"Dig" is a

bebop Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ...

jazz standard Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive lis ...

attributed to

Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ...

Prestige Records Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz music ...

without Davis' knowledge. It was recorded on October 5, 1951 and first released on his album ''

The New Sounds ''The New Sounds'' is the debut solo studio album by Miles Davis, released in late 1951 as a 10-inch LP. It is his first album as a leader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Pres ...

''. Its chord sequence is almost identical to that of "

Sweet Georgia Brown "Sweet Georgia Brown" is a jazz standard composed in 1925 by Ben Bernie and Maceo Pinkard, with lyrics by Kenneth Casey. History Reportedly, Ben Bernie came up with the concept for the song's lyrics – although he is not the credited lyricist ...

" by

Ben Bernie Benjamin Anzelwitz, known professionally as Ben Bernie (May 30, 1891 – October 23, 1943),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. ...

and

Maceo Pinkard Maceo Pinkard (June 27, 1897 – July 21, 1962) was an American composer, lyricist, and music publisher. Among his compositions is "Sweet Georgia Brown", a popular standard for decades after its composition and famous as the theme of the Harlem ...

, making it a

contrafact A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mas ...

. Davis' second recording of the tune on May 9 the following year, this time for

Blue Note In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical co ...

, was called "Donna" and credited to

Jackie McLean John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their deat ...

, the original composer, who played alto saxophone on both sessions ('' Young Man with a Horn'' and ''

Miles Davis Volume 1 ''Miles Davis Volume 1'' refers to two separate but related entities. The title was originally used for the first time in a pair of compilation albums of recordings made by Miles Davis in 1952, 1953 and 1954, released in 1956 (and reissued many ...

'').cf. Jack Chambers, ''Milestones: The Music and Times of Miles Davis'', Da Capo Press, Cambridge, Massachusetts, 1998 (unabr. paperback ed.), pt. 1, p.158: "''Dig'', credited to Davis, was recorded seven month later as ''Donna'' and credited to McLean; by either title and author, it is a bebop line superimposed on the chord sequence of ''Sweet Georgia Brown''."; Chambers (1998), p.164f: "''Donna'' is a peculiarly methodical reading of the bouncy tune recorded under the title ''Dig'' for Prestige..." "Dig" has also been played by numerous other artists such as

Sonny Rollins Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a ...

Woody Herman Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz clarinetist, saxophonist, singer, and big band leader. Leading groups called "The Herd", Herman came to prominence in the late 1930s and was active until his dea ...

Donald Byrd Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop m ...

Archie Shepp Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but ...

Joey DeFrancesco Joey DeFrancesco (April 10, 1971August 25, 2022) was an American jazz organist, trumpeter, saxophonist, and occasional singer. He released more than 30 albums under his own name, and recorded extensively as a sideman with such leading jazz perfo ...

, and Fred Firth.

Notes

1951 compositions 1950s jazz standards Compositions by Miles Davis Hard bop jazz standards Bebop jazz standards {{1950s-jazz-composition-stub

See also

Notes