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The Mysterious Husband
''The Mysterious Husband'' is a play by the British writer Richard Cumberland. It is a Domestic drama with a tragic ending, first performed in 1783. Along with several other Cumberland plays it was influenced by the 1768 gothic play ''The Mysterious Mother'' by Horace Walpole. The original Covent Garden cast included John Henderson as Lord Davenant (a part written for him), William Thomas Lewis as Charles Davenant, Richard Wroughton as Captain Dorner, Richard Yates as Sir Edmund Travers, Elizabeth Satchell as Marianne and Elizabeth Younge Elizabeth Younge (1740 – 15 March 1797)Her epitaph in Westminster Abbey states that she died at the age of 52 but ''The New Monthly Magazine'' which gave her d.o.b. as 1940 wrote, "How this error in her age arose there is no possibility of ev ... as Lady Davenant.Hogan p.588 References Bibliography * Frank, Frederick S (ed.). ''The Castle of Otranto and The Mysterious Mother''. Broadview Press, 2003. * Hogan, C.B (ed.) ''The London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cumberland (dramatist)
Richard Cumberland (19 February 1731/2 – 7 May 1811) was an English dramatist and civil servant. In 1771 his hit play '' The West Indian'' was first staged. During the American War of Independence he acted as a secret negotiator with Spain in an effort to secure a peace agreement between the two nations. He also edited a short-lived critical journal called ''The London Review'' (1809). His plays are often remembered for their sympathetic depiction of characters generally considered to be on the margins of society. Early life and education Richard Cumberland was born in the master's lodge of Trinity College, Cambridge on 19 February 1731/2. His father was a clergyman, Doctor Denison Cumberland, who became successively Bishop of Clonfert and Bishop of Kilmore, and through him his great-grandfather was Richard Cumberland, the philosopher and bishop of Peterborough. His mother was Johanna Bentley, youngest daughter of Joanna Bernard and the classical scholar Richard Bentley, l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domestic Drama
Domestic drama expresses and focuses on the realistic everyday lives of middle or lower classes in a certain society, generally referring to the post-Renaissance eras. According to the ''English Communications Syllabus'', domestic drama refers to a dramatic story containing an emphasis on its “characters' intimate relationships and their responses to heunfolding events in their lives.” The characters, their lives, and the events that occur within the show are usually classified as 'ordinary' events, lives, and characters, but this does not limit the extent of what domestic drama can represent. Domestic drama does, however, take the approach in which it “concerns people much like ourselves, taken from the lower and middle classes of society, who struggle with everyday problems such as poverty, sickness, crime, and family strife.”a domestic drama is a drama that is usually being used in comedy. Roots Domestic is derived from the Latin domus, or home. The word domestic is def ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Fiction
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Beckford (novelist), William Thomas Beckford, and Matthew Gregory Lewis, Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poetry, Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian literature, Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë family, Brontë sisters, as well as works by the American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Walpole
Horatio Walpole (), 4th Earl of Orford (24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English writer, art historian, man of letters, antiquarian, and Whigs (British political party), Whig politician. He had Strawberry Hill House built in Twickenham, southwest London, reviving the Gothic Revival, Gothic style some decades before his Victorian era, Victorian successors. His literary reputation rests on the first Gothic fiction, Gothic novel, ''The Castle of Otranto'' (1764), and his ''Letters'', which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published. The youngest son of the first British Prime Minister, Sir Robert Walpole, 1st Earl of Orford, he became the 4th and last Earl of Orford of the second creation on his nephew's death in 1791. Early life: 1717–1739 Walpole was born in London, the youngest son of Prime Minister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Henderson (actor)
John Henderson (8 March 1747 – 3 December 1785) was an English actor, known as "The Bath Roscius", who inherited David Garrick's mantle as the greatest Shakesperean actor. From 1772 until 1778 he performed as part of the company at the Old Orchard Street Theatre in Bath. Notes and references Sources * * Further reading * 1747 births 1785 deaths 18th-century British dramatists and playwrights English dramatists and playwrights English theatre managers and producers Actor-managers English male Shakespearean actors 18th-century English male actors Place of birth missing Place of death missing English male stage actors English male dramatists and playwrights 18th-century English male writers {{UK-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Thomas Lewis
William Thomas Lewis (1748?–1811), known as "Gentleman" Lewis, due to his refined acting style, was an English actor. He was said to be "the most complete fop on the stage". In later life he went into theatrical management. Early days in Ireland The son of William Lewis, a linendraper on Tower Hill, London, later an actor and manager in Ireland, he was born at Ormskirk, Lancashire, in or about 1748 (there is disagreement about his birth date); he had a Welsh clerical background, and was rumoured to be a great-grandson of Erasmus Lewis. He was brought up in Armagh. A juvenile actor from very young, Lewis first appeared as "Mr. Lewis" in the playbill when he acted Colonel Briton in Susannah Centlivre's comedy ''The Wonder''. Under Willian Dawson, Lewis appeared (1770–71) at the Capel Street Theatre in Dublin. He rapidly became popular in the city. On 19 February 1771 he was Belcour in ''The West Indian'' by Richard Cumberland, a part he made his own. On 4 May 1772, at the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wroughton
Richard Wroughton (1748–1822), was an actor, who worked mainly in Covent Garden (now the Royal Opera house) and Drury Lane (now the Theatre Royal), and occasional in the city of his birth, Bath. Acting at Covent Garden He was born in 1748, and came to London, followed by a young milliner who had fallen in love with him, who nursed him through a severe illness, and whom he married. His first appearance was made at Covent Garden on 24 September 1768 as Zaphna in ‘ Mahomet,’ and not apparently in Altamont in ‘The Fair Penitent’ (acted on the 12th), as all his biographers say. He was seen during the season as Tressel in ‘ Richard III,’ Nerestan in ‘Zara,’ Creon in ‘Medea,’ Altamont, for his benefit, on 4 May 1769, and George Barnwell. He was slow in ripening, and his early performances gave little promise. By dint of sheer hard work he developed, however, into a good actor. During the seventeen years in which he remained at Covent Garden he played the princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Yates (actor)
Richard Yates (c. 1706–1796) was an English comic actor, who worked at the Haymarket Theatre and Drury Lane among others, appearing in David Garrick's ''King Lear''. He also worked in theatre management, and set up the New Theatre in Birmingham in 1773. Both his first wife, Elizabeth Mary (maiden name unknown, died in 1753) and Mary Anne Graham (1728–1787 - married in 1756) were actresses. Life Born about 1706, he played in Henry Fielding's ''Pasquin'' at the Haymarket when it was first performed. In 1737–9, at Covent Garden, he was seen in a number of parts. On 4 September 1739 he appeared at Drury Lane as Jeremy in ''Love for Love'', and played other comic parts. At Goodman's Fields he appeared on 18 October 1740 as Antonio in '' Venice Preserved'', playing further parts during the season. For his benefit and that of Mrs. Elizabeth Yates, his first wife (about whom little is known) who played at this time small parts such as Emilia in ''The Winter's Tale'', and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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