The Passion Of Christ (Strasbourg)
''The Passion of Christ'' (french: La Passion du Christ) is a set of ten late 15th-century, Gothic religious paintings of the Passion of Jesus now displayed in the choir of the Catholic part of Old Saint Peter's Church in Strasbourg, France. The set is classified as a Monument historique by the French Ministry of Culture since 1978. For other paintings of the Passion, see here. History The oil paintings, depicting selected scenes from the Passion of Jesus, are dated approximately from 1485 or 1488 (note: the given ISBN, 377-0-0019-7806-2 seems incorrect) or around 1490. The artist is generally thought to be one Heinrich Lützelmann (or Henri Lutzelmann in French), active in Strasbourg during these times. According to some scholars, he may be identical with the Anonymous master "Master of the Drapery Studies" (german: Meister der Gewandstudien), whose attributed work is recorded in the Alsatian capital during that period. The Musée de l’Œuvre Notre-Dame owns a few slightl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Neo-Gothic Architecture
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" tra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Crown Of Thorns
According to the New Testament, a woven crown of thorns ( or grc, ἀκάνθινος στέφανος, akanthinos stephanos, label=none) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter. Since at least around the year 400 AD, a relic believed by many to be the crown of thorns has been venerated. In 1238, the Latin Emperor Baldwin II of Constantinople yielded the relic to French King Louis IX. It was kept in the Notre-Dame Cathedral in Paris until 15 April 2019, when it was rescued from a fire and moved to the Louvre Museum. As a relic Jerusalem T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Flagellation
Flagellation (Latin , 'whip'), flogging or whipping is the act of beating the human body with special implements such as whips, rods, switches, the cat o' nine tails, the sjambok, the knout, etc. Typically, flogging has been imposed on an unwilling subject as a punishment; however, it can also be submitted to willingly and even done by oneself in sadomasochistic or religious contexts. The strokes are typically aimed at the unclothed back of a person, though they can be administered to other areas of the body. For a moderated subform of flagellation, described as ''bastinado'', the soles of a person's bare feet are used as a target for beating (see foot whipping). In some circumstances the word ''flogging'' is used loosely to include any sort of corporal punishment, including birching and caning. However, in British legal terminology, a distinction was drawn (and still is, in one or two colonial territories) between ''flogging'' (with a cat o' nine tails) and ''whippi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Derision
Mockery or mocking is the act of insulting or making light of a person or other thing, sometimes merely by taunting, but often by making a caricature, purporting to engage in imitation in a way that highlights unflattering characteristics. Mockery can be done in a lighthearted and gentle way, but can also be cruel and hateful, such that it "conjures images of corrosion, deliberate degradation, even subversion; thus, 'to laugh at in contempt, to make sport of' (Oxford English Dictionary, OED)". Mockery appears to be unique to humans, and serves a number of psychological functions, such as reducing the perceived imbalance of power between authority figures and common people. Examples of mockery can be found in literature and the arts. Etymology and function The Root (linguistics), root word ''mock'' traces to the Old French ''mocquer'' (later ''moquer''), meaning to scoff at, laugh at, deride, or fool, although the origin of ''mocquer'' is itself unknown. Labeling a person or thing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Annas
Annas (also Ananus or Ananias;Goodman, Martin, "Rome & Jerusalem", Penguin Books, p.12 (2007) , ; grc-x-koine, Ἅννας, ; 23/22 BC – death date unknown, probably around AD 40) was appointed by the Roman legate Quirinius as the first High Priest of the newly formed Roman province of Judaea in AD 6 – just after the Romans had deposed Archelaus, Ethnarch of Judaea, thereby putting Judaea directly under Roman rule. Annas appears in the Gospels and Passion plays as a high priest before whom Jesus is brought for judgment, prior to being brought before Pontius Pilate. The sacerdotal family The terms of Annas, Caiaphas, and the five brothers are: Ananus (or Annas), son of Seth (6–15) Annas officially served as High Priest for ten years (AD 6–15), when at the age of 36 he was deposed by the procurator Valerius Gratus. Yet while having been officially removed from office, he remained as one of the nation's most influential political and social individuals, aided greatly by ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Arrest Of Jesus
The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. It occurred shortly after the Last Supper (during which Jesus gave his final sermon), and immediately after the kiss of Judas, which is traditionally said to have been an act of betrayal since Judas made a deal with the chief priests to arrest Jesus. The event ultimately led, in the Gospel accounts, to Jesus's crucifixion. The arrest led immediately to his trial before the Sanhedrin, during which they condemned him to death and handed him to Pilate the following morning. In Christian theology, the events from the Last Supper until the crucifixion and resurrection of Jesus are referred to as the Passion. In the New Testament, all four Gospels conclude with an extended narrative of Jesus's arrest, trial, crucifixion, burial, and resurrection. In each Gospel, these five events in the life of Jesus are treated with more intense detail than any other portion of that Gospel's narrative. Sc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Agony In The Garden
The Agony in the Garden of Gethsemane is an episode in the life of Jesus. After the Last Supper, Jesus enters a garden where he experiences great anguish and prays to be delivered from his impending death on the cross ("Take this cup from me") while also submitting to his Father's will. The incident is described in the Synoptic Gospels Matthew 26:36–46 Mark 14:32–42 Luke 22:39–46 . Gospel narratives ![]() [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Last Supper
Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, Leonardo da Vinci's The Last Supper (Leonardo), late-1490s mural painting in Milan, Italy, being the best-known example. ''(Clickable image—use cursor to identify.)'' poly 550 2550 750 2400 1150 2300 1150 2150 1200 2075 1500 2125 1525 2300 1350 2800 1450 3000 1700 3300 1300 3475 650 3500 550 3300 450 3000 Bartholomew the Apostle, Bartholomew poly 1575 2300 1625 2150 1900 2150 1925 2500 1875 2600 1800 2750 1600 3250 1425 3100 1400 2800 1375 2600 James, son of Alphaeus, James Minor poly 1960 2150 2200 2150 2350 2500 2450 2575 2375 2725 2375 2900 2225 3100 2225 3225 1600 3225 1825 2700 1975 2450 1925 2300 Saint Andrew, Andrew poly 2450 2575 2775 2500 2700 2650 2800 2700 2600 3000 2600 3250 2300 3250 2200 3200 2300 3000 Saint Peter, Peter p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lamentation Of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists. Lamentation works are very often included in cycles of the ''Life of Christ'', and also form the subject of many individual works. One specific type of Lamentation depicts only Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity"). Development of the depiction As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate on the roles of Joseph of Arimathea and Nicodemus, but specifically mention Mary and Mary Magdalene as present. Scenes showing Joseph negotiating ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Crucifix
A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Latin for "body"). The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Roman Rite of the Roman Catholic Church, but is also used in the Eastern Orthodox Church, most Oriental Orthodox Churches (except the Armenian & Syriac Church), and the Eastern Catholic Churches, as well as by the Lutheran, Moravian and Anglican Churches. The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to use a cross without the figure of Jesus (the ''corpus''). The crucifix emphasizes Jesus' sacrifice—his death by crucifixion, which Christians beli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |