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The Planets (band)
The Planets was a classical crossover music band formed by Mike Batt in 2001. The Planets made their public debut supporting Deep Purple's 2002 UK tour. The band was made of: *Ruth Miller (flute) *Ben Pugsley (electric, classical and flamenco guitars *Jonathan Hill (violin) *Anne-Kathrin Schirmer (guitar and clarinet) *Lac-Hong Phi (cello) *Salima Williams (oboe) *Beverley Jones (bass, double bass) *Michael Kruk (drums, percussion) ''Classical Graffiti'' Their album ''Classical Graffiti'' with 17 tracks made up of original compositions as well as covers of well-known classical themes, all bearing Mike Batt's signature, was released in February 2002. The album went straight to number one on the UK classical music chart on the day of its release and remained there for three months. The album also peaked at number 34 in the UK Albums Chart. ;Track listing #"Rodrigo" (3:26) #"Carmen Caprice" (5:57) #"Grassland Theme" (3:07) #"Classical Graffiti" (3:01) #"Love in Slow Motion" (3:12) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Planets EMI
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Batt
Michael Philip Batt, LVO (born 6 February 1949) is an English singer-songwriter, musician, arranger, record producer, director and conductor. He was formerly the Deputy Chairman of the British Phonographic Industry. Having achieved substantial international success as a solo artist, he is particularly known in the UK for creating The Wombles pop act, writing many hits including the chart-topping " Bright Eyes", and discovering Katie Melua. He has also conducted many of the world's great orchestras, including the London Symphony, Royal Philharmonic, London Philharmonic, Sydney Symphony and Stuttgart Philharmonic in both classical and pop recordings and performances. Early life and career Michael Philip Batt was born on 6 February 1949, in Southampton, England. He attended Peter Symonds School, Winchester. His blog refers to his role as cadet Company Sergeant Major at the school. Batt began his career in pop music at the age of eighteen when he answered an advertisement plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Purple
Deep Purple are an English rock band formed in London in 1968. They are considered to be among the pioneers of heavy metal music, heavy metal and modern hard rock music, but their musical style has changed over the course of its existence. Originally formed as a psychedelic rock, psychedelic and progressive rock band, they shifted to a heavier sound with their 1970 album ''Deep Purple in Rock''. Deep Purple, together with Led Zeppelin and Black Sabbath, have been referred to as the "unholy trinity of British hard rock and heavy metal in the early to mid-seventies". They were listed in the 1975 Guinness World Records, ''Guinness Book of World Records'' as "Loudest band, the globe's loudest band" for a 1972 concert at London's Rainbow Theatre and have sold over 100 million records worldwide. Deep Purple have had several line-up changes and an eight-year hiatus (1976–1984). The first four line-ups, which constituted the band's original 1968–1976 run, are officially indica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled ''The Virgin Book of British Hit Singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4′33″
''4′33″'' (pronounced "four minutes, thirty-three seconds" or just "four thirty-three") is a three- movement composition by American experimental composer John Cage. It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly misperceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, ''4′33″'' being the total length of the first public performance. Conceived around 1947–48, while the composer was working on ''Sonatas and Interludes'', ''4′33″'' became for Cage the epitome of his idea that any auditory experience may constitute music. It was also a reflection of the influence of Zen Buddhism, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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