The Prospect Before Us
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The Prospect Before Us
''The Prospect Before Us'' is a British folk rock album, by The Albion Band, The Albion Dance Band, which was released in 1977 on the Harvest Records, EMI Harvest label. The album was produced by Ashley Hutchings and Simon Nicol and was engineered by Vic Gamm. It was recorded at Sound Techniques (studio), Sound Techniques Studio and Olympic (including live dances at Olympic), London. There are several instrumental tracks. The album cover was designed by Dave Dragon, based on an idea by Pete Scowther. Track listing Side 1 #"Uncle Berhard's"/"Jenny Lind" (instrumental) - 3:44 #"The Hunt Is Up" - 1:51 #"Varsoviana" (instrumental) - 2:42 #"Masque" (instrumental) - 1:00 #"Huntsman's Chorus" - 4:25 #"Minuet" (instrumental) - 2:05 #"Wassail Song" - 2:11 #"Picking of Sticks"/ "The Old Mole" (instrumental) - 3:39 Side 2 #"Merry Sherwood Rangers" (live version) - 3:18 #"La Sexte Estampie Real" (instrumental) - 1:51 #"I Wish I was Single Again" - 3:42 #"The Whim" (instrumental) - 3:29 # ...
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The Albion Band
The Albion Band, also known as The Albion Country Band, The Albion Dance Band, and The Albion Christmas Band, were a British folk rock band, originally brought together and led by musician Ashley Hutchings. Generally considered one of the most important groupings in the genre, it has contained or been associated with a large proportion of major English folk performers in its long and fluid history. The one constant in the band's history has been the band leader Ashley Hutchings, founding member of two other English folk rock groupings Fairport Convention and Steeleye Span, and it has been the home for most of the projects of his long career, though in the 2011 incarnation of the band he has handed over the reins to his son Blair Dunlop. History Origins Initially Hutchings formed the band in April 1971 to accompany his then wife the singer Shirley Collins on her ''No Roses'' album. Dave Mattacks, Richard Thompson (musician), Richard Thompson and Simon Nicol (from Fairport Con ...
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Bagpipe
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with their ton ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Dave Mattacks
David James Mattacks (born 13 March 1948) is an English rock and folk drummer. Best known for his work with Fairport Convention, Mattacks has also worked both as a session musician and as a performing artist. Apart from playing the drums, he is also a versed keyboard player and occasionally played the bass guitar on studio recordings. He began as a trainee piano-tuner before taking up the drums. He played with several jazz bands before joining the British folk rock band Fairport Convention in August 1969, with whom he worked on and off until 1997. In 1998, he moved to Marblehead, Massachusetts, United States, where he is a sought-after studio musician, record producer, and member of the band Super Genius, while still touring regularly with various acts in the United Kingdom, Europe and Australia. Fairport Convention He replaced Martin Lamble, who had died on 12 May 1969 in a road accident on the M1 motorway, as the drummer for Fairport Convention. Mattacks left Fairport Con ...
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Concertina
A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The concertina was developed independently in both England and Germany. The English version was invented in 1829 by Sir Charles Wheatstone, while Carl Friedrich Uhlig introduced the German version five years later, in 1834. Various forms of concertini are used for classical music, for the traditional musics of Ireland, England, and South Africa, and for tango and polka music. Systems The word ''concertina'' refers to a family of hand-held bellows-driven free reed instruments constructed according to various ''systems'', which differ in terms of keyboard layout, and whether individual buttons (keys) produce the same ( unisonoric) or different ( bisonoric) notes with changes in the direction of air pressure. Because the concertina was deve ...
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John Tams
John Tams (born 16 February 1949) is an English actor, singer, songwriter, composer and musician born in Holbrook, Derbyshire, the son of a publican. He first worked as a reporter for the '' Ripley & Heanor News'' later working for BBC Radio Derby and BBC Radio Nottingham. Tams had an early part in ''The Rainbow'' (1988), and may be best known for playing a regular supporting role in the ITV drama series '' Sharpe'', as rifleman Daniel Hagman. He also co-wrote the music for each film (18, as of November 2008) alongside Dominic Muldowney. Tams was a member of Derbyshire folk group Muckram Wakes in the 1970s, then worked with Ashley Hutchings as singer and melodeon-player on albums including ''Son of Morris On'', and as a member of the British folk rock group Albion Band. Splitting with Hutchings in the 1980s, he formed Home Service. In the following decades, Tams spent time fronting Home Service (Best Live Act at the BBC Folk Awards 2012) or in a duo with Barry Coope (Duo of the ...
