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The Paris Concert (Oscar Peterson Album)
''The Paris Concert'' is a 1978 live album by Oscar Peterson accompanied by bassist Niels-Henning Ørsted Pedersen and guitarist Joe Pass. Reception Writing for Allmusic, music critic Scott Yanow wrote of the CD reissue "[Peterson] mostly sticks to standards but includes three songs associated with Benny Goodman (including the riff-filled 'Benny's Bugle'), features Pass (who contributed his original 'Gentle Tears') unaccompanied on 'Lover Man' and really romps with his fellow virtuosoes on such numbers as 'Ornithology (composition), Ornithology,' 'Donna Lee' and 'Sweet Georgia Brown.'" Track listing # "Please Don't Talk About Me When I'm Gone" (Sidney Clare, Sam H. Stept) – 6:54 # "Who Can I Turn To?" (Leslie Bricusse, Anthony Newley) – 8:09 # "Benny's Bugle" (Benny Goodman) – 6:09 # "Soft Winds" (Goodman, Fletcher Henderson) – 8:26 # "Goodbye (Gordon Jenkins song), Goodbye" (Gordon Jenkins) – 6:19 # "Place St. Henri" (Oscar Peterson) – 5:01 # Medley: "Manhã de Carnav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goodbye (Gordon Jenkins Song)
"Goodbye" (sometimes written "Good-Bye") is a song by American composer and arranger Gordon Jenkins, published in 1935. It became well known as the closing theme song of the Benny Goodman orchestra. Jenkins had written the song when working with the Isham Jones orchestra, and Jones allegedly rejected it as it was "too sad". Music critic Alec Wilder described "Goodbye" as "as sad a song I know" and Leonard Feather called it among his "top ten songs it would be hardest to tire of hearing". Origin Jenkins' son, the sportswriter Bruce Jenkins, wrote a biography of his father entitled ''Goodbye: In Search of Gordon Jenkins''. While researching the biography, Jenkins interviewed the singer Martha Tilton, who had performed with the Benny Goodman orchestra. Tilton revealed that the song was written by Jenkins after the death of his first wife in childbirth. Recordings The song was used as the closing theme for radio broadcasts by the Benny Goodman orchestra. They recorded it on Septemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fletcher Henderson
James Fletcher Hamilton Henderson (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Henderson's influence was vast. He helped bridge the gap between the Dixieland and the swing eras. He was often known as "Smack" Henderson (because of smacking sounds he made with his lips). Biography James Fletcher Hamilton Henderson was born in Cuthbert, Georgia. He grew up in a middle-class African American family. His father, Fletcher Hamilton Henderson (1857–1943), was the principal of the nearby Howard Normal Randolph School from 1880 until 1942. His home, now known as the Fletcher Henderson House, is a historic site. His mother, a teacher, taught him and his brother Horace to play the piano. He be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Newley
Anthony Newley (24 September 1931 – 14 April 1999) was an English actor, singer, songwriter, and filmmaker. A "latter-day British Al Jolson", he achieved widespread success in song, and on stage and screen. "One of Broadway's greatest leading men", from 1959 to 1962 he scored a dozen entries on the UK Top 40 chart, including two number one hits. Newley won the 1963 Grammy Award for Song of the Year for " What Kind of Fool Am I", sung by Sammy Davis Jr., and wrote " Feeling Good", which became a signature hit for Nina Simone. His songs have been performed by a wide variety of artists including Fiona Apple, Tony Bennett, Barbara Streisand, Michael Bublé and Mariah Carey. With songwriting partner Leslie Bricusse, Newley won an Academy Award for the film score of ''Willy Wonka & the Chocolate Factory'' (1971), featuring "Pure Imagination", which has been covered by dozens of artists. He collaborated with John Barry on the title song for the James Bond film '' Goldfinger'' (1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leslie Bricusse
Leslie Bricusse OBE (; 29 January 1931 – 19 October 2021) was a British composer, lyricist, and playwright who worked on theatre musicals and wrote theme music for films. He was best known for writing the music and lyrics for the films ''Doctor Dolittle'', ''Goodbye, Mr. Chips'', '' Scrooge'', ''Willy Wonka & the Chocolate Factory'', '' Tom and Jerry: The Movie'', the songs " Goldfinger", " You Only Live Twice", "Can You Read My Mind (Love Theme)" (with John Williams) from ''Superman'', and "Le Jazz Hot!" with Henry Mancini from ''Victor/Victoria''. Early life and education Born in Pinner, Middlesex, now the London Borough of Harrow. Bricusse was educated at University College School in London and then at Gonville and Caius College, Cambridge. While at Cambridge, he was Secretary of Footlights between 1952 and 1953 and Footlights President during the following year. It was during his college drama career that he began working for Beatrice Lillie. Career In the 1960s and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who Can I Turn To?
