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The Piano Scene Of Ahmad Jamal
''The Piano Scene of Ahmad Jamal'' is an album by American jazz pianist Ahmad Jamal. It contains performances from his earliest recording sessions for Okeh in 1951–52 in Chicago, and an Epic session from October 1955 in New York, NY.Ahmad Jamal discography accessed November 25, 2016 It includes additional selections from the sessions where the 1956 album '''' was recorded. The album was re-released in 2005 with additional tracks. Track listing 1959 Edition # "" # "Ahmad's Blues" # "[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Jamal
Ahmad Jamal (born Frederick Russell Jones, July 2, 1930) is an American jazz pianist, composer, bandleader and educator. For six decades, he has been one of the most successful small-group leaders in jazz. Biography Early life Jamal was born Frederick Russell Jones in Pittsburgh, Pennsylvania, on July 2, 1930. He began playing piano at the age of three, when his uncle Lawrence challenged him to duplicate what he was doing on the piano. Jamal began formal piano training at the age of seven with Mary Cardwell Dawson, whom he describes as greatly influencing him. His Pittsburgh roots have remained an important part of his identity ("Pittsburgh meant everything to me and it still does," he said in 2001) and it was there that he was immersed in the influence of jazz artists such as Earl Hines, Billy Strayhorn, Mary Lou Williams, and Erroll Garner. Jamal also studied with pianist James Miller and began playing piano professionally at the age of fourteen, at which point he was recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Gal In Calico
"A Gal in Calico" is a song by American composer Arthur Schwartz, whose words were written by Leo Robin. Appearance in film The song was introduced in the 1946 film ''The Time, the Place and the Girl (1946 film), The Time, the Place and the Girl''. In the film, it was performed by Dennis Morgan, Jack Carson, Martha Vickers (dubbed by Sally Sweetland) and chorus. It was nominated for Academy Award for Best Original Song of 1948 but lost out to "Zip-a-Dee-Doo-Dah". Chart appearances Four versions have entered the US Billboard charts: Johnny Mercer (reached No. 5 in 1946); Tex Beneke (No. 6 in 1947); Benny Goodman (No. 6 in 1947) and Bing Crosby (recorded May 7, 1946, No. 8 in 1947). Other recordings The song has also been recorded by: *Steve Lawrence (in his 1963 ''Swinging West'' album), *Tony Martin (American singer), Tony Martin, *Vic Damone *The Piano Scene of Ahmad Jamal, Ahmad Jamal and Musings of Miles#Tracklist, Miles Davis. *In the 1970s, it appeared on the album ''Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel Crosby
Israel Crosby (January 19, 1919 – August 11, 1962) was an American jazz double-bassist born in Chicago, Illinois, United States. One of the finest to emerge during the 1930s, he was also a member of the Ahmad Jamal trio for most of 1954 to 1962.AllMusic biography/ref> He is credited with taking one of the first recorded full-length bass solos, on his 1935 recording of "Blues of Israel" with drummer Gene Krupa when he was only 16. Crosby died of a heart attack at age 43, two months after joining the Shearing Quintet. Discography As sideman With Ahmad Jamal * ''Ahmad's Blues'' (1951, 1955) * ''Ahmad Jamal Plays'' (Parrot, 1955) also released as ''Chamber Music of the New Jazz'' (Argo, 1955) *''The Ahmad Jamal Trio'' (Epic, 1955) * '' Count 'Em 88'' (Argo, 1956) * '' At the Pershing: But Not for Me'' (1958) * ''Live at The Pershing & The Spotlight Club'' (1958) * ''Portfolio of Ahmad Jamal'' (1958) * ''Moonlight in Vermont'' (1958) * '' Happy Moods'' (Argo, 1960) * ''Listen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Calhoun
Eddie Calhoun (November 13, 1921, in Clarksdale, Mississippi – January 27, 1994, in Paradise Lake, Michigan) was an American jazz double bassist. Calhoun was raised in Chicago, where he played with (1947–49) and Ahmad Jamal (1951–52). He worked with Horace Henderson (1952–54), Johnny Griffin (1954), Roy Eldridge, Billie Holiday, and Miles Davis. He joined Erroll Garner in 1955 and played with him through 1966, recording extensively and touring worldwide. After his time with Garner, Calhoun settled again in Chicago, where he played with vocalist and pianist Norvel Reed (1967–68), then ran a nightclub called Cal's in Chicago from 1972 to 1974 and led a sextet at the Fantasy Club from 1975 to 1980. From 1980 to 1986 he accompanied pianist Lennie Capp, then joined the Chicago All-Stars alongside Erwin Helfer for a tour of Europe."Eddie Calhoun". Leonard Feather and Ira Gitler, ''The Biographical Encyclopedia of Jazz''. 2007 edition, p. 105. Calhoun never recorded as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfidia
"Perfidia" (Spanish for " perfidy", meaning ''faithlessness'', ''treachery'' or ''betrayal'') is a 1939 Spanish-language song written by Mexican composer and arranger Alberto Domínguez (1906–1975). The song is sung from the perspective of a man whose lover has left him. The song has also been recorded in English (with lyrics by Milton Leeds) and as an instrumental. Recordings *The song became a hit for Xavier Cugat on the Victor label in 1940. *In late 1960, a rock instrumental version of "Perfidia" was released by the Ventures, which rose to number 15 on the Billboard chart. The record was a Top 10 hit on a number of popular music radio stations, including KYA in San Francisco, KLIF Dallas, KOL Seattle, KDWB Minneapolis, WHK Cleveland, KIMN Denver, and KISN Portland. The record topped out at number 11 on the charts of WLS Chicago, and WIBG Philadelphia. Other recordings "Perfidia" has been recorded by many artists, including: * Anne Shelton *Laurel Aitken * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeeze Me
"Squeeze Me" is a 1925 jazz standard composed by Fats Waller. It was based on an old blues song called "The Boy in the Boat". The lyrics were credited to publisher Clarence Williams, although Andy Razaf has claimed to have actually written the lyrics. at ''jazzstandards.com'' - retrieved on 19 May 2009 The song has been recorded by numerous artists, including , , , |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Blame Me (Dorothy Fields And Jimmy McHugh Song)
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show ''Clowns in Clover'' and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles Agnew. Later recordings *It was a No. 21 hit for Nat King Cole in 1948. *The song received two significant "rock era" remakes: a ballad version by the Everly Brothers in 1961 which reached No. 20 on ''Billboard'', and an up-tempo version by Frank Ifield which reached No. 8 on the UK Singles Chart on 15 February 1964, as well as in New Zealand. In the U.S., Ifield's version reached No. 128. Other recordings * Charles Agnew and his Hotel Stevens Orchestra (1933). ''The New Yorker'' magazine reviewed this recording as "richly played." * Duke Jordan with Sam Jones and Al Foster (1975) * Terence Blanchard with Cassandra Wilson – ''Let's Get Lost'' (2001) * King Cole October 1938, July 1944,The King Cole Trio: The Mac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Beauty
''Black Beauty: His Grooms and Companions, the Autobiography of a Horse'' is an 1877 novel by English author Anna Sewell. It was composed in the last years of her life, during which she was bedridden and seriously ill.Merriam-Webster (1995). "Black Beauty". ''Merriam Webster's Encyclopedia of Literature''. The novel became an immediate best-seller, with Sewell dying just five months after its publication, but having lived long enough to see her only novel become a success. With fifty million copies sold, ''Black Beauty'' is one of the List of best-selling books, best-selling books of all time.The Times on ''Black Beauty'': "Fifty million copies of Black Beauty have been sold in the years since Anna Sewell's publisher paid her £20 for the story." (29 February 2008) While forthrightly t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Easy To Remember
"It's Easy to Remember (And So Hard to Forget)" is a popular song written by Richard Rodgers with lyrics by Lorenz Hart. History Published in 1935, the song was written for the 1935 film ''Mississippi'' starring Bing Crosby and W.C. Fields. Crosby introduced the song in the film and his recording for Decca Records made on February 21, 1935 with Georgie Stoll and his Orchestra and Rhythmettes and Three Shades of Blue topped the charts of the day. Crosby recorded the song again in 1954 for his album '' Bing: A Musical Autobiography''. The song is now considered a standard, with many recordings having been made by many artists. Other notable recordings * Jane Ira Bloom – in her double album '' Wild Lines: Improvising Emily Dickinson'' (2017) * Fred Astaire – in the album '' A Couple of Song and Dance Men'' (1975) * Rosemary Clooney – ''Rosie Sings Bing'' (1978) * John Coltrane – ''Ballads'' (1962) * Perry Como – recorded for his album ''We Get Letters'' (1957) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
