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The Prince Of Wales's Theatre
The Scala Theatre was a theatre in Charlotte Street, London, off Tottenham Court Road. The first theatre on the site opened in 1772, and the theatre was demolished in 1969, after being destroyed by fire. From 1865 to 1882, the theatre was known as the Prince of Wales's Theatre (not to be confused with Prince of Wales Theatre). Origins The theatre began on this site as The New Rooms where concerts were performed, in Charlotte Street, in 1772, under the management of Francis Pasquali. Popularity, and royal patronage led to the building's enlargement by James Wyatt, and its renaming as the King's Concert Rooms (1780–1786). It then became Rooms for Concerts of Ancient Music and Hyde's Rooms (1786–1802, managed by ''The Directors of Concerts and Ancient Music''). In 1802, a private theatre club managed by Captain Caulfield, the ''"Pic-Nics"'', occupied the building and named it the Cognoscenti Theatre (1802–1808). It became the New Theatre (1808–1815) and was extended and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interior View Of The Scala Theatre, London - 1917 (5327707820)
Interior may refer to: Arts and media * ''Interior'' (Degas) (also known as ''The Rape''), painting by Edgar Degas * ''Interior'' (play), 1895 play by Belgian playwright Maurice Maeterlinck * ''The Interior'' (novel), by Lisa See * Interior design, the trade of designing an architectural interior Places * Interior, South Dakota * Interior, Washington * Interior Township, Michigan * British Columbia Interior, commonly known as "The Interior" Government agencies * Interior ministry, sometimes called the ministry of home affairs * United States Department of the Interior Other uses * Interior (topology), mathematical concept that includes, for example, the inside of a shape * Interior FC, a football team in Gambia See also * * * List of geographic interiors * Interiors (other) * Inter (other) * Inside (other) Inside may refer to: * Insider, a member of any group of people of limited number and generally restricted access Film * ''Insi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Bulwer-Lytton, 1st Baron Lytton
Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, Her Majesty's Most Honourable Privy Council, PC (25 May 180318 January 1873) was an English writer and politician. He served as a Whigs (British political party), Whig member of Parliament from 1831 to 1841 and a Conservative Party (UK), Conservative from 1851 to 1866. He was Secretary of State for the Colonies from June 1858 to June 1859, choosing Richard Clement Moody as founder of British Columbia. He was created Baron Lytton of Knebworth in 1866. Bulwer-Lytton's works sold and paid him well. He coined famous phrases like "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", "Guardian of the Threshold, dweller on the threshold", and the opening phrase "It was a dark and stormy night." The sardonic Bulwer-Lytton Fiction Contest, held annually since 1982, claims to seek the "opening sentence of the worst of all possible novels". Life Bulwer was born on 25 May 1803 to General ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Distin Maddick
Edmund Distin Maddick (1857–1939) was an English surgeon and pioneer of cinema. Born in Clerkenwell on 11 April 1857 and studying medicine at St Thomas' Hospital, Maddick became a doctor and later a surgeon in the Royal Navy. Although it is claimed he achieved the rank of Admiral (Surgeon) of the Fleet, having resigned after 11 months as a naval surgeon he in fact became an Honorary Surgeon to the London Brigade of Royal Naval Artillery Volunteers. He was also a surgeon to the Italian Hospital in London and was a Knight to the Crown of Italy. He married Violet Emily Caroline Byng, and their son Major Edmund Cecil Strafford Byng Maddick served in the First World War in the Royal Artillery. Abandoning medicine in his 40s, he took over and rebuilt the Scala Theatre in 1905 and when it failed as a theatre, fitted it out in 1911 for a Kinematograph. During the Great War, it is claimed that he was the Intelligence Department's Director of Kinematography. In fact Sir William F Jury ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvation Army
Salvation (from Latin: ''salvatio'', from ''salva'', 'safe, saved') is the state of being saved or protected from harm or a dire situation. In religion and theology, ''salvation'' generally refers to the deliverance of the soul from sin and its consequences."Salvation." ''Oxford English Dictionary'' (2nd ed.). Oxford University Press. 1989. "The saving of the soul; the deliverance from sin and its consequences." The academic study of salvation is called ''soteriology''. Meaning In Abrahamic religions and theology, ''salvation'' is the saving of the soul from sin and its consequences. It may also be called ''deliverance'' or ''redemption'' from sin and its effects. Depending on the religion or even denomination, salvation is considered to be caused either only by the grace of God (i.e. unmerited and unearned), or by faith, good deeds (works), or a combination thereof. Religions often emphasize that man is a sinner by nature and that the penalty of sin is death (physical death, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Colonel (play)
''The Colonel'' is a farce in three acts by F. C. Burnand based on Jean François Bayard's ''Le mari à la campagne'' (''The Husband in the Country''), first produced in 1844 and produced in London in 1849 by Morris Barnett, adapted as ''The Serious Family''. The story concerns the efforts of two aesthetic impostors to gain control of a family fortune by converting a man's wife and mother-in-law to follow aestheticism. He is so unhappy that he seeks the company of a widow in town. His friend, an American colonel, intervenes to persuade the wife to return to conventional behavior and obey her husband to restore domestic harmony, and the colonel marries the widow himself. ''The Colonel'' was first produced on 2 February 1881, and its initial run at the Prince of Wales's Theatre lasted for 550 performances, an extraordinary run in those days. Simultaneously, a second company was touring the British provinces with the play. On 4 October 1881, ''The Colonel'' received a command ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellen Terry
