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The Moog Machine
''Switched-On Rock'' is an album by the Moog Machine, released in 1969 on Columbia Records. It comprises instrumental covers of popular songs from the 1960s, performed on the Moog synthesizer. It was one of a spate of albums capitalizing on the success of ''Switched-On Bach'' (1968), an album of Bach pieces performed on the Moog by Wendy Carlos. ''Switched-On Rock'' was produced by Norman Dolph, who also wrote the liner notes. Dolph worked in the studio with colleagues Kenny Ascher and Alan Foust; they billed themselves as the Moog Machine for this and one more project. The album reached number 170 on the Billboard Top 200 and stayed on the chart for eight weeks. Background Norman Dolph joined Columbia Records in 1964. As a marketing executive, he focused on recording projects aimed at the youth market. In 1967 he paid for the recording session of the album ''The Velvet Underground & Nico'', and he helped engineer it. After the 1968 album ''Switched-On Bach'' was seen to sell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Rock
Electronic rock is a music genre that involves a combination of rock music and electronic music, featuring instruments typically found within both genres. It originates from the late 1960s, when rock bands began incorporating electronic instrumentation into their music. Electronic rock acts usually fuse elements from other music styles, including punk rock, industrial rock, hip hop, techno, and synth-pop, which has helped spur subgenres such as indietronica, dance-punk, and electroclash. Overview Being a fusion of rock and electronic, electronic rock features instruments found in both genres, such as synthesizers, mellotrons, tape music techniques, electric guitars, and drums. Some electronic rock artists, however, often eschew guitar in favor of using technology to emulate a rock sound. Vocals are typically mellow or upbeat, but instrumentals are also common in the genre. A trend of rock bands that incorporated electronic sounds began during the late 1960s. According to crit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 59th Street Bridge Song (Feelin' Groovy)
"The 59th Street Bridge Song (Feelin' Groovy)" is a song by folk rock duo Simon & Garfunkel, written by Paul Simon and included on their 1966 album ''Parsley, Sage, Rosemary and Thyme''. Its name is based on the 59th Street Bridge (formally known then as the Queensboro Bridge, later renamed the Ed Koch Queensboro Bridge), which is a bridge of New York City that was completed in 1909. ''Cash Box'' called it a "sparkling, spirited lid." The studio version features Dave Brubeck Quartet members Joe Morello (drums) and Eugene Wright (double bass). Footage of Simon and Garfunkel performing the song at the 1967 Monterey Pop Festival is featured in the film ''Monterey Pop''. On his farewell tour, Simon "penalized" himself for wrongly performing the lyrics to another song by singing this song, which he confesses to hating. The song's original length is 1:43, but its subsequent remasters for compilations '' Tales from New York: The Very Best of Simon & Garfunkel'' and ''The Essential Sim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jumpin' Jack Flash
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by ''Rolling Stone'' magazine, the song was perceived by some as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums ''Aftermath'' (1966) (which did feature some blues songs), ''Between the Buttons'' (1967) and especially ''Their Satanic Majesties Request'' (1967). One of the group's most popular and recognisable songs, it has featured in films and been covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song: they have played it over 1,100 times in concert. It is one of their most popular songs, and it is on ''Rolling Stone''s 500 Greatest Songs of All Time list. It is also, according to Acclaimed Music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blood, Sweat & Tears
Blood, Sweat & Tears (also known as "BS&T") is a jazz rock music group founded in New York City in 1967, noted for a combination of brass with rock instrumentation. In addition to original music, the group has performed popular songs by Laura Nyro, James Taylor, Carole King, the Band, the Rolling Stones, Billie Holiday and many others. The group has also adapted music from Erik Satie, Thelonious Monk and Sergei Prokofiev into their arrangements. BS&T has gone through numerous iterations with varying personnel and has encompassed a wide range of musical styles. Their sound has merged rock, pop and R&B/soul music with big band jazz. The group's self-titled second album spent seven weeks atop the U.S. charts, spun off three Top 5 hit singles, and won the Grammy Award for Album of the Year in 1970. Their follow-up album, ''Blood, Sweat & Tears 3'', also reached number one in the U.S. The group was inspired by the "brass-rock" of the Buckinghams and their producer, James William ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Clayton-Thomas
