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The Rhythm Of Life
"The Rhythm of Life" is a song from the 1966 Broadway musical ''Sweet Charity'', written by composer Cy Coleman and lyricist Dorothy Fields. In the musical, the song is performed by the character Big Daddy, the leader of an alternative "hippie" religious group/cult called the "Rhythm of Life Church." In the 1969 movie musical adaptation of ''Sweet Charity (film), Sweet Charity'', directed by Bob Fosse (who also directed the original Broadway production), the song is performed by Sammy Davis, Jr., who co-stars as Big Daddy in the film. The same year as the release of the ''Sweet Charity'' film, The Supremes, Diana Ross & the Supremes and The Temptations covered the song for their ''G.I.T. on Broadway'' television special, originally broadcast November 12, 1969 on NBC with a soundtrack album released a few days earlier on November 7. Their version was released as a single in 1970 in Australia and New Zealand, where it was a top 5 and top 20 hit, respectively. Track listing Australi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Musical
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go-Set
''Go-Set'' was the first Australian pop music newspaper, published weekly from 2 February 1966 to 24 August 1974, and was founded in Melbourne by Phillip Frazer, Peter Raphael and Tony Schauble. NOTE: This PDF is 282 pages. Widely described as a pop music "bible", it became an influential publication, introduced the first national pop record charts and featured many notable contributors including fashion designer Prue Acton, journalist Lily Brett, rock writer / band manager Vince Lovegrove, music commentator Ian Meldrum, rock writer / music historian Ed Nimmervoll and radio DJ Stan Rofe. It spawned the original Australian edition of ''Rolling Stone Australia, Rolling Stone'' magazine in late 1972. History Foundation: 1964–1967 In 1964, Monash University student newspaper ''Chaos co-editors, John Blakeley, Damien Broderick and Tony Schauble, renamed the paper ''Lot's Wife (student newspaper), Lot's Wife''. Phillip Frazer was a staffer and later became co-editor with future ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wilson (musician)
Frank Edward Wilson (December 5, 1940 – September 27, 2012) was an American songwriter, singer and record producer for Motown Records. Biography In 1965, Berry Gordy asked the producers Hal Davis and Marc Gordon to set up an office of Motown in Los Angeles. Wilson accepted an offer to join the team. In December 1965, "Stevie" by Patrice Holloway (V.I.P. 25001) was the first single released from the West Coast operation and featured Wilson in the songwriting credits. Asked by Gordy to re-locate to Detroit, Wilson went on to write and produce hit records for Brenda Holloway, Marvin Gaye, the Supremes, the Miracles, the Four Tops, the Temptations, Eddie Kendricks, and more. He became particularly important after Holland-Dozier-Holland left the company. Additionally, after leaving Motown, Wilson produced a gold disc earning album by Lenny Williams, former lead singer for Tower of Power, Marilyn McCoo & Billy Davis Jr, former members of the Fifth Dimension, Alton McClain & Desti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Penn
Dan Penn (born Wallace Daniel Pennington, November 16, 1941) is an American songwriter, singer, musician, and record producer, who co-wrote many soul hits of the 1960s, including "The Dark End of the Street" and "Do Right Woman, Do Right Man" with Chips Moman and "Cry Like a Baby" with Spooner Oldham. Penn also produced many hits, including " The Letter", by The Box Tops. He has been described as a white soul and blue-eyed soul singer. Penn has released relatively few records featuring his own vocals and musicianship, preferring the relative anonymity of songwriting and producing. Early life and career Penn grew up in Vernon, Alabama, United States, and spent much of his teens and early twenties in the Quad Cities–Muscle Shoals area.''Dan Penn'' |
Spooner Oldham
Dewey Lindon "Spooner" Oldham (born June 14, 1943) is an American songwriter and session musician. An organist, he recorded in Muscle Shoals, Alabama, at FAME Studios as part of the Muscle Shoals Rhythm Section on such hit R&B songs as Percy Sledge's " When a Man Loves a Woman", Wilson Pickett's " Mustang Sally", and Aretha Franklin's "I Never Loved a Man (The Way I Love You)". As a songwriter, Oldham teamed with Dan Penn to write such hits as "Cry Like a Baby" (the Box Tops), "I'm Your Puppet" (James and Bobby Purify), and "A Woman Left Lonely" and "It Tears Me Up" (Percy Sledge). Biography Oldham is a native of Center Star, Alabama, United States. He was blinded in his right eye as a child; when reaching for a frying pan, he was hit in the eye by a spoon he knocked from a shelf. Schoolmates gave him the name "Spooner" as a result. Oldham started his career in music by playing piano in bands during high school. He then attended classes at the University of North Alabama bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Inspiration (song)
