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The Rose Tattoo
''The Rose Tattoo'' is a three-act play written by Tennessee Williams in 1949 and 1950; after its Chicago premiere on December 29, 1950, he made further revisions to the play for its Broadway premiere on February 2, 1951, and its publication by New Directions the following month. A film adaptation was released in 1955. ''The Rose Tattoo'' tells the story of an Italian-American widow in Mississippi who has withdrawn from the world after her husband's death and expects her daughter to do the same. Productions The original Broadway play starred Maureen Stapleton, Phyllis Love, and Eli Wallach. Other original cast members of the 1951 Broadway play included Martin Balsam and Vivian Nathan. The original production of ''The Rose Tattoo'' premiered February 3, 1951, at the Martin Beck Theatre (now known as the Al Hirschfeld Theatre) and concluded October 27, 1951, with a total of 306 performances. It was produced by Cheryl Crawford, written by Tennessee Williams; incidental music by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Directions Publishing
New Directions Publishing Corp. is an independent book publishing company that was founded in 1936 by James Laughlin and incorporated in 1964. Its offices are located at 80 Eighth Avenue in New York City. History New Directions was born in 1936 of Ezra Pound's advice to the young James Laughlin, then a Harvard University sophomore, to "do something useful" after finishing his studies at Harvard. The first projects to come out of New Directions were anthologies of new writing, each titled ''New Directions in Poetry and Prose'' (until 1966's ''NDPP 19''). Early writers incorporated in these anthologies include Dylan Thomas, Marianne Moore, Wallace Stevens, Thomas Merton, Denise Levertov, James Agee, and Lawrence Ferlinghetti. New Directions later broadened their focus to include writing of all genres, representing not only American writing, but also a considerable amount of literature in translation from modernist authors around the world. New Directions also published the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Producer
A theatrical producer is a person who oversees all aspects of mounting a theatre Stagecraft, production. The producer is responsible for the overall financial and managerial functions of a production or venue, raises or provides financial backing, and hires personnel for creative positions (writer, director, designers, composer, choreographer—and in some cases, performers). The independent producer usually initiates the production—finding the script and starting the process. The producer finds the Theatre director, director and pursues the primary goals, to balance and coordinate business and financial aspects in the service of the creative realization of the playwright's vision. This may include casting, but often only includes casting approval. The producer may secure funds for the production, either through their own company or by bringing investors into the production in a limited partnership agreement. In this business structure, the producer becomes the general partner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Adaptation
Radio drama (or audio drama, audio play, radio play, radio theatre, or audio theatre) is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama, dramatized works of fiction, as well as plays originally written for the theatre, including musical theatre, and opera. Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s radio drama began losing its audience. However, it remains popular in much of the world. Recordings of OTR (old-time radio) survive today in the audio archives of collectors, libraries and museums, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpist
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conductor (music)
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage-manager
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including the overseeing of the rehearsal process and coordinating communications among various production teams and personnel. Stage management requires a general understanding of all aspects of production and provides complete organization to ensure the process runs smoothly and efficiently. A stage manager is an individual who has overall responsibility for stage management and the smooth execution of a theatrical production. Stage management may be performed by an individual in small productions, while larger productions typically employ a stage management team consisting of a head stage manager, or production stage manager, and one or more assistant stage managers. History The title of stage manager was not used until the 18th century, though the concept and need for s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Manager
A theater manager, also called a general manager, managing director, or intendant (UK English and German), is the administrator of a theater. They often also have the responsibilities of an artistic director but in any case oversee all administrative, marketing, production, and financial functions of their theater. They often report to a board and must have excellent communication skills, the ability to work independently, and strong organizational capacity. They must also have experience with budget creation and management, planning, budgeting/financial tracking, contract management, accounting, and schedule tracking. at Prospects.ac.uk See also * |
Lighting Designer
In theatre, a lighting designer (or LD) works with the director, choreographer, set designer, costume designer, and sound designer to create the lighting, atmosphere, and time of day for the production in response to the text while keeping in mind issues of visibility, safety, and cost. The LD also works closely with the stage manager or show control programming, if show control systems are used in that production. Outside stage lighting, the job of a lighting designer can be much more diverse, and they can be found working on rock and pop tours, corporate launches, art installations, or lighting effects at sporting events. During pre-production The role of the lighting designer varies greatly within professional and amateur theater. For a Broadway show, a touring production and most regional and small productions the LD is usually an outside freelance specialist hired early in the production process. Smaller theater companies may have a resident lighting designer responsib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Costume Designer
A costume designer is a person who designs costumes for a film, stage production or television show. The role of the costume designer is to create the characters' outfits or costumes and balance the scenes with texture and colour, etc. The costume designer works alongside the Theatre director, director, scenic design, scenic, lighting designer, sound designer, and other creative personnel. The costume designer may also collaborate with a hair stylist, wig master, or makeup artist. In European theatre, the role is different, as the theatre designer usually designs both costume and scenic elements. Designers typically seek to enhance a character's personality, and to create an evolving plot of color, changing social status, or period through the visual design of garments and accessories. They may distort or enhance the body—within the boundaries of the director's vision. The designer must ensure that the designs let the actor move as the role requires. The actor must execute the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Aronson
Boris Aronson (October 15, 1898 – November 16, 1980) was an American scenic designer for Broadway and Yiddish theatre. He won the Tony Award for Scenic Design six times in his career. Biography The son of a Rabbi, Aronson was born in Kiev, in the Russian Empire (in present-day Ukraine), and enrolled in art school during his youth. Aronson became an apprentice to the designer Aleksandra Ekster, who introduced him to the directors Vsevolod Meyerhold and Alexander Tairov, who influenced him. These three theatre and art veterans were advocates of the Constructivist school in Russia, as opposed to Stanislavski's form of Realism, and they convinced Aronson to embrace the Constructivist style. Aronson worked for some years in Moscow and Germany. In Berlin he exhibited at the seminal Van Diemen Gallery "First Exhibition of Russian Art", alongside the Constructivists El Lissitzky and Naum Gabo, which introduced Constructivism to the West. He wrote two books in Berlin, on Marc Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
