in an alternative, fictional ("secondary") world, rather than the "real" or "primary" world. This secondary world is usually internally consistent, but its rules differ from those of the primary world. By contrast, low fantasy is characterized by being set on Earth, the primary or real world, or a rational and familiar fictional world with the inclusion of magical elements. The romances of William Morris, such as ''The Well at the World's End'', set in an imaginary medieval world, are ...
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Wizard (fantasy)
A magician, also known as an enchanter/enchantress, mage, magic-user, archmage, sorcerer/sorceress, spell-caster, warlock, witch, or wizard, is someone who uses or practices magic derived from supernatural, occult, or arcane sources. Magicians are common figures in works of fantasy, such as fantasy literature and role-playing games, and enjoy a rich history in mythology, legends, fiction, and folklore. Character archetypes In medieval chivalric romance, the wizard often appears as a wise old man and acts as a mentor, with Merlin from the ''King Arthur'' stories being a prime example. Wizards such as Gandalf in ''The Lord of the Rings'' and Albus Dumbledore from ''Harry Potter'' are also featured as mentors, and Merlin remains prominent as both an educative force and mentor in modern works of Arthuriana. Other magicians, such as Saruman from ''The Lord of the Rings'' or Lord Voldemort from ''Harry Potter'', can appear as hostile villains. Villainous sorcerers were so crucial t ...
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Magic (paranormal)
Magic, sometimes spelled magick, is an ancient praxis rooted in sacred rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural, incarnate world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science. Although connotations have varied from positive to negative at times throughout history, magic continues to have an important religious and medicinal role in many cultures today. Within Western culture, magic has been linked to ideas of the Other, foreignness, and primitivism; indicating that it is "a powerful marker of cultural difference" and likewise, a non-modern phenomenon. During the late nineteenth and early twentieth century, Western intellectuals perceived the practice of magic to be a sign of a primitive mentality and also commo ...
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