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The Quintet Of The Hot Club Of France
The Quintette du Hot Club de France ("The Quintet of the Hot Club of France"), often abbreviated "QdHCdF" or "QHCF", was a jazz group founded in France in 1934 by guitarist Django Reinhardt and violinist Stéphane Grappelli and active in one form or another until 1948. One of the earliest and most significant continental jazz groups in Europe, the Quintette was described by critic Thom Jurek as "one of the most original bands in the history of recorded jazz." Their most famous lineup featured Reinhardt, Grappelli, bassist Louis Vola, and rhythm guitarists Roger Chaput and Joseph Reinhardt (Django's brother) who filled out the ensemble's sound and added occasional percussion. History According to Grappelli, the group evolved from a series of backstage jams originated by Django Reinhardt, with Stephane Grappelli, at the Hotel Claridge in Paris, where the two were engaged as members of a band led by bassist Louis Vola. After a series of informal jam sessions at the Hotel Claridge, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continental Jazz
Continental jazz was a genre of music that included early jazz dance bands of Europe in the swing medium, to the exclusion of Great Britain. The genre was generally practiced until the conclusion of World War II. By the time bebop Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ... came to popularity, the style became more or less obsolete. Revival trends In the 1990s and 2000s, some ensembles on the European continent revived this style. Paris Combo draws on this style and others. References 20th-century music genres Jazz genres {{Jazz-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rex Stewart
Rex William Stewart Jr. (February 22, 1907 – September 7, 1967) was an American jazz cornetist who was a member of the Duke Ellington orchestra. Career As a boy he studied piano and violin; most of his career was spent on cornet. Stewart dropped out of high school to become a member of the Ragtime Clowns led by Ollie Blackwell. He was with the Musical Spillers led by Willie Lewis in the early 1920s, then with Elmer Snowden, Horace Henderson, Fletcher Henderson, Fess Williams, and McKinney's Cotton Pickers. In 1933 he led a big band at the Empire Ballroom in New York City. Beginning in 1934, he spent eleven years with the Duke Ellington band. Stewart co-wrote "Boy Meets Horn" and "Morning Glory" and supervised recording sessions by members of the Ellington band. He left Ellington to lead "little swing bands that were a perfect setting for his solo playing." He toured in Europe and Australia with Jazz at the Philharmonic from 1947 to 1951. Beginning in the early 1950s, he wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphaël Faÿs
Raphaël Faÿs is a French gypsy jazz and classical guitarist and composer born in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma ... on 10 December 1959. Discography * ''Gitarre, spielt Kompositionen von Marcel Dadi'' (Decca, 1976) * ''Raphael Fays'' (Sonopresse, 1978) * ''Gipsy New Horizon'' (Sonopresse, 1979) * ''Night in Caravan'' (WEA, 1980) * ''Vivi Swing'' (WEA, 1982) * ''Bonjour Gipsy'' (WEA, 1983) * ''La Musique de Django'' (Ariola, 1985) * ''Djangology'' (Carrere, 1987) * ''Voyages'' (Ricordu, 1989) * ''Gipsy Touch'' (Ricordu, 1991) * ''Sans Domicile Fixe'' (GHA, 1996) * ''Jazz Hot: The Gipsy Way'' (Mandala, 2000) * ''Guitar Romance'' (Royal River Music, 2003) * ''Swing Guitar'' (Le Chant du Monde, 2005) * ''Andalucia'' (Le Chant du Monde, 2006) * ''Django & Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fapy Lafertin
Fapy Lafertin (born 20 November 1950) is a Belgian guitarist in the Belgian-Dutch gypsy jazz style. Lafertin was born in Kortrijk, Belgium in the Manouche Romani community and took up guitar at the age of five. After performing in a family band with his father on violin and his brother on second guitar, he joined the Piotto Limberger orchestra. He also toured with his uncle, Eddie Ferret.Dregni ''et al.'' (2006), p. 161 In the 1970s and '80s he was lead acoustic guitarist with the band "Waso", with Albert "Vivi" Limberger on rhythm guitar, Koen De Cauter on reeds (clarinet and saxophone) and vocals, and Michel Verstraeten on double bass. In 1985 he began a quartet which has featured Rudi Brink, Tim Kliphuis, and Joop Hendricks. He based the quartet on the Quintette du Hot Club de France. He began a solo career and toured throughout Europe and the UK. He has played with American jazz musicians such as Charlie Byrd, Al Casey, Scott Hamilton, Milt Hinton, and Benny Waters. Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diz Disley
William Charles "Diz" Disley (27 May 1931 – 22 March 2010) was an Anglo-Canadian jazz guitarist and banjoist. He is best known for his acoustic jazz guitar playing, strongly influenced by Django Reinhardt, for his contributions to the UK trad jazz, skiffle and folk scenes as a performer and humorist, and for his collaborations with the violinist Stéphane Grappelli. Biography Early life William Charles Disley was born, to Welsh parents then overseas for work, in Winnipeg, Manitoba, Canada. When he was four, his parents moved back to Llandyssil in Montgomeryshire in Wales and then five years later to Ingleton, North Yorkshire, England, where his mother worked as schoolteacher. In his childhood, he learned to play the banjo, but took up jazz guitar at the age of 15, after being exposed to the playing of Django Reinhardt. As Disley recalled, his neighbour Norry Greenwood taught him the chords to "Miss Annabel Lee" and "Try a Little Tenderness" in the summer of 1946. Disley showed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bal-musette
Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was replaced with accordion, on which a variety of waltzes, polkas, and other dance styles were played for dances. History Auvergnats settled in large numbers in the 5th, 11th, and 12th districts (''arrondissements'') of Paris during the 19th century, opening cafés and bars where patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy). Parisian and immigrant Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement.Rémi Hess : ''La valse, un romantisme révolutionnaire'', Métailié editor, Sciences humaines collection, April 2003, p. 147-148. ().Henri Joannis Deberne : ''Danser en société'', Christine Bonnet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matelo Ferret
Jean Pierre "Matelo" Ferret (1918 – 24 January 1989) (also spelled Matelot, Matlo and Matlow, surname also later spelled Ferré on occasion) was a French musette and gypsy jazz guitarist and composer. He was an associate of Django Reinhardt and the youngest brother of guitarists Baro and Sarane Ferret. He recorded with his own sextet in Paris in the 1940s and continued performing there, with occasional recording sessions, until his death in 1989. He was noted for a musical style that incorporated Russian and Hungarian influences and lived long enough to see a resurgence of interest in gypsy jazz in which he was recognised as one of the great surviving players of the genre. Two of his sons, Boulou and Elios Ferré, continue to play a more modern and individualistic form of gypsy jazz-based guitar music in Paris. Biography Matelo Ferret was the youngest of the three Ferret brothers, Gitan gypsies from Rouen, France who made their way to Paris and there made the acquaintance o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baro Ferret
Pierre Joseph "Baro" Ferret (1908–1976) was a gypsy jazz guitarist and composer. He was known by his gypsy nickname "Baro," which meant "Big One" or even "King" in Romany. Through his brother Jean "Matelo" Ferret, Baro met Django Reinhardt, and the two men became both friends and rivals. From 1931, the Ferret brothers, along with their third brother Etienne "Sarane" Ferret, and cousin René "Challain" Ferret, were favorite sidemen of Reinhardt. Baro recorded around 80 sides with Reinhardt. The Ferret brothers played with musicians including Didi Duprat. Baro retired as a full-time musician during World War II and devoted himself to running bars and to black market businesses during the German occupation of Paris, an activity he continued into the early 1970s. As a composer, Baro's "valses bebop" were years ahead of the times. His works such as "Panique...!," "La Folle" ("The Madwoman"), "Swing Valse" (written with Belgian-French button accordionist Gus Viseur), and "Le Depar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuages
"Nuages" () is one of the best-known compositions by Django Reinhardt. He recorded at least thirteen versions of the tune, which is a jazz standard and a mainstay of the gypsy swing repertoire. English and French lyrics have been added to the piece which was originally an instrumental work. The title translated into English is "Clouds", but the adaptation with English lyrics is titled "It's the Bluest Kind of Blues". In 1940, Django made two recordings of Nuages in F major, and with a clarinet melody. (Some later recordings are in G major, perhaps to suit the violin.) Unhappy with the first recording, Reinhardt added a second clarinet, creating a renowned arrangement for the December 1940 recording. Reinhardt's 1946 recording (as can be heard in the sample) is in the key of G major. A final recording was made at a 1953 session just before he died, where we hear Django with only Maurice Vander on piano, Pierre Michelot on bass, and Jean-Louis Viale on drums. He was using an electri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lousson Reinhardt
Henri Baumgartner (1929–1992), known professionally as Lousson Reinhardt, was a French gypsy jazz guitarist and the first son of Django Reinhardt by his first wife, Florine Mayer. Biography Django Reinhardt married Florine Mayer in 1927 according to gypsy custom although their marriage was not registered, and therefore not recognised under French law. Their son Henri, nicknamed "Lousson" from the French "l'ourson" meaning "bear cub", was born in 1929, however shortly after this the couple separated and Florine remarried; his birth certificate thus bears the last name Baumgartner from Mayer's second husband. Henri/Lousson learned to play guitar from his relatives; he is pictured playing with Django and others in a photograph dating from the mid 1940s and played rhythm guitar with Django's "Nouveau Quintette" on a tour of Belgium in November-December 1948, of which an official release exists. Lousson was frequently on the road in the 1950s and 1960s and never recorded commerciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm Section
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody. The core elements of the rhythm section are usually the drum kit and bass. The drums and bass provide the basic pulse and groove of a song. The section is augmented by other instruments such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass or electric bass guitar, or another low-register instrument, such as synth bass, depending on the group and its style of music) plays the low-pitched bassline. The bassline is a musical part that supports the chord progression, typically by playing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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