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The New Cool
''The New Cool'' is the third studio album, by Australian rock band Daddy Cool (band), Daddy Cool. It was released in November 2006, thirty-four years after the release of their previous studio album, ''Sex, Dope, Rock'n'Roll: Teenage Heaven''. Although the album failed to appear on the Australian albums chart, it was released to critical acclaim from numerous sources all over – and even outside of – Australia. A review by 'Pete Best' of the ''Herald Sun, Sunday Herald Sun'' declared the album to be 'an irresistible mix of Music of California#1950s and 60s, 1950's West Coast Garage rock, garage, Chuck Berry & doo wop'.The New Cool reviews Ross Wilson official website. Retrieved 2009-11-20. Background Talks of a new album arose as early as 1993,[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daddy Cool (band)
Daddy Cool is an Australian rock band formed in Melbourne, Victoria (Australia), Victoria in 1970 with the original line-up of Wayne Duncan (musician), Wayne Duncan (Bass guitar, bass, vocals), Ross Hannaford (lead guitar, bass, vocals), Ross Wilson (musician), Ross Wilson (lead vocals, rhythm guitar, harmonica) and Gary Young (Australian musician), Gary Young (drums, vocals) . Their debut single "Eagle Rock (song), Eagle Rock" was released in May 1971 and stayed at number 1 on the Australian singles chart for ten weeks. NOTE: Used for Australian Singles and Albums charting from 1970 until Australian Recording Industry Association, ARIA created their own ARIA Charts, charts in mid-1988. Their debut July 1971 Long play, LP ''Daddy Who? Daddy Cool'' also reached number 1 and became the first Australian album to sell more than 100,000 copies. The group's name came from the 1957 song "Daddy Cool (The Rays song), Daddy Cool" by US rock group The Rays. Daddy Cool included their version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Lotta Shakin' Goin' On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the ''Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Thornto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy McRae
Teddy McRae (January 22, 1908 – March 4, 1999) was an American jazz tenor saxophonist and arranger. McRae was born in Waycross, Georgia, and brought up in Philadelphia and played with local ensembles, including one composed of family members, when young. He played with June Clark in 1926 before moving to New York City to found his own band. Following this he played with Charlie Johnson, Elmer Snowden (1932), Stuff Smith (1934), Lil Armstrong (1935), and Chick Webb (1936-39), the last as both a soloist and arranger. After Webb's death he was musical director for the orchestra during its tenure under the leadership of Ella Fitzgerald (1939–41). He recorded in the decade of the 1930s with Benny Morton, Teddy Wilson, and Red Allen. In the 1940s McRae worked in the orchestras of Cab Calloway (1941–42), Jimmie Lunceford (1942), Lionel Hampton (1943), and Louis Armstrong (1944-45); he also served as Armstrong's musical director during his period with that band. He wrote tunes for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Crewe
Robert Stanley Crewe (November 12, 1930 – September 11, 2014) was an American songwriter, dancer, singer, manager, and record producer. He was known for producing, and co-writing with Bob Gaudio, a string of Top 10 singles for the Four Seasons. As a songwriter, his most successful songs include "Silhouettes" (co-written with Frank Slay); "Big Girls Don't Cry", " Walk Like a Man", " Rag Doll", " Silence Is Golden", "The Sun Ain't Gonna Shine (Anymore)", "Can't Take My Eyes Off You" and " Bye, Bye, Baby" (all co-written with Gaudio); "Let's Hang On!" (written with Sandy Linzer and Denny Randell); and "My Eyes Adored You" and "Lady Marmalade" (both co-written with Kenny Nolan). He also had hit recordings with the Rays, Diane Renay, Mitch Ryder and the Detroit Wheels, Freddy Cannon, Lesley Gore, Oliver, Michael Jackson, Bobby Darin, Roberta Flack, Peabo Bryson, Patti LaBelle, Barry Manilow, and his own Bob Crewe Generation. Early life Born in Newark in 1930 and raised in Bel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Slay
Frank Conley Slay Jr. (July 8, 1930 – September 30, 2017) was an American songwriter, A&R director, record producer, and record label owner. He wrote with Bob Crewe in the late 1950s and early 1960s, the partnership's most successful songs including "Silhouettes", a hit for several artists including The Rays and Herman's Hermits, " Daddy Cool", and "Tallahassee Lassie". As a producer, his biggest hit was "Incense and Peppermints" by the Strawberry Alarm Clock. Career He was born in Dallas, Texas, and moved to New York City in 1951, attempting to find work as a songwriter. In 1957 he and Crewe wrote "Silhouettes" and "Daddy Cool" for the Rays. Initially released on the XYZ label set up by Slay and Crewe, "Silhouettes" became a top ten pop hit in the US for both the Rays (#3) and the Diamonds (#10), and was re-recorded successfully by Herman's Hermits in 1965 (#5 US, #3 UK), and Cliff Richard in 1990 (#10 UK). The song "Daddy Cool" – originally on the B-side of the Rays' sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daddy Cool (The Rays Song)
