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The Museum Of Modern Art, Ibaraki
opened on the shore of in Mito, Ibaraki Prefecture, Japan, in October 1988. The collection, numbering some 3,700 pieces as of October 2015, includes works by Manet, Monet, and Renoir, Gustave Courbet, Eugène Carrière, Camille Pissarro und Alfred Sisley as well as ''Yōga'' and ''Nihonga'' by artists including Tsuguharu Foujita, Heihachirō Fukuda, Taikan Yokoyama, Yukihiko Yasuda, Tetsugoro Yorozu, Kanzan Shimomura, Kenzo Okada, Yasuo Kuniyoshi, Kiyokata Kaburagi, Kokei Kobayashi, Gyoshū Hayami, Hishida Shunsō, and Shikō Imamura. Noteworthy works in the collection include ''Chrysanthèmes'' by Édouard Manet, ''Grotte de Port-Domois'' by Claude Monet and ''Portrait de Mademoiselle Francois'' by Pierre-Auguste Renoir. Édouard Manet - Chrysanthèmes.jpg, Édouard Manet: ''Chrysanthèmes'' Claude Monet - Grotte de Port-Domois.jpg , Claude Monet: ''Grotte de Port-Domois'' Pierre-Auguste Renoir - Portrait de Madamoiselle Francois.jpg, Pierre-Auguste Renoir: ''Portrait ...
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Mito, Ibaraki
is the capital city of Ibaraki Prefecture, in the northern Kantō region of Japan. , the city had an estimated population of 269,330 in 123,282 households and a population density of 1239 persons per km2. The percentage of the population aged over 65 was 27.1%. The total area of the city is . Geography Mito is located in central Ibaraki Prefecture. Mito Station is about 10 km inland from the Pacific Ocean which Naka River, flowing from the north to the east of the city, pours into. Immediately south is Lake Senba, a recreational area. A main street extends from Mito Station to the west, and residential areas to the south and the west in particular. Surrounding municipalities Ibaraki Prefecture * Hitachinaka * Kasama * Naka * Ibaraki * Ōarai * Shirosato Climate Mito has a Humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cold winters with light snowfall. The average annual temperature in Mito is 13.6 °C. The average annual rainfall ...
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Yukihiko Yasuda
was the pseudonym of a major figure in Taishō and early Shōwa period Japanese painting, and is regarded as one of the founders of the Japanese painting technique of '' nihonga''. His real name was Yasuda Shinzaburō. Biography He was born in Nihonbashi, Tokyo, as the fourth son of a Japanese restaurant owner. He initially studied Tosa school painting at the ''Tōkyō Bijutsu Gakkō'' (the predecessor to the Tokyo National University of Fine Arts and Music), under Kobori Tomoto. While in school, his talent was recognized by Okakura Kakuzō who sent him to Nara to study classical paintings in the '' Yamato-e'' style. While in Nara, he first viewed the ancient murals on the walls of the Kondo chapel of the Buddhist temple of Hōryū-ji, and this was to have a deep impact on his future style of painting. From 1914, Yasuda assisted Yokoyama Taikan in re-establishing the Japan Fine Arts Academy (''Nihon Bijutsuin''). From 1944 to 1951, he taught as a professor at the Tokyo Nat ...
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Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ...
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Claude Monet
Oscar-Claude Monet (, , ; 14 November 1840 – 5 December 1926) was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to ''plein air'' (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting '' Impression, soleil levant'', exhibited in the 1874 ("exhibition of rejects") initiated by Monet and his associates as an alternative to the Salon. Monet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mot ...
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Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ...
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Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ...
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Shikō Imamura
was a Japanese artist An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, th ... whose work is featured at the Yokohama Museum of Art. He was regarded of one of the fathers of New Nihonga, and is known for he quote to his students "I break the Old Nihonga, You should follow me and build New Nihonga." See also * Gyoshū Hayami References External links Yokohama Museum of Art {{DEFAULTSORT:Imamura, Shiko 1880 births 1916 deaths 20th-century Japanese painters ...
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Hishida Shunsō
was the pseudonym of a Japanese painter from the Meiji period. One of Okakura Tenshin's pupils along with Yokoyama Taikan and Shimomura Kanzan, he played a role in the Meiji era innovation of ''Nihonga''. His real name was Hishida Miyoji. He was also known for his numerous paintings of cats. Biography Shunsō was born in 1874 in what is now part of Iida city in Nagano Prefecture. In 1889 he moved to Tokyo to study under Kanō school artist Yuki Masaaki (1834–1904). The following year, he enrolled at the ''Tōkyō Bijutsu Gakkō'' (the forerunner of the Tokyo National University of Fine Arts and Music). Shunsō was one year junior to his colleagues Yokoyama Taikan and Shimomura Kanzan; his teacher was Hashimoto Gahō. Shunsō, Taikan and Kanzan were heavily influenced by Okakura Tenshin and Ernest Fenollosa during their time at the ''Tōkyō Bijutsu Gakkō''. After graduation, Shunsō was commissioned by the Imperial Household Museum (now the Tokyo National Museum) to ...
