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The Passions (UK Band)
The Passions were a British post-punk/ new wave band which formed in 1978 and disbanded in 1983. The Passions' music was grounded mainly in Barbara Gogan's voice and Clive Timperley's delicate Echoplex guitar work. They were considered one of the one-hit wonders due to their early 1981 single "I'm in Love with a German Film Star". History Based in Shepherd's Bush in west London, The Passions formed in early 1978 as the Youngsters with a line-up of Gogan (guitar, vocals), Claire Bidwell (bass guitar), Richard Williams (drums), Dack Dyde (guitar) and Mitch Barker (vocals). Williams and Gogan were previously in the punk rock outfit the Derelicts. After a name change to Rivers of Passion, soon shortened to The Passions, Dyde was replaced by Timperley (formerly of The 101ers). The Passions' first single, issued in March 1979 on the Soho label, was the double A-side "Needles and Pills" (written by Dyde) and "Body and Soul", which assisted in gaining the band a recording contract wi ...
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Shepherd's Bush
Shepherd's Bush is a district of West London, England, within the London Borough of Hammersmith and Fulham west of Charing Cross, and identified as a major metropolitan centre in the London Plan. Although primarily residential in character, its focus is the shopping area of Shepherd's Bush Green, with the Westfield London shopping centre a short distance to the north. The main thoroughfares are Uxbridge Road, Goldhawk Road and Askew Road, all with small and mostly independent shops, pubs and restaurants. The Loftus Road football stadium in Shepherd's Bush is home to Queens Park Rangers. In 2011, the population of the area was 39,724. The district is bounded by Hammersmith to the south, Holland Park and Notting Hill to the east, Harlesden and Kensal Green to the north and by Acton and Chiswick to the west. White City forms the northern part of Shepherd's Bush. Shepherd's Bush comprises the Shepherd's Bush Green, Askew, College Park & Old Oak, and Wormholt and White City wards ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Peter Wilson (record Producer)
Peter Wilson is a British record producer. Amongst several others, Wilson worked with the Style Council, Sham 69 and the Comsat Angels. Career Wilson is a graduate of Surrey University where he studied on the Tonmeister music course. While on the Tonmeister course he enjoyed a placement with AIR Studios. In that time he worked with, among others, producers George Martin, Tony Visconti and Chris Thomas, engineers Geoff Emerick and Bill Price and musician Dave Gilmour (Pink Floyd). After leaving Surrey University, he worked as an engineer at Polydor Studios, working with artists including Brian Eno, Neil Sedaka, Bill Bruford, Alexis Korner and Peggy Lee. After five years with Polydor, Wilson went freelance. Polydor years The first work that established his career was his production of "Angels with Dirty Faces" by Sham 69. He went on to produce singles including "Hurry Up Harry" and "If the Kids Are United" and four albums by Sham 69, and it was during this period that he a ...
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The Cure
The Cure are an English Rock music, rock band formed in 1978 in Crawley, Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith (musician), Robert Smith has remained the only constant member. The band's debut album, ''Three Imaginary Boys'' (1979), along with several early singles, placed the band in the post-punk and New wave music, new wave movements that had sprung up in the United Kingdom. Beginning with their second album, ''Seventeen Seconds'' (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as gothic subculture, the subculture that eventually formed around the genre. After the release of the band's fourth album, ''Pornography (album), Pornography'' (1982), Smith introduced a greater Pop music, pop sensibility into the band's music, and they subsequently garner ...
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Mike Hedges
Mike Hedges (born 1953) is a British audio producer/engineer best known for his work with The Cure, Siouxsie and the Banshees, and Manic Street Preachers. During his career, Hedges has worked with an eclectic roster of artists ranging from rock and pop acts such as U2, Dido, Travis, Texas, The Beautiful South, and Everything but the Girl, to cult-indie band The Cooper Temple Clause and classically oriented projects, The Priests and Sarah Brightman. His creative input and influence dramatically impacted the trajectories of bands such as the Cure, The Associates, Manic Street Preachers, and Travis. Young life Hedges was born in Nottingham, England in 1953 and grew up in Zambia (specifically Northern Rhodesia), where he attended a Jesuit school. He comes from a Catholic family. Career Hedges returned to the UK in 1969 and was working in Haywards Heath as a squash coach when he was offered a job as a tape op at London's Morgan Studios. His first engineer credit came in th ...
