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The Power Of Music (The Miracles Album)
''The Power of Music'' is a 1976 studio album by American soul vocal group The Miracles. This was their final studio album with Motown after being with the label since the beginning when Smokey Robinson was the lead singer. Reception Editors at AllMusic Guide rated this album two out of five stars, with critic Ed Hogan writing that Warren "Pete" Moore's production was "somewhat muddled", but pointed out several stand-out tracks. In the 1983 edition of ''The New'' Rolling Stone ''Record Guide'', this album was scored two out of five stars. In 2011's ''The Encyclopedia of Popular Music'', this album received two out of five stars. Track listing All songs written by William Griffin and Warren "Pete" Moore #"The Power of Music" – 5:39 #"Love to Make Love" – 4:59 #"Can I Pretend" – 5:29 #"Let the Children Play (Overture)" – 3:55 #"Gossip" – 6:20 #"Let the Children Play" – 4:13 #"The Street of Love" – 3:00 #"You Need a Miracle"&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miracles
The Miracles (also known as Smokey Robinson and the Miracles from 1965 to 1972) were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history. Referred to as Motown's "soul supergroup", the Miracles recorded 26 Top 40 Pop hits, sixteen of which reached the ''Billboard'' Top 20, seven top 10 singles, and a number one single ("The Tears of a Clown") while the Robinsons and Tarplin were members. Following the departure of Tarplin and the Robinsons, the rest of the group continued with singer Billy Griffin and managed by Martin Pichinson who helped rebuild the Miracles, they scored two final top 20 singles, "Do It Baby" and " Love Machine", a second No. 1 hit, which topped the charts before the group departed for Columbia Records in 1977, recording as a quintet with Billy's brother Donald Griffin replacing Marv Tarplin, where afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Ashford
Jack Ashford (born May 18, 1934), known to his friends as Jashford, is an American musician widely known as the percussionist for Motown Records' in-house Funk Brothers band during the 1960s and early 1970s. Ashford is most famous for playing the tambourine on hundreds of Motown recordings. With the death of Joe Messina in April 2022, Ashford is the last surviving member of the Funk Brothers. Instruments he is known to have played are the tambourine, vibraphone, marimba, maracas, cabasa, bells, chimes, bell tree, finger cymbals, kazoo, triangle, wood block, handclaps, foot stomps and hotel sheet. His definitive performance is on "War" by Edwin Starr. Other notable songs Ashford played tambourine on include " Nowhere to Run" by Martha & the Vandellas, "You Can't Hurry Love" by The Supremes, "I Heard It Through the Grapevine" by Marvin Gaye, and "Don't Leave Me This Way" by Thelma Houston. He played vibes, shakers, and the marimba on Motown recordings such as The Miracles' "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies bet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gadson
James Gadson ( James Edward Gadson; born June 17, 1939) is an American drummer and session musician. Beginning his career in the late 1960s, Gadson has since become one of the most-recorded drummers in the history of R&B. He is also a singer and songwriter. Career Born in Kansas City, Missouri, Gadson played with the first line-up of Charles Wright's Watts 103rd Street Rhythm Band, and recorded three albums with them between 1968 and 1970. Along with other members of Wright's band, he went on to appear on many hit records, including with Dyke & the Blazers. Gadson started to become well known as a drummer following the release of the album ''Still Bill'' by Bill Withers, released by Sussex Records in 1972. He played on The Temptations album ''1990'', released on the Motown label in 1973. In 1975, he played with Freddie King on ''Larger Than Life'' and went on to record with Martha Reeves, Randy Crawford, Quincy Jones, Herbie Hancock, B.B. King, Albert King, Rose Royce, Elkie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Weeks
Willie Weeks (born August 5, 1947) is an American bass guitarist. He has gained fame performing with famous musicians in a wide variety of genres. He has been one of the most in-demand session musicians throughout his career. Weeks has also gained fame touring with many of rock's heavyweights throughout his career. Career Weeks was born in Salemburg, North Carolina and began playing the electric bass in the early 1960s. His earliest influences were the country, pop and R&B music he heard on the radio. Weeks counts bassists Ron Carter, James Jamerson, and Ray Brown as early influences. Weeks has worked in the studio or toured with a wide range of artists, including: Gregg Allman, David Bowie, Clarence "Gatemouth" Brown, Roy Buchanan, Jimmy Buffett, Kevin Chalfant, Eric Clapton, Hank Crawford, Robert Cray, Pino Daniele, Bo Diddley, The Doobie Brothers, Lou Fellingham, Aretha Franklin, Vince Gill, Buddy Guy, Isaac Hayes, George Harrison, Donny Hathaway, Etta Jame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ollie E
Ollie is a given name and a nickname, often as a shortened form of Oliver, Olive, Olympia, Olga or Olivia. Variants include Olie, Oli, Oly and Olly. People Given name * Ollie Marie Adams (1925–1998), American gospel and R&B singer * Ollie Bassett (born 1998), Northern Irish footballer * Ollie E. Brown (born 1953), American drummer and record producer * Ollie Grieve (1920–1978), Australian rules footballer * Ollie Halsall (1949–1992), British vibraphonist and guitarist * Ollie Murray James (1871–1918), American Senator and Representative from Kentucky * Ollie Johnson (basketball, born 1942), American basketball player * Ollie Johnson (basketball, born 1949), American basketball player * Ollie Kilkenny (born 1962), Irish hurler * Ollie Kirkby (1886–1964), American actress * Ollie Luba (born 1964), American systems and aerospace engineer, early developer of GPS III * Ollie Marquardt (1902–1968), American baseball player and manager * Ollie Matson (1930–2011), Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Brown (musician)
Edward James "Bongo" Brown (September 13, 1932 – December 28, 1984) was an American percussionist known for his work with The Funk Brothers, Detroit-based session musicians who performed the backing to most Motown recordings from 1959 to 1972. Biography Brown was born in Clarksdale, Mississippi on September 13, 1932. He was raised in Memphis, Tennessee. He later moved to Detroit and in 1962 he joined The Funk Brothers, Motown Records' in-house session musicians. According to Jack Ashford, Brown started out as a valet for Marvin Gaye and played bongos once Gaye began performing on-stage. Brown played congas, bongos, the gourd and claves. Brown became Motown's leading percussionist and for a decade was on almost every key release from the label. He was known for his sense of humor and for being the "studio clown". Despite being an excellent musician, he could not read music and when handed sheet music by the producers, he would replace it with an adult magazine. When Motown moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