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Gyoshū Hayami
was the pseudonym of a Japanese painter in the '' Nihonga'' style, active during the Taishō and Shōwa eras. His real name was Eiichi Maita. Biography Gyoshū was born in the plebeian downtown district of Asakusa in Tokyo. He studied traditional painting techniques as an apprentice to Matsumoto Fuko from the age of 15. When he was 17, his talent was recognized by Shikō Imamura, who invited him to join the ''Kojikai'' circle of leading young artists. With the revival of the Japan Fine Arts Academy (''Nihon Bijutsuin''), Gyoshū became a founding member. He worked in many schools of painting, including '' Yamato-e, Rinpa'' and ''Bunjinga,'' with his style evolving gradually towards a detailed realism influenced also by his studies of Chinese paintings from the Song dynasty and the Yuan dynasty. His later works evolved further towards Symbolism. In 1914, Gyoshū formed a group called ''Sekiyokai'' to study new styles of Japanese painting. He had a leg amputated after being ...
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Kokei Kobayashi
was a Japanese ''Nihonga'' painter. He was friends with Tamako Kataoka (1905–2008). He was a student of Kajita Hanko. He was awarded the Order of Culture. Works File:Kobayashi Fruit.jpg, ''Fruit'' (1910) File:Kobayashi Ideyu.jpg, ''In the Bath'' (1918) File:Kobayashi Kokei - Magnolia Tree - Google Art Project.jpg, ''Magnolia Tree'' (1919) File:Hair by Kobayashi Kokei (Eisei Bunko).jpg, Hair (Unknown Date) File:Kobayashi Truthahn.jpg, Turkey (1928) File:Kobayashi Kokei 002.jpg, White flowers and bird (1930s) File:Kobayashi Kokei 003.jpg, "Cherry Blossom" (1930s) File:Kobayashi Kranich.jpg, Crane (1928) See also * Seison Maeda (1885–1977), one of the leading ''Nihonga'' painters * List of Nihonga painters This is an alphabetical list of painters who are known for painting in the ''Nihonga'' style. It has to be noted that some artists also painted in the western ''Yōga'' style, and that the division between the two groups could be blurred at poin ... References ...
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Kiyokata Kaburagi
was the art-name of a Nihonga artist and the leading master of the ''bijin-ga'' genre in the Taishō and Shōwa eras. His legal name was Kaburaki Ken'ichi. The artist himself used the reading "Kaburaki", but many Western (and some Japanese) sources transliterate it as "Kaburagi". Biography Kaburaki was born in Kanda district of Tokyo to an affluent and literate family. His father was the founder and president of the ''Tokyo Nichi Nichi Shimbun'' newspaper, and a writer of popular novels. In 1891, at the age of 13, Kaburaki was sent to become a pupil of the ''ukiyo-e'' artists Mizuno Toshikata and Taiso Yoshitoshi. His first job was as an illustrator for '' Yamato Shinbun,'' a Tokyo newspaper founded by his father. When he was sixteen, his father went bankrupt and the family had to sell their home. Kaburaki initially made his living as an illustrator, producing frontispiece illustrations called ''kuchi-e'', illustrating the titles of popular novels. His works were highly prai ...
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Yasuo Kuniyoshi
was a Japanese-American painter, photographer and printmaker. Biography Kuniyoshi was born on September 1, 1889 in Okayama, Japan. He immigrated to the United States in 1906, choosing not to attend military school in Japan. Kuniyoshi originally intended to study English and return to Japan to work as a translator. He spent some time in Seattle, before enrolling at the Los Angeles School of Art and Design.Tatham (2006), p.100 Kuniyoshi spent three years in Los Angeles, discovering his love for the arts. He then moved to New York City to pursue an art career. Kuniyoshi studied briefly at the National Academy and at the Independent School in New York City, and then studied under Kenneth Hayes Miller at the Art Students League of New York. He married his first wife Katherine Schmidt, who in 1919 lost her American citizenship due to her relationship with Kuniyoshi who was ineligible for American citizenship. He later taught at the Art Students League of New York in New York Cit ...
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