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The Progressive Blues Experiment
''The Progressive Blues Experiment'' is the debut album by American blues rock musician Johnny Winter. He recorded it in August 1968 at the Vulcan Gas Company, an Austin music club, with his original trio of Tommy Shannon on bass guitar and John "Red" Turner on drums. The album features a mix of Winter originals and older blues songs, including the standards " Rollin' and Tumblin'", " Help Me", and "Forty-Four". Local Austin, Texas-based Sonobeat Records issued the album with a plain white cover in late 1968. After Winter signed to Columbia Records, the rights were sold to Imperial Records, who reissued it in March 1969.. The Imperial edition, with a new cover, reached number 40 on the ''Billboard'' 200 album chart. In 2005, Capitol issued a 24-bit remastered edition of the album on compact disc. Track listing Songwriters and track running times are taken from the original Sonobeat LP. Other releases may have different listings. Personnel *Johnny Wintervocals, electr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Winter
John Dawson Winter III (February 23, 1944 – July 16, 2014) was an American singer and guitarist. Winter was known for his high-energy blues rock albums and live performances in the late 1960s and 1970s. He also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in ''Rolling Stone'' magazine's list of the " 100 Greatest Guitarists of All Time". Early life Johnny Winter was born in Beaumont, Texas, on February 23, 1944. He and younger brother Edgar (born 1946) were nurtured at an early age by their parents in musical pursuits. Both were born with albinism. Their father, Leland, Mississippi native John Dawson Winter Jr. (1909–2001), was also a musician who played saxophone and guitar and sang at churches, weddings, Kiwanis and Rotary Club gatherings. Johnny and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rollin' Stone (Muddy Waters Song)
"Rollin' Stone" is a blues song recorded by Muddy Waters in 1950. It is his interpretation of "Catfish Blues", a Delta blues that dates back to 1920s Mississippi. "Still a Fool", recorded by Muddy Waters a year later using the same arrangement and melody, reached number nine on the Billboard R&B chart. "Rollin' Stone" has been recorded by a variety of artists. Earlier songs In 1928, Jim Jackson recorded "Kansas City Blues Parts 3 and 4", a follow-up to his highly successful "Jim Jackson's Kansas City Blues Parts 1 and 2". Jackson's lyrics included: Several other early songs also explored variations on the catfish and/or fishing theme. In 1941, Tommy McClennan and his sometime partner Robert Petway each recorded versions of the song. Petway's was the first to be titled "Catfish Blues" and is sometimes cited as the basis for Muddy Waters' "Rollin' Stone". However, according to one biographer "They'd been singing "Catfish Blues" for years in the Delta, but it never sounded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resonator Guitar
A resonator guitar or resophonic guitar is an acoustic guitar that produces sound by conducting string vibrations through the bridge to one or more spun metal cones (resonators), instead of to the guitar's sounding board (top). Resonator guitars were originally designed to be louder than regular acoustic guitars, which were overwhelmed by horns and percussion instruments in dance orchestras. They became prized for their distinctive tone, however, and found life with bluegrass music and the blues well after electric amplification solved the problem of inadequate volume. Resonator guitars are of two styles: * Square-necked guitars played in lap steel guitar style * Round-necked guitars played in conventional guitar style or steel guitar style There are three main resonator designs: * The ''tricone'', with three metal cones, designed by the first National company * The single-cone "biscuit" design of other National instruments * The single inverted-cone design (also known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howlin' Wolf
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roosevelt Sykes
Roosevelt Sykes (January 31, 1906July 17, 1983) was an American blues musician, also known as "the Honeydripper". Career Sykes was born the son of a musician in Elmar, Arkansas. "Just a little old sawmill town", Sykes said of his birthplace. The Sykes family was living in St. Louis by 1909. Sykes often visited his grandfather's farm near West Helena. He began playing the church organ around the age of ten. "Every summer I would go down to Helena to visit my grandfather on his farm," he told biographer Valerie Wilmer. "He was a preacher and he had an organ I used to practice on, trying to learn how to play. I always liked the sound of the blues, liked to hear people singing, and since I was singing first, I was trying to play like I sang." Sykes was baptized at 13 years old, his lifelong beliefs never conflicting with playing the blues. At age 15, he went on the road playing piano in a barrelhouse style of blues. Like many bluesmen of his time, he traveled around playing to all-mal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forty-Four (song)