"Daddy Cool" is a song by US doo-wop group The Rays and was released on Cameo Records as the B-side of their 1957 single "Silhouettes". It became a No. 3 hit on the ''Billboard'' Pop singles chart. The song was written by Bob Crewe and Frank Slay, who had also written the A-side, "Silhouettes". The song became a No. 1 single on the Australian singles charts when covered by novelty band Drummond in 1971, and remained there for seven weeks. NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988. UK cover band Darts also had a hit single with the song, which reached No. 6 in 1977. Cover versions Fellow 1950s doo-wop band The Diamonds, from Canada, covered both sides of The Rays' single "Silhouettes"/"Daddy Cool" in the same year (1957) and saw their version reach No. 10. UK artists Darts' first ever studio recording was a medley of "Daddy Cool" and "The Girl Can't Help It", which they released as a 1977 single. It peaked at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come Back Again
"Come Back Again" is an Australian rock song, released by Daddy Cool in September 1971 on the Sparmac record label. It reached number 3 in the Australian charts. NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988. Composition and recording Author Wilson said the song, "was based on a Sleepy John Estes feel. A A A then kick to D G D and "Zoop Bop". I virtually wrote in my head in Darwin." He later declared it his favourite Daddy Cool song. "I love "Come Back Again" because it's so simple. It's just eight bars repeated." Hannaford noted, "When Ross wrote those songs they were very complete and they were based on a riff. I’m almost playing the same part in "Eagle Rock" and "Come Back Again". Drummer Gary Young said, "The main feel, the thing that made Daddy Cool sound like Daddy Cool was the shuffle beat. The shuffle is almost identical to what was called swing in the 1930s. If you slow down a jazz swing shuffle, using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ballad Of Oz
"The Ballad of Oz" is a song by the Australian group, Daddy Cool, released in August 1994 as a double-A sided single with " Happy Hippy Hut" by Skyhooks. The single peaked at number 35 on the ARIA Charts The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the offici ..., remaining in that position for three consecutive weeks. Background and release In 1994, Skyhooks and Daddy Cool briefly reformed in a proposed 1994 stadium tour and together released a double-A sided single. The tour was ultimately downgraded to the pub circuit. Track listing Charts References {{DEFAULTSORT:Ballad of Oz, The 1994 singles Mushroom Records singles 1994 songs Songs written by Ross Wilson (musician) Daddy Cool (band) songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huey Smith
Huey, used as a given name, is a variant of Hughie. It may refer to: People * Huey (rapper) (1987–2020), American rapper * Huey Dunbar, Puerto Rican salsa singer * Huey Johnson (1933–2020), American environmentalist and politician * Huey Lewis, rock musician, of the band Huey Lewis & the News * Huey Long (1893–1935), American politician, governor and U.S. Senator from Louisiana, known as "The Kingfish" * Huey Long (singer) (1904–2009), American musician * Huey P. Newton (1942–1989), co-founder of the Black Panther Party * Hugh Morgan of the Fun Lovin' Criminals, known as Huey * Iain Hewitson, New Zealand-born chef, nicknamed "Huey" * Laurence Markham Huey (1892–1963), American zoologist * Michael Huey (other), multiple people * Raymond B. Huey (born 1944), American biologist * Treat Huey, Filipino tennis player Places * Huey, Illinois, a village in the United States * Huey Creek, a glacial meltwater stream in Antarctica Military * Bell UH-1 Iroquois, U.S. Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chester Burnett
Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade career, he recorded in genres such as blues, rhythm and blues, rock and roll, and psychedelic rock. He also helped bridge the gap between Delta blues and Chicago blues. Born into poverty in Mississippi as one of six children, he went through a rough childhood where his mother kicked him out of her house, and he moved in with his great-uncle, who was particularly abusive. He then ran away to his father's house where he finally found a happy family, and in the early 1930s became a protégé of legendary Delta blues guitarist and singer, Charley Patton. He started a solo career in the Deep South, playing with other notable blues musicians of the era, and at the end of a decade had made a name for himself in the Mississippi Delta. After going thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguins
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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