"Who Can I Turn To?" (alternatively titled "Who Can I Turn To (When Nobody Needs Me)") is a song written by English lyricists Leslie Bricusse and Anthony Newley and first published in 1964. Background The song was introduced in the musical ''The Roar of the Greasepaint – The Smell of the Crowd'', which struggled in the United Kingdom in 1964 and then made a tour of the United States later that year. Tony Bennett recordings The song was most successfully recorded by Tony Bennett. "Who Can I Turn To?" became a hit, reaching #33 on the US pop singles chart and the top 5 of the Adult Contemporary chart. So fuelled, the musical arrived on Broadway for a successful run, and the song became one of Bennett's staples. He later re-recorded it as a duet with Queen Latifah in 2011 on ''Duets II'', and with Gloria Estefan for his 2012 album, ''Viva Duets''. Bennett continued to perform the song in concert until his retirement in 2021 at the age of 95. Chart performance Other ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam H
Sam, SAM or variants may refer to: Places * Sam, Benin * Sam, Boulkiemdé, Burkina Faso * Sam, Bourzanga, Burkina Faso * Sam, Kongoussi, Burkina Faso * Sam, Iran * Sam, Teton County, Idaho, United States, a populated place People and fictional characters * Sam (given name), a list of people and fictional characters with the given name or nickname * Sam (surname), a list of people with the surname ** Cen (surname) (岑), romanized "Sam" in Cantonese ** Shen (surname) (沈), often romanized "Sam" in Cantonese and other languages Religious or legendary figures * Sam (Book of Mormon), elder brother of Nephi * Sām, a Persian mythical folk hero * Sam Ziwa, an uthra (angel or celestial being) in Mandaeism Animals * Sam (army dog) (died 2000) * Sam (horse) (b 1815), British Thoroughbred * Sam (koala) (died 2009), rescued after 2009 bush fires in Victoria, Australia * Sam (orangutan), in the movie ''Dunston Checks In'' * Sam (ugly dog) (1990–2005), voted the world's ugliest dog i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Clare
Sidney Clare (August 15, 1892 – August 29, 1972) was an American comedian, dancer and composer. His best-known songs include "On the Good Ship Lollipop" (introduced by Shirley Temple), " You're My Thrill" (recorded by Billie Holiday), and "Please Don't Talk About Me When I'm Gone" (featured in the cartoon ''One Froggy Evening''). In 1929, Clare wrote his first full film score for ''Street Girl''. He did the film scores for ''Tanned Legs'', ''Transatlantic Merry-Go-Round'', ''Sing and Be Happy'', '' Hit the Deck'', ''Jimmy and Sally'', '' Bright Eyes'', ''The Littlest Rebel'' and '' Rascals''. The Oxford English Dictionary credits Clare with the earliest usage of the term "rock and roll" in 1934 on the soundtrack for the movie ''Transatlantic Merry-Go-Round''. In the early 1940s Clare and several of his fellow hitmakers formed a sensational review called '' Songwriters on Parade'', performing all across the Eastern seaboard on the Loew's and Keith circuits. He was inducted into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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