The New Peerage
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The New Peerage
''The New Peerage'' is a 1787 comedy play by the British writer Harriet Lee. The original cast included Thomas King as Mr Vandercrap, John Bannister as Lord Melville, Richard Suett as Sir John Lovelace, John Hayman Packer as Medley, John Phillimore as Allen, Richard Wroughton as Charles, Anna Maria Crouch as Miss Harley and Elizabeth Farren as Lady Charlotte Courteney. The prologue was written by Richard Cumberland Richard Cumberland may refer to: * Richard Cumberland (philosopher) (1631–1718), bishop, philosopher * Richard Cumberland (dramatist) (1732–1811), civil servant, dramatist * Richard Cumberland (priest) (1710–1737), Archdeacon of Northa ....Hogan p.1019 References Bibliography * Nicoll, Allardyce. ''A History of English Drama 1660-1900: Volume III''. Cambridge University Press, 2009. * Hogan, C.B (ed.) The London Stage, 1660-1800: Volume V''. Southern Illinois University Press, 1968. 1787 plays British plays Comedy plays West End plays {{1780 ...
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Harriet Lee (writer)
Harriet Lee (1757 – 1 August 1851) was an English novelist and playwright. Life She was born in London in 1757. After the death of her father, John Lee, in 1781, she aided her sister Sophia Lee in keeping a private school at Belvedere House, Bath. In 1786, she published ''The Errors of Innocence,'' a novel in five volumes, written in epistolary form. A comedy, '' The New Peerage'' was performed at Drury Lane on 10 Nov. 1787, and, although acted nine times, was not successful enough to encourage her to continue writing for the stage. Genest calls it 'on the whole a poor play'. It was published with a dedication to Thomas King the actor, who had taken the chief part. The younger Bannister, Suett, and Miss Farren were also in the cast. Richard Cumberland wrote the prologue. ''Clara Lennox,'' a novel in two volumes, was published in 1797 and translated into French in the following year. The first two volumes of Miss Lee's chief work, ''The Canterbury Tales,'' in which she ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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Comedy Play
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ...
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Thomas King (actor)
Thomas King (1730–1805) was an English actor, known also as a theatre manager and dramatist. Early life Born 20 August 1730, in the parish of St George's, Hanover Square, London, where his father was a tradesman, he was educated at a grammar school in Yorkshire, and then at Westminster School. Articled to a London solicitor, he was taken to a dramatic school, and in 1747, with Edward Shuter, he ran away, and joined a travelling company at Tunbridge. He then had a period acting in barns, in the course of which (June 1748) he played in a booth at Windsor, directed by Richard Yates. London actor King was seen by David Garrick, who, on the recommendation of Yates, engaged him for Drury Lane. His first part was the Herald in ''King Lear''. On 19 October 1748, when Philip Massinger's '' New Way to Pay Old Debts'' was given for the first time at Drury Lane, he played Allworth. He was in the same season the original Murza in Samuel Johnson's ''Irene'', and played a part in ''The Hen- ...
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John Bannister (actor)
John Bannister (12 May 1760 – 7 November 1836), (also called 'Jack' Bannister), English actor and theatre manager. The principal source for his life are his own ''Memoirs'', and as a leading performer his career is well documented. Biography John Bannister was born at Deptford. He was the son of Charles Bannister, also an actor. He first studied to be a painter, but soon took to the stage. His first formal appearance was at the Haymarket Theatre in 1778 as Dick in Arthur Murphy's farce ''The Apprentice''. The same year at Theatre Royal, Drury Lane he played in James Miller's version of Voltaire's ''Mahomet'' the part of Zaphna, which he had studied under David Garrick. The Palmira of the cast was Mrs Robinson ("Perdita"). His reputation increased with his personification of Don Whiskerando in ''The Critic'' in 1779, and he was well known in the character of Joseph Surface in ''The School for Scandal''. Bannister married Elizabeth Harper on 26 January 1783 who was a skil ...
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Richard Suett
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * R ...