Dame Alice Ellen Terry, (27 February 184721 July 1928), was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and toured throughout the British provinces in her teens. At 16, she married the 46-year-old artist George Frederic Watts, but they separated within a year. She soon returned to the stage but began a relationship with the architect Edward William Godwin and retired from the stage for six years. She resumed acting in 1874 and was immediately acclaimed for her portrayal of roles in Shakespeare and other classics. In 1878 she joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain. Two of her most famous roles were Portia in ''The Merchant of Venice'' and Beatrice in ''Much Ado About Nothing''. She and Irving also toured with great success in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hunter Kendal
William Hunter Kendal (16 December 1843 – 7 November 1917) was an English actor and theatre manager. He and his wife Madge starred at the Haymarket in Shakespearian revivals and the old English comedies beginning in the 1860s. In the 1870s, they starred in a series of "fairy comedies" by W. S. Gilbert and in many plays on the West End with the Bancrofts and others. In the 1880s, they starred at and jointly managed (with John Hare) the St. James's Theatre. They then enjoyed a long touring career. Biography Kendal was born William Hunter Grimston in London, the middle son of portrait artist Edward Hunter Grimston, and his wife, Louisa ''née'' Rider. His maternal grandfather was a painter, and the boy demonstrated early talent in painting, but his parents urged him to study medicine. He often visited the Soho Theatre to sketch the performers, which led to his trying acting, in 1861, as Louis XIV, in ''A Life's Revenge'', billed as "Mr Kendall".Foulkes, Richard"Kendal, Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Francis Coghlan
Charles Francis Coghlan (11 June 1842 – 27 November 1899) was an Anglo-Irish actor and playwright once popular on both sides of the Atlantic Ocean. Early life Charles F. Coghlan was born on 11 June 1842, in Paris, France to British subjects, Francis (sometimes spelled Frances) and Amie Marie (née Ruhly) Coghlan. His father, a native of Dublin, Ireland, was the founder of Coghlan's Continental Dispatch and publisher of Coghlan's Continental Guides, and counted among his friends, Charles Dickens, Charles Reade, and other literary figures of the day. Amie Coghlan was born on the English Channel Island of Jersey sometime around 1821. Charles Coghlan was later raised in Peterborough, Cambridgeshire and Hull, Yorkshire and though originally groomed for a career in law he had chosen instead to be an actor whilst still in his teens.Charles Coghlan is Dead - New York Times 28 November 1899; pg. 7; Career Charles Coghlan began his stage career in 1859 as a minor player with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hare (actor)
Sir John Hare (16 May 1844 – 28 December 1921), born John Joseph Fairs, was an English actor and theatre manager of the later 19th– and early 20th centuries. Born and brought up in London, with frequent visits to the West End, Hare had a passion for the theatre from his childhood. After acting as an amateur as a young man he joined a professional company in Liverpool, before making his London debut in 1865 at the age of 21 with Marie Wilton's company. Wilton was a pioneer of naturalistic theatre, with which Hare was greatly in sympathy, and he quickly gained a reputation in character roles, particularly in comedies. Within a decade Hare was well enough established to go into management. He was in partnership with the actor W. H. Kendal at the Court Theatre from 1875 to 1879, and from 1879 to 1888 at the St James's Theatre with Kendal and the latter's wife, Madge. They presented, mostly successfully, a succession of new British plays, adaptations of French works, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorien Sardou
Victorien Sardou ( , ; 5 September 18318 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and '' Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas '' Fedora'' (1898) and '' Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoine Léandre Sardou, came to Paris in search of employment. He was in su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clement Scott
Clement William Scott (6 October 1841 – 25 June 1904) was an influential English theatre critic for ''The Daily Telegraph'' and other journals, and a playwright, lyricist, translator and travel writer, in the final decades of the 19th century. His style of criticism, acerbic, flowery and (perhaps most importantly) carried out on the first night of productions, set the standard for theatre reviewers through to today. Scott accumulated enemies among theatre managers, actors and playwrights as years went on, picking quarrels with William Archer, Ibsen, George Bernard Shaw and others. After he gave a particularly ill-considered 1898 interview, in which he attacked the morals of theatre people, especially actresses, he was forced to retire as a theatre critic and his reputation and prospects suffered badly until, by the end of his life, he was impoverished. Life and career Born the son of William Scott, the perpetual curate of Hoxton in north London, Scott converted to Roman Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diplomacy (play)
''Diplomacy'' is an 1878 English play which is a translation and adaptation by B. C. Stephenson and Clement Scott of the 1877 French play ''Dora'' by Victorien Sardou.(1 December 1878)"French Authors and English Adapters" ''The Theatre'', pp. 329-332 It saw frequent revivals and was a popular play for over fifty years.Ayres, Brenda, edNew Women Fiction, 1881-1899 p. 300 n.27 History Sardou's original play debuted in Paris in January 1877, and was a success, making it ripe for "adaptation" into English. B. C. Stephenson and Clement Scott had previously adapted the Sardou play ''Nos Intimes'' for the Bancrofts, under the name ''Peril'' to great success, and thus they were engaged to adapt ''Dora'' as well (with contributions by the Bancrofts) for use at the Princes of Wales Theatre.(January 1907)Stage History of Famous Plays ''The Theatre'', pp. 19–20 ''Diplomacy'' was described by the English theatrical paper '' The Era'' as "the great dramatic hit of the season".''The Era'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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