"Forty-Four" or "44 Blues" is a blues standard whose origins have been traced back to early 1920s Louisiana. However, it was Roosevelt Sykes, who provided the lyrics and first recorded it in 1929, that helped popularize the song. "Forty-Four," through numerous adaptations and recordings, remains in the blues lexicon eighty years later. Origins "Four-Four" was developed from an earlier piano-based blues theme titled "The Forty-Fours". Little Brother Montgomery, who is usually credited with early performances of the song, described it as a "barrelhouse, honky-tonk blues" without any lyrics. He taught it to another blues pianist, Lee Green, who taught it to Roosevelt Sykes. Sykes explained: Sykes added lyrics to the tune and recorded it as "44 Blues" on June 14, 1929, for Okeh Records. According to blues historian Paul Oliver, Sykes' lyrics "played on the differing interpretations of the phrase 'forty-fours'—the train number 44, the .44 caliber revolver and the 'little cabin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Bihari
The Bihari brothers, Lester, Jules, Saul and Joe, were American businessmen of Hungarian Jewish origins. They were the founders of Modern Records in Los Angeles and its subsidiaries, such as Meteor Records, based in Memphis. The Bihari brothers were significant figures in the process that transformed rhythm and blues into rock and roll, which appealed to white audiences in the 1950s. Origins The brothers' parents were Hungarian Jewish immigrants from Austria-Hungary to the U.S. Edward Bihari (1882–1930) was born in Budapest. Esther "Esti" Taub (1886–1950) was born in Homonna, Hungary (now Humenné, Slovakia). They were married in Philadelphia (U.S.) in 1911. The couple had four sons: :Lester Louis Bihari (May 12, 1912, Pottstown, Pennsylvania – September 9, 1983) :Julius Jeramiah Bihari (September 9, 1913, Pottstown – November 17, 1984, Los Angeles) :Saul Samuel Bihari (March 9, 1918, St. Louis, Missouri – February 22, 1975) :Joseph Bihari (May 30, 1925, Memphis, Ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blind Willie McTell
Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music and hokum. McTell was born in Thomson, Georgia. He learned to play the guitar in his early teens. He soon became a street performer in several Georgia cities, including Atlanta and Augusta, and first recorded in 1927 for Victor Records. He never produced a major hit record, but he had a prolific recording career with different labels and under different names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Bass
Ralph Basso Jr. (May 1, 1911 – March 5, 1997), known as Ralph Bass,The birth surname of Ralph Bass's paternal grandfather, who was born in Italy, was DuBasso. was an American rhythm-and-blues record producer and talent scout for several independent labels. He was a pioneer in bringing African American music into the American mainstream. During his career he worked in key roles for Black & White Records, Savoy Records, King Records, Federal Records, and Chess Records, recording many leading performers, including Etta James, Sam Cooke, James Brown, Earl Bostic, and groups such as the Platters and the Dominoes. Bass was inducted into the Rock and Roll Hall of Fame in 1991 as a nonperformer. Personal life Bass was born in the Bronx to an Italian Catholic father, Ralph Bass, né Basso, and a German-American Jewish mother, Lena, née Brettner, who raised all of their children within a kosher household in the religious faith of Judaism. As a young boy, Ralph displayed a gift for mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Boy Williamson II
Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II. He first recorded with Elmore James on "Dust My Broom". Some of his popular songs include " Don't Start Me Talkin'", " Help Me", "Checkin' Up on My Baby", and " Bring It On Home". He toured Europe with the American Folk Blues Festival and recorded with English rock musicians, including the Yardbirds, the Animals. "Help Me" became a blues standard, and many blues and rock artists have recorded his songs. Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slim Harpo
Slim Harpo (born James Isaac Moore; January 11, 1924 – January 31, 1970) was an American blues musician, a leading exponent of the swamp blues style, and "one of the most commercially successful blues artists of his day". He played guitar and was a master of the blues harmonica, known in blues circles as a "harp". His most successful and influential recordings included "I'm a King Bee" (1957), " Rainin' in My Heart" (1961), and "Baby Scratch My Back" (1966), which reached number one on ''Billboard'''s R&B chart and number 16 on its broader Hot 100 singles chart. Life and career Moore was born in Lobdell, Louisiana, the eldest child in his family. After his parents died he worked as a longshoreman and construction worker in New Orleans in the late 1930s and early 1940s. Influenced in style by Jimmy Reed, he began performing in Baton Rouge bars using the name "Harmonica Slim", and also accompanied his brother-in-law Lightnin' Slim in live performances. He started his recording ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muddy Waters
McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude". Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson."His thick heavy voice, the dark colouration of his tone, and his firm, almost solid, personality were all clearly derived from House," wrote the music historian Peter Guralnick in ''Feel Like Going Home'', "but the embellishments, which he added, the imaginative slide technique and more agile rhythms, were closer to Johnson." He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
