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The Revenge (1680 Play)
''The Revenge; Or, A Match In Newgate'' is a 1680 comedy play usually attributed to the English writer Aphra Behn. It was first performed by the Duke's Company at the Dorset Garden Theatre in London with a cast that included William Smith as Wellman, Joseph Williams as Friendly, John Bowman as Mr Shatter, Thomas Jevon as Trickwell, Anthony Leigh as Mr Dashit, George Bright as Glisten, Elizabeth Barry as Corina, Charlotte Butler as Marinda, Emily Price as Diana, and Elinor Leigh Elinor Leigh was a British stage actor of the seventeenth century. Born Elinor Dixon, she was billed as Mrs Leigh or Mrs Lee after she married the actor Anthony Leigh in 1671. This has led to some difficulty distinguishing on playbills between he ... as Mrs Dashit.Van Lennep p.287 References Bibliography * Cox, Michael. ''The Concise Oxford Chronology of English Literature''. Oxford University Press, 2005. * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphra Behn
Aphra Behn (; bapt. 14 December 1640 – 16 April 1689) was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, she declined an invitation from Bishop Burnet to write a welcoming p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Leigh
Anthony Leigh (died 1692) was a celebrated English comic actor. Life He was from a Northamptonshire family, and was not closely related to the actor John Leigh (c.1689–1726?). He joined the Duke of York's company about 1672, and appeared in that year at the recently opened theatre in Dorset Garden, as the original Pacheco in ''The Reformation'' (1673), a comedy ascribed by Gerard Langbaine to one Arrowsmith, a Cambridge M.A. graduate. At Dorset Garden, Leigh played many original parts. After the merger of the duke's company with the king's in 1682, Leigh did not immediately go to the Theatre Royal. He was in 1683, however, at that theatre the original Bartoline in John Crowne's ''City Politics'', and played Bessus in a revival of ''A King and No King''. Here he remained until his death, creating many characters.They included: Beaugard's Father in Otway's ''The Atheist'', Rogero in Thomas Southerne's ''The Disappointment'', Sir Paul Squelch in Richard Brome's ''Northern Lass'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1680 Plays
Year 168 ( CLXVIII) was a leap year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Paullus (or, less frequently, year 921 ''Ab urbe condita''). The denomination 168 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Marcus Aurelius and his adopted brother Lucius Verus leave Rome, and establish their headquarters at Aquileia. * The Roman army crosses the Alps into Pannonia, and subdues the Marcomanni at Carnuntum, north of the Danube. Asia * Emperor Ling of Han succeeds Emperor Huan of Han as the emperor of the Chinese Han Dynasty; the first year of the ''Jianning'' era. Births * Cao Ren, Chinese general (d. 223) * Gu Yong, Chinese chancellor (d. 243) * Li Tong, Chinese general (d. 209) Deaths * Anicetus, pope of Rom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elinor Leigh
Elinor Leigh was a British stage actor of the seventeenth century. Born Elinor Dixon, she was billed as Mrs Leigh or Mrs Lee after she married the actor Anthony Leigh in 1671. This has led to some difficulty distinguishing on playbills between her and the actress Mary Slingsby who also acted under her married name of Lee at the time. In addition another actress with the name Elizabeth Leigh was also active during the period. She was a member of the Duke's Company in the 1670s which was then merged into the United Company from 1682, acting mainly at Drury Lane. Her husband died in 1692, and in 1695 she joined those who left to form a new company under Thomas Betterton at the Lincoln's Inn Fields TheatreThe Routledge Anthology of Restoration and Eighteenth-Century Drama p.lvi Selected roles * Melvissa in ''The Women's Conquest'' by Edward Howard (1670) * Petilla in ''The Six Days' Adventure'' by Edward Howard (1671) * Orinda in ''Cambyses, King Of Persia'' by Elkanah Settle (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emily Price (actress)
Emily Price was an English stage actress of the seventeenth century. She was a member of the Duke's Company between 1676 and 1682, acting at the Dorset Garden Theatre in London and then joined the merged United Company. She was a friend of the playwright Aphra Behn and appeared in several of her plays. She was billed as Mrs Price.Lanier p.72 Selected roles * Christina in '' Squire Oldsapp'' by Thomas D'Urfey (1678) * Helena in '' The Destruction of Troy'' by John Banks (1678) * Lucretia in '' Sir Patient Fancy'' by Aphra Behn (1678) * Violante in '' The Counterfeits'' by John Leanerd (1678) * Camilla in '' Friendship in Fashion'' by Thomas Otway (1678) * Edraste in '' The Loyal General'' by Nahum Tate (1679) * Adorna in '' Caesar Borgia'' by Nathaniel Lee (1679) * Sylvia in '' The Soldier's Fortune'' by Thomas Otway (1680) * Diana in '' The Revenge'' by Aphra Behn (1680) * Priscilla in ''Mr Turbulent'' by Anonymous (1680) * Security's Wife in ''Cuckold's Haven'' by Nahum Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Butler
Charlotte Butler was an English stage actress and singer of the seventeenth century. She may have joined the Duke's Company in the 1670s, but her first definite recorded performance was in Aphra Behn's '' The Revenge'' (1680) The anonymous ''A Satyr on The Players'' (c. 1682) describes her, And Butler's wiles are now so common grown That by each feather's Cully they are known So that at least to save her tottering Frame At Musick Clubs she strives to get a name But money is the Siren's cheifest aim. At treats her Squeamish stomach cannot bear What Amorous Sparks provide with cost and Care But if she's hungry faith I must be blunt She'll for a dish of Cutlets shew her Cunt. Selected roles * Marinda in '' The Revenge'' by Aphra Behn (1680) * Charlotte in ''The City-Heiress'' by Aphra Behn (1682) * Philidel in ''King Arthur'' by John Dryden (1682) * Mrs Cleremont in ''Dame Dobson'' by Edward Ravenscroft (1683) * Sophia in ''The Fortune Hunters'' by James Carlile (1689) * Charles i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bright (actor)
George Bright was an English stage actor of the seventeenth and early eighteenth century. He specialised in playing "comic dullards, fops and bouncy servants".Hughes p.197 After beginning his career in Dublin he joined the Duke's Company at the Dorset Garden Theatre in 1679 and then became part of the merged United Company in 1682. Selected roles * Ajax in ''Troilus and Cressida'' by John Dryden (1679) * Glisten in '' The Revenge'' by Aphra Behn (1680) * Baltazer in ''The False Count'' by Aphra Behn (1681) * Slouch in ''The Royalist'' by Thomas D'Urfey (1682) * Sheriff in '' The Duke of Guise'' by John Dryden (1682) * Farmer in ''Dame Dobson'' by Edward Ravenscroft (1683) * Martin in ''A Jovial Crew'' by Richard Brome (1683) * Howdee in ''The Northern Lass'' by Richard Brome (1684) * Captain Hackum in ''The Squire of Alsatia'' by Thomas Shadwell (1688) * Dullman in ''The Widow Ranter'' by Aphra Behn (1689) * Don Pedro in ''The Successful Strangers'' by William Mountfort (1690) * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Jevon
Thomas Jevon (1652–1688) was an English playwright, and one of the first English Harlequins. He began his career as a dancing master, but worked his way onto the stage, and played leading low-comedy parts in London between 1673 and 1688. His brother-in-law was the English playwright and poet laureate Thomas Shadwell. Jevon's only published play, the farce '' The Devil of a Wife, or, a Comical Transformation'' (with a plot borrowed from a Philip Sidney story, and possibly some assistance from Shadwell), was performed in 1686 at Dorset Garden, where Jevon usually acted. Jevon and George Powell played the two leading roles, and the piece achieved great success. Various versions with added music appeared later, and Charles Coffey Charles Coffey (late 17th century – 13 May 1745) was an Irish playwright, opera librettist and arranger of music from Westmeath. Following the initial failure of his ballad opera '' The Beggar’s Wedding'' (Dublin, Smock Alley Theatre, 24 Ma ... us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorset Garden Theatre
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709. Background After years of being banned during the Interregnum, theatre performances were again permitted on the Restoration of Charles II with the grant of Letters Patent to two companies to perform "legitimate drama" in London. The Duke's Company was patronised by the Duke of York (later James II); the other patent theatre company, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bowman (actor)
John Bowman (1651–1739) was a British stage actor.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXVIII He began his career in the Duke's Company at the Dorset Garden Theatre. In 1692 he married Elizabeth Watson, who acted under the name Elizabeth Bowman. He later switched to act at the Drury Lane Theatre. He is also referred to as John Boman. Selected roles * Peter Santloe in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Saunter in '' Friendship in Fashion'' by Thomas Otway (1678) * Patroclus in '' The Destruction of Troy'' by John Banks (1678) * Pisander in '' The Loyal General'' by Nahum Tate (1679) * Crotchett '' The Virtuous Wife'' by Thomas D'Urfey (1679) * Patroclus in ''Troilus and Cressida'' by John Dryden (1679) * Mr Shatter in '' The Revenge'' by Aphra Behn (1680) * Duke of Clarence in ''The Misery of Civil War'' by John Crowne (1680) * Atticus in ''Theodosius'' by Nathaniel Lee (1680) * Dreswell in ''The City Heiress'' by Aphra Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