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Chris Parry (producer)
John Christopher Parry, known as Chris Parry (born 7 January 1949), is a New Zealand record producer and former musician, known for being the former manager and producer for The Cure and for founding Fiction Records. Early life Parry was born in Lower Hutt, New Zealand; the son of Virginia and Thomas, who was British. He grew up with ten siblings: five sisters (Virginia, Margaret, Josephine, Annette and Helen) and five brothers (David, James Richard, Robin and Peter). In 1966, Parry was a management trainee at Philips Electrical. Career In 1967, whilst studying at Silverstream College, Parry auditioned as drummer for a band called the Sine Waves, who later renamed themselves the Fourmyula. He has stated "I got the job because I had a truck driver's licence". Within a year, the band had hit the charts, reaching number 2 in New Zealand with "Come with Me" and reached number 1 in 1969 with "Nature". The band made two trips to the UK, but were not so successful there. After ...
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Michael & Miranda
''Michael & Miranda'' is the debut album by English post-punk/ new wave band The Passions, released on 18 April 1980''Post Punk Diary: 1980–1982'' by George Gimarc by Fiction Records. The album was reissued on CD in November 2015 by Cherry Red Records and included three bonus tracks, first released in 1979 as non-album singles. The album was reviewed by ''Louder Than War'' where reviewer Ian Canty stated "Think you've heard the best sounds of 1980 Post Punk has to offer - if you haven't heard this think again". ''Record Collector'' magazine reviewed the album stating "Sparse and jagged, topped with sometimes angry, sometimes hauntingly ethereal vocals, it was typically and satisfyingly clever post-punk". '' Goldmine'' magazine in January 2016 recommended as Buy in their Quick Picks section. Track listing 2015 CD bonus tracks: Personnel The Passions * Barbara Gogan – vocals, guitar, piano * Claire Bidwell – vocals, bass * Clive Timperley – vocals, guitar, keybo ...
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Peel Session
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his li ...
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Recording Contract
A recording contract (commonly called a record contract or record deal) is a legal agreement between a record label and a recording artist (or group), where the artist makes a record (or series of records) for the label to sell and promote. Artists under contract are normally only allowed to record for that label exclusively; guest appearances on other artists' records will carry a notice "By courtesy of (the name of the label)", and that label may receive a percentage of sales. Copyrights, payment and royalties Labels typically own the copyright in the records their artists make, and also the master copies of those records. An exception is when a label makes a distribution deal with an artist; in this case, the artist, their manager, or another party may own the copyright (and masters), while the record is licensed exclusively to the label for a set period of time. Promotion is a key factor in the success of a record, and is largely the label's responsibility, as is proper distri ...
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Double A-Side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The t ...
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The 101ers
The 101ers were a pub rock band from the 1970s playing mostly in a rockabilly style, notable as being the band that Joe Strummer left to join The Clash. Formed in London in May 1974, the 101ers made their performing debut on 7 September at the Telegraph pub in Brixton, under the name 'El Huaso and the 101 All Stars'. The name would later be shortened to the '101 All Stars' and finally just the '101ers'. The group played at free festivals such as Stonehenge, and established themselves on the London pub rock circuit prior to the advent of punk. History The group was named after the squat where they lived together: 101 Walterton Road, Maida Vale, although it was for a time rumoured that they were named for "Room 101", the infamous torture room in George Orwell's novel ''Nineteen Eighty-Four''. The band's early gigs included several at the Windsor Castle and a residency at the Elgin. They were supported by the Sex Pistols at the Nashville Room on 3 April 1976. Strummer claims ...
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The Derelicts
The Derelicts were a London-based " ctivistR&B band" active from 1974–1976, well known on the London pub rock/squat rock circuit, consisting of Susan Gogan, lead vox/artwork; Richard Williams, drums; Barbara Gogan, guitar/backing vox; Marion Fudger, bass; and John Studholme, guitar; Debby Moss, violin; John Harris, bass; Alan Lofting, who was shy and would play facing the back of the stage, guitar; Sue Allegra, vox/backing vox; Dan Kelleher, ex 101-ers, bass. The band was started when Sue Allegra, who was working at the Fender Soundhouse, phoned Barbara one day and told her: "Find thirty quid. I'm sending a man over with a Les Paul copy and an AC30 amp, and you're going to buy them." Then Richard went to Bristol and got his drums out of storage. A couple of weeks later, they played their first show upstairs in a pub in northwest London. The line-up was: Sue Gogan, Barbara Gogan, Richard Williams, Sue Allegra, John Harris, Alan Lofting and Debby Moss. When the band split up, s ...
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