Sweet Inspiration is the title of a Dan Penn/ Spooner Oldham composition written for and first recorded in 1967 by the Sweet Inspirations for whom it had afforded a Top 20 hit reaching #18 on the Billboard Hot 100 in the spring of 1968: a live version by Barbra Streisand - in medley with "Where You Lead" - would also become a Top 40 hit. Background The song was recorded in April 1967 at American Sound Studio in Memphis in the sessions for the Sweet Inspiration's self-titled debut album produced by Tommy Cogbill and Tom Dowd. Spooner Oldham and Dan Penn had observed the recording session for two tracks intended for ''The Sweet Inspirations'' album, which moved Oldham to suggest to Penn that they two could write a stronger song for the group - (Oldham quote:) "As we walked rom the studioup the steps to he company'soffices, Dan said: 'You got any ideas?' I said: 'What's wrong with 'Sweet Inspiration'?" Working with a single guitar Oldham and Penn wrote "Sweet Inspiration" in betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valerie Simpson
Ashford & Simpson were an American husband-and-wife songwriting-production team and recording duo of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946). Ashford was born in Fairfield, South Carolina, and Simpson in the Bronx, New York City. Afterwards, his family relocated to Ypsilanti, Michigan, where he became a member of Christ Temple Baptist Church. While there, he sang with a group called the Hammond Singers (named after the founding minister, James Hammond). Later, Nickolas attended and graduated from Willow Run High School in Ypsilanti, Michigan, before pursuing his professional career, where he would ultimately meet his wife, Valerie. They met at Harlem's White Rock Baptist Church in 1964. After having recorded unsuccessfully as a duo, they joined an aspiring solo artist and former member of the Ikettes, Joshie Jo Armstead, at the Scepter/Wand label, where their compositions were recorded by Ronnie Milsap ("Never Had It So Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nickolas Ashford
Ashford & Simpson were an American husband-and-wife songwriting-production team and recording duo of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946). Ashford was born in Fairfield, South Carolina, and Simpson in the Bronx, New York City. Afterwards, his family relocated to Ypsilanti, Michigan, where he became a member of Christ Temple Baptist Church. While there, he sang with a group called the Hammond Singers (named after the founding minister, James Hammond). Later, Nickolas attended and graduated from Willow Run High School in Ypsilanti, Michigan, before pursuing his professional career, where he would ultimately meet his wife, Valerie. They met at Harlem's White Rock Baptist Church in 1964. After having recorded unsuccessfully as a duo, they joined an aspiring solo artist and former member of the Ikettes, Joshie Jo Armstead, at the Scepter/Wand label, where their compositions were recorded by Ronnie Milsap ("Never Had It So Go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack Album
A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's ''Snow White and the Seven Dwarfs'', the soundtrack to the film of the same name, in 1938. The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film ''Rudyard Kipling's Jungle Book'', composed by Miklós Rózsa. Overview When a feature film is released, or during and after a television series airs, an album in the form of a soundtrack is frequently released alongside it. A soundtrack typically contains instrumentation or alternatively a film score. But it can also feature songs that were sung or performed by characters in a scene (or a cover version of a song in the media, rerecorded by a popular artist), songs that were used as intentional or unintentional background music in important scenes, songs that were heard in the closing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Special
A television special (often TV special, or rarely television spectacular) is a standalone television show which may also temporarily interrupt episodic programming normally scheduled for a given time slot. Some specials provide a full range of entertainment and informational value available via the television medium (news, drama, comedy, variety, cultural), in various formats (live television, documentary, studio production, animation, film), and in any viewing lengths (short films, feature films, miniseries, telethons). Examples The types of shows described as television specials include: *One-time comedy shows *Adaptations of operas, Broadway plays, and other musicals *Celebrity profiles, interviews, or tribute specials * Seasonal programs or parades: Christmas television specials, Macy's Thanksgiving Day Parade, New Year's Eve *Theatrical films and "made-for-TV" movies *Animated cartoons (shorts) *Irregular sports events: Olympic Games, Super Bowl *Beauty pageants: Miss Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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