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The Mistress Of Monbijou
''The Mistress of Monbijou'' (German: ''Die Herrin von Monbijou'') is a 1924 German silent romance film directed by Frederic Zelnik and starring Lya Mara and Hermann Böttcher. Cast *Ulrich Bettac *Hermann Böttcher *Lya Mara *Albert Patry *Julia Serda Julia Serda (6 April 1875 – 3 December 1965) was an Austrian stage and film actress.Grange p.120 She was married to the actor Hans Junkermann. Biography Julia Serda was born on 6 April 1875 in Vienna. She became fascinated by the stage at an ea ... References External links * Films of the Weimar Republic Films directed by Frederic Zelnik German silent feature films German black-and-white films German romance films 1920s romance films 1920s German films {{1920s-romance-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Zelnik
Frederic Zelnik (born Friedrich Zelnik, 17 May 1885 – 29 November 1950) was an Austrian producer, director, and actor. He was one of the most important producers-directors of the German silent cinema. Zelnik achieved success through period operetta films in the 1920s and 1930s. Biography Friedrich Zelnik was born into a Jews, Jewish family in Czernowitz, today in Ukraine, at the time the capital of the Duchy of Bukovina in the Austrian part of the Austro-Hungarian Monarchy. After studying in Vienna, Friedrich Zelnik worked as an actor in theaters in Nürnberg, Theater Aachen, Aachen, Worms, Germany, Worms, Prague and finally Berlin - in the theaters Theater an der Königsgrätzer Straße, Berliner Theater, and Komödienhaus. In 1914 Friedrich Zelnik began acting in films, and after 1915 producing and directing movies while still appearing in roles as an actor in other director'films. In 1918 he married a young Polish ballet dancer turned film actress named Lya Mara and promoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Carlsen
Fanny Carlsen was a German screenwriter of the silent era. As she was Jewish she was likely forced to emigrate with the Nazi Party's coming to power in 1933, although her exact fate is unknown.Nelmes & Selbo Selected filmography * ''The Yellow Diplomat'' (1920) * '' The Law of the Desert'' (1920) * ''Kri-Kri, the Duchess of Tarabac'' (1920) * ''Fanny Elssler'' (1920) * ''Count Varenne's Lover'' (1921) * ''The Convict of Cayenne'' (1921) * ''Miss Beryll'' (1921) * ''Memoirs of a Film Actress'' (1921) * ''Trix, the Romance of a Millionairess'' (1921) * '' The Buried Self'' (1921) * ''The Mistress of the King'' (1922) * ''Insulted and Humiliated'' (1922) * '' The Marriage of Princess Demidoff'' (1922) * ''Tania, the Woman in Chains'' (1922) * ''Lyda Ssanin'' (1923) * ''The Men of Sybill'' (1923) * ''Resurrection'' (1923) * ''Irene of Gold'' (1923) * ''The Girl from Hell'' (1923) * '' Daisy'' (1923) * '' The Other Woman'' (1924) * '' The Mistress of Monbijou'' (1924) * '' The Sailor Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lya Mara
Lya Mara (born Aleksandra Gudowicz; 1 August 1897 – 1 March 1960) was a Polish actress. She was one of the biggest stars of the German silent cinema. Biography Lya Mara was born Aleksandra Gudowicz in a Polish family in Riga, Governorate of Livonia. As a young girl she wanted to become a chemist, as then famous Maria Skłodowska-Curie. Just before World War I, in 1913 Lya Mara moved with her family to Warsaw, as Poland and Latvia were part of the Russian Empire. There, she began her career as a dancer. In Warsaw, Lya Mara played her first small part in a short fiction silent film under a characteristically simplified title ''We want husband'' (1916, as Mia Mara) and soon after in another film ''Bestia'' (''The Beast'', premiere on 5 January 1917) directed by a Polish director of older generation Alexander Hertz. Another Polish actress, Pola Negri, who later made an extraordinary career in Germany and in America, was the star of this film. Soon after that film, Negri left for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Böttcher
Hermann Gotthilf Ferdinand Boettcher (12 November 1866 – 7 May 1935) was a German stage and film actor.Hardt p.223 Selected filmography * '' The Man of Action'' (1919) * ''The Swabian Maiden'' (1919) * ''Madame Récamier'' (1920) * ''The Big Light'' (1920) * ''Four Around a Woman'' (1921) * '' The Secret of Bombay'' (1921) * '' Driving Force'' (1921) * ''Bigamy'' (1922) * '' The Homecoming of Odysseus'' (1922) * ''The Girl from Capri'' (1924) * ''By Order of Pompadour'' (1924) * '' The Mistress of Monbijou'' (1924) * '' The Prince and the Maid'' (1924) * ''Anne-Liese of Dessau'' (1925) * ''Countess Ironing-