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Caller (dancing)
A caller is a person who prompts dance figures in such dances as line dance, square dance, and contra dance. The caller might be one of the participating dancers, though in modern country dance this is rare. In round dance a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points. In northern New England contra dancing, the caller is also known as the prompter. Comparing callers and cuers Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance. Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible. Standardized dances such as round dance, modern western square dance, and Salsa Rueda con ...
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Shirley Collins
Shirley Elizabeth Collins MBE (born 5 July 1935) is an English folk singer who was a significant contributor to the English Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style. Biography Early life Shirley Collins was born in Hastings, East Sussex, England on 5 July 1935. She grew up, with her older sister Dolly, in the area, in a family which kept alive a great love of traditional song. Songs learnt from their grandfather and from their mother's sister, Grace Winborn, were to be important in the sisters' repertoire throughout their career. On leaving school, at the age of 17, Collins enrolled at a teachers' training college in Tooting, south London. In London she also involved herself in the early folk revival, making her first appearance on vinyl on the 1955 compilation ''Folk Song Today''. In 1954, at a party hos ...
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Graeme Taylor
Graeme Taylor (born 2 February 1954 in Stockwell, South-West London) is a British guitarist. Taylor played lead guitar with 1970s medieval/rock band Gryphon, and leading folk rock bands including the Albion Band and Home Service. With Gryphon he had 4 best-selling LPs, and toured the US, supporting Yes at Madison Square Gardens, and the Mahavishnu Orchestra at the Houston Astrodome. In 1975, he played on Steve Howe's debut solo album ''Beginnings'', with two other members of Gryphon, Malcolm Bennett and Dave Oberlé. Taylor played a major role in the creation and performance of the music for ''The Mysteries'' at the National Theatre in 1977 a production - to a text adapted by the poet Tony Harrison - that was revived in 1999, with Taylor in the role of musical director, arranger and composer of additional music. Having spent many years playing guitars in the pit orchestras of many West End musicals, Taylor became a member of the touring bands for both John Tams and Rolf Ha ...
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Citole
The citole was a string musical instrument, closely associated with the medieval fiddles (viol, vielle, gigue) and commonly used from 1200–1350."CITOLE, also spelled Systole, Cythole, Gytolle, &c. (probably a Fr. diminutive form of cithara, and not from Lat. cista, a box)" It was known by other names in various languages: cedra, cetera, cetola, cetula, cistola, citola, citula, citera, chytara, cistole, cithar, cuitole, cythera, cythol, cytiole, cytolys, gytolle, sitole, sytholle, sytole, and zitol. Like the modern guitar, it was manipulated at the neck to get different notes, and picked or strummed with a plectrum (the citole's pick was long, thick, straight and likely made of ivory or wood). Although it was largely out of use by the late 14th century, the Italians "re-introduced it in modified form" in the 16th century as the ''cetra'' (cittern in English), and it may have influenced the development of the guitar as well. It was also a pioneering instrument in England, in ...
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Vielle
The vielle is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin. The instrument was also known as a ''fidel'' or a ''viuola'', although the French name for the instrument, ''vielle'', is generally used; the word comes from the same root as ''fiddle''. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. T ...
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St George's Canzona
St. George's Canzona is a British musical ensemble. The early years: Musica Reservata and the Harlow Ensemble In Britain at least, it may be said that the early-music movement was initiated by Arnold Dolmetsch (b. 1858) and his family who (it seems) are all but forgotten today, even though their influence lingered on until the 1960s. Following the Dolmetschs came a second wave, in which Michael Morrow's group, Musica Reservata (see ) was the foremost influence, and of which John Sothcott was a highly accomplished recorder player and founder member. Initially, Morrow's field of activity was medieval music, and possibly the first occasion upon which they came into prominence was whilst touring in Brian Trowell's production of ''The Raising of Lazarus'', a medieval miracle play (1962). Leading the procession of disciples, they leapt straight out of a Bruegel painting; the three virtuoso minstrels - Michael Morrow, John Beckett and John Sothcott - followed by the impressive ...
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