David Clayton-Thomas (born David Henry Thomsett, 13 September 1941) is a Grammy Award-winning Canadian musician, singer, and songwriter, best known as the lead vocalist of the American band Blood, Sweat & Tears. Clayton-Thomas has been inducted into the Canadian Music Hall of Fame and in 2007 his jazz/rock composition "Spinning Wheel" was enshrined in the Canadian Songwriter's Hall of Fame. In 2010, Clayton-Thomas received his star on Canada's Walk of Fame. Clayton-Thomas began his music career in the early 1960s, working the clubs on Toronto's Yonge Street, where he discovered his love of singing and playing the blues. Before moving to New York City in 1967, Clayton-Thomas fronted a couple of local bands, first The Shays and then The Bossmen, one of the earliest rock bands with significant jazz influences. But the real success came only a few difficult years later when he joined Blood, Sweat & Tears. Early life Clayton-Thomas was born in Kingston upon Thames, Surrey, Englan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinning Wheel (song)
"Spinning Wheel" is a song from 1968 by the band Blood, Sweat & Tears, written by Canadians, Canadian lead vocalist David Clayton-Thomas and appearing on their Blood, Sweat & Tears (Blood, Sweat & Tears album), eponymous album. Released as a single (music), single in 1969, "Spinning Wheel" peaked at #2 on the Billboard Hot 100, ''Billboard'' Hot 100 chart in July of that year, remaining in the runner-up position for three weeks. "Spinning Wheel" was kept out of the #1 position by both "The Love Theme from Romeo and Juliet" by Henry Mancini and "In the Year 2525" by Zager and Evans. In August of that year, the song topped the ''Billboard (magazine), Billboard'' Adult Contemporary (chart), Easy Listening chart for two weeks.Hyatt, Wesley (1999). ''The Billboard Book of #1 Adult Contemporary Hits'' (Billboard Publications), page 74. It was also a crossover hit, reaching #45 on the Hot R&B/Hip-Hop Songs, US R&B chart. "Spinning Wheel" was nominated for three Grammy Awards at the Gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Hilburn
Robert Hilburn (born September 25, 1939) is an American pop music critic, author, and radio host. As critic and music editor at the ''Los Angeles Times'' from 1970 to 2005, his reviews, essays and profiles appeared in publications around the world. Hilburn has since written a memoir and best-selling biographies of Johnny Cash and Paul Simon. He was a member of the nominating committee of the Rock and Roll Hall of Fame for more than 20 years and lives in Los Angeles. Early life Born in Natchitoches, Louisiana, and lived there until he was 5 mostly on his grandfather’s cotton farm in nearby Campti. During those years and when visiting his grandparents in later summers, he was exposed to the blues and country music styles that eventually gave birth to rock ‘n’ roll. After a few years in Dallas, Texas, he moved with his family to Southern California, where he graduated from Reseda High School in 1957 and California State University, Northridge (journalism degree) in 1961. He w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Angeles Times
The ''Los Angeles Times'' (abbreviated as ''LA Times'') is a daily newspaper that started publishing in Los Angeles in 1881. Based in the LA-adjacent suburb of El Segundo since 2018, it is the sixth-largest newspaper by circulation in the United States. The publication has won more than 40 Pulitzer Prizes. It is owned by Patrick Soon-Shiong and published by the Times Mirror Company. The newspaper’s coverage emphasizes California and especially Southern California stories. In the 19th century, the paper developed a reputation for civic boosterism and opposition to labor unions, the latter of which led to the bombing of its headquarters in 1910. The paper's profile grew substantially in the 1960s under publisher Otis Chandler, who adopted a more national focus. In recent decades the paper's readership has declined, and it has been beset by a series of ownership changes, staff reductions, and other controversies. In January 2018, the paper's staff voted to unionize and final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
