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The New Sounds (Miles Davis Album)
''The New Sounds'' is the debut solo studio album by Miles Davis, released in late 1951 as a 10-inch LP. It is his first album as a leader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP ''Modern Jazz Trumpets'' and appeared as a sideman on the 10-inch LP '' Lee Konitz: The New Sounds''. Overview Prestige would be Davis' label for the next five years, with occasional recordings for Blue Note and Debut, until he signed with Columbia in 1955. His previous label, Capitol, had been disappointed with the sales of the nonet recordings released in 1949/50, and they had not offered Davis more work, when he was contacted by Prestige's Bob Weinstock. Weinstock had just started his new jazz specialty record label, and wanted Davis on his label so bad he tracked him across the country, to Chicago where he was performing with Billie Holiday, and offered him a one-year contract. The four tracks on this album w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apex Studio
Apex Studios was a recording studio in Manhattan, New York City. It had a high reputation for recording jazz. It was located in the Beaux Arts Steinway building. The owner was Bob Scheuing. When Al Schmitt started in 1950, the two engineers were Fred Herbert Otto and Tom Dowd. Apex did almost all of the work for National, Atlantic, and Prestige record labels. Miles Davis's album ''Miles Davis and Horns'' was partly recorded here in 1951. Duke Ellington did a session with his son, Mercer. It was one of the first major sessions engineered by Al Schmitt. The studio also recorded radio shows for Voice of America in many languages. Artists that recorded at the studio included Charlie Parker, The Clovers, Clyde McPhatter, the Modern Jazz Quartet, Peppermint Harris, Lightnin' Hopkins. The studio went bankrupt and closed in the early 1950s. Notable Recordings * The Clovers, "Don't You Know I Love You "Don't You Know I Love You" is the 1951, debut single by The Clovers. The sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Johnston (composer)
Arthur James Johnston (January 10, 1898 – May 1, 1954) was an American composer, conductor, pianist and arranger. Life and career Born in New York City, he began playing piano in movie houses, and went to work for Fred Fisher's music publishing company at the age of 16. He met, and was soon hired by, Irving Berlin, becoming Berlin's personal arranger, and director of early '' Music Box Revues''. His first hit song was "Mandy Make Up Your Mind", co-written with George W. Meyer, Roy Turk and Grant Clarke for Florence Mills to sing in the show ''Dixie to Broadway''. Biography by Jason Ankeny, ''Allmusic.com'' Retrieved 12 January 2021 In 1929, he moved to Hollywood, where he o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Coslow
Sam Coslow (December 27, 1902 – April 2, 1982) was an American songwriter, singer, film producer, publisher and market analyst. Coslow was born in New York City. He began writing songs as a teenager. He contributed songs to Broadway revues, formed the music publishing company Spier and Coslow with Larry Spier and made a number of recordings as a performer. With the explosion of film musicals in the late 1920s, Hollywood attracted a number of ambitious young songwriters, and Coslow joined them in 1929. Coslow and his partner Larry Spier sold their publishing business to Paramount Pictures and Coslow became a Paramount songwriter. One of his first assignments for the studio was the score for the 1930 film ''The Virtuous Sin''. He formed a successful partnership with composer Arthur Johnston and together they provided the scores for a number of films including Bing Crosby vehicles. Coslow became a film producer in the 1940s and won the Academy Award for Best Short Film for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dig (composition)
"Dig" is a bebop jazz standard attributed to Miles Davis by Prestige Records without Davis' knowledge. It was recorded on October 5, 1951 and first released on his album ''The New Sounds''. Its chord sequence is almost identical to that of "Sweet Georgia Brown" by Ben Bernie and Maceo Pinkard, making it a contrafact. Davis' second recording of the tune on May 9 the following year, this time for Blue Note, was called "Donna" and credited to Jackie McLean, the original composer, who played alto saxophone on both sessions ('' Young Man with a Horn'' and ''Miles Davis Volume 1'').cf. Jack Chambers, ''Milestones: The Music and Times of Miles Davis'', Da Capo Press, Cambridge, Massachusetts, 1998 (unabr. paperback ed.), pt. 1, p.158: "''Dig'', credited to Davis, was recorded seven month later as ''Donna'' and credited to McLean; by either title and author, it is a bebop line superimposed on the chord sequence of ''Sweet Georgia Brown''."; Chambers (1998), p.164f: "''Donna'' is a peculiarl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and " Conception", and had multiple albums on the '' Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Biography Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conception (album)
''Conception'' is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP ''Lee Konitz: The New Sounds'' (PRLP 116) makes up all of side 1. Track listing # "Odjenar" ( George Russell) - 2:52 # "Hibeck" (Lee Konitz) - 3:07 # " Yesterdays" (Jerome Kern) - 2:27 # "Ezz-Thetic" (Russell) - 2:54 # "Indian Summer" (Victor Herbert) - 2:35 # "Duet for Saxophone and Guitar" (Konitz) - 2:41 # "Conception" (George Shearing) - 4:03 # "My Old Flame" (Sam Coslow, Arthur Johnston) - 6:36 # "Intoit" (Stan Getz) - 3:22 # "Prezervation" (Getz) - 2:44 # "I May Be Wrong" (Gerry Mulligan) - 3:28 # "So What" (Mulligan) - 2:44 Note: The final track, "So What", is not the same composition attributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Old Flame
"My Old Flame" is a 1934 song composed by Arthur Johnston with lyrics by Sam Coslow for the film '' Belle of the Nineties''. It has since become a jazz standard. History "My Old Flame" first appeared in the 1934 film '' Belle of the Nineties'' when it was sung by Mae West, backed by the Duke Ellington Orchestra. Six weeks after filming wrapped with West, Ellington recorded the tune with singer Ivie Anderson, released on Commodore 585. It became a No. 7 hit for Guy Lombardo later that year but it was not until the early 1940s that the tune re-emerged, entering the repertoire of the orchestras of Benny Goodman and Count Basie. Notable recordings "My Old Flame" has since become a jazz standard, and sung by the likes of Billie Holiday, Peggy Lee, Dinah Washington and Helen Humes, with instrumental interpretations by Charlie Parker for the Dial label in 1947, Gerry Mulligan with Chet Baker in 1953, trombonist J.J. Johnson on his 1957 album ''Trombone Master'', Sonny Rollins o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gitler
Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of liner notes for jazz recordings beginning in the early 1950s and wrote several books about jazz and ice hockey, two of his passions.Manhattan School of MusicFaculty: Mr. Ira Gitler. Retrieved Oct. 16, 2008. Jazz Gitler was born at Brooklyn, New York into a Jewish family and grew up listening to swing bands in the late 1930s and 1940s, before discovering the new music of Charlie Parker and Dizzy Gillespie. In the early 1950s, he worked as a producer of recording sessions for the Prestige label. He is credited with coining the term "sheets of sound" in the late 1950s, to describe the playing of John Coltrane. Gitler was the New York editor of ''Down Beat'' magazine during the 1960s and wrote for ''Metronome Magazine'', ''JazzTimes'', ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackie McLean
John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Biography McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw's orchestra. After his father's death in 1939, Jackie's musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk). Along with Rollins, McLean played on Miles Davis' '' Dig'' album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for '' Pithecanthropus Erectus''), George Wallington, and as a member of Art Blakey's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