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John Hayman Packer
John Hayman Packer (12 March 1730 – 16 September 1806) was an actor for David Garrick's company at Drury Lane. Originally a saddler, he created the character Freeman in James Townley's ''High Life Below Stairs'' (1759). His parts were usually minor and, late in life, "as a rule"Hughes 2008. old men in tragedies and sentimental comedies. Selected roles * Freeman in ''High Life Below Stairs'' by James Townley (1759) * Lucius in '' The Siege of Aquileia'' by John Home (1760) * Don Roderigo in ''Elvira'' by David Mallet (1763) * Sir John Lambert in '' The Hypocrite'' by Isaac Bickerstaffe (1768) * Aunac in '' Zingis'' by Alexander Dow (1768) * Zopiron in ''Zenobia'' by Arthur Murphy (1768) * Greek Herald in ''The Grecian Daughter'' by Arthur Murphy (1772) * Otanes in ''Sethona'' by Alexander Dow (1774) * Ramirez in '' Braganza'' by Robert Jephson (1775) * Rinaldo in '' The Law of Lombardy'' by Robert Jephson (1779) * Ali in ''The Fair Circassian'' by Samuel Jackson Pratt (1 ...
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John Phillimore (actor)
Sir John Phillimore CB (18 January 1781 – 21 March 1840) was an officer of the Royal Navy who saw service during the French Revolutionary and Napoleonic Wars. He was involved in several notable actions during his active career, taking part in both Battles of Copenhagen, sending Sir Hyde Parker's famous signal to Nelson in the first, and fighting off Danish gunboats in the second. He went on to win a hard-fought victory over a French frigate in 1814 and reaped the rewards. He was at times a controversial figure, causing a scandal when he thrashed the naval historian William James with a stick for apparently badly representing Phillimore's conduct, and on another occasion inviting rebuke from the Navy Board for his request for more paint for his ship. He nevertheless became an aide-de-camp to the young Queen Victoria, and took important steps to reform how the lower ranks and ordinary seamen were treated in the Navy. Family and early life Phillimore was born on 18 January ...
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Richard Wroughton
Richard Wroughton (1748–1822), was an actor, who worked mainly in Covent Garden (now the Royal Opera house) and Drury Lane (now the Theatre Royal), and occasional in the city of his birth, Bath. Acting at Covent Garden He was born in 1748, and came to London, followed by a young milliner who had fallen in love with him, who nursed him through a severe illness, and whom he married. His first appearance was made at Covent Garden on 24 September 1768 as Zaphna in ‘ Mahomet,’ and not apparently in Altamont in ‘The Fair Penitent’ (acted on the 12th), as all his biographers say. He was seen during the season as Tressel in ‘ Richard III,’ Nerestan in ‘Zara,’ Creon in ‘Medea,’ Altamont, for his benefit, on 4 May 1769, and George Barnwell. He was slow in ripening, and his early performances gave little promise. By dint of sheer hard work he developed, however, into a good actor. During the seventeen years in which he remained at Covent Garden he played the princ ...
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Anna Maria Crouch
Anna Maria Crouch (20 April 1763 – 2 October 1805), often referred to as Mrs Crouch, was a singer and stage actress in the London theatre. She was (briefly) a mistress of George, Prince of Wales. Biography Born Anna Maria Phillips, she first went on stage as a child, acting and singing. Articled to Thomas Linley, she made her debut at Drury Lane theatre in 1780 as Mandane in Thomas Arne's '' Artaxerxes'', and became a principal in the regular company of the theatre under the management of Sheridan and Linley. In 1781 she made a great success as the heroine in Charles Dibdin's ''Lionel and Clarissa''. She was a notable Ophelia, Olivia and Celia. Her Polly Peachum in ''The Beggar's Opera'' was well known. In 1787 her stage partnership began with the Irish actor and singer, Michael Kelly, on his arrival in London with Stephen and Nancy Storace from the Viennese court. Marriage and affair In 1784 she had married a naval lieutenant named Crouch. In 1790 she was at Brighton to p ...
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Elizabeth Farren
Elizabeth Farren (c. 175923 April 1829) was an Irish actress of the late 18th century. Born in Cork in 1759 her father, George Farren was a surgeon. His drinking habits brought on early death and his widow returned to Liverpool. Her mother went on the stage to support herself and her children. Elizabeth first appeared on the London stage in 1777 as Miss Hardcastle in ''She Stoops to Conquer'' and the following year appeared at Drury Lane which, along with the Haymarket Theatre became her primary venues for the rest of her acting career. She had over 100 characters in her repertoire including Shakespeare and various contemporary comedies and dramas. She was often compared to Frances Abington, who was her only real rival. Her last appearance was in April 1797, two months before her marriage to Edward Smith-Stanley, 12th Earl of Derby. They had a son and two daughters. Early life Elizabeth (sometimes Eliza) Farren was the daughter of George Farren of Cork, Ireland, a surgeon and ...
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Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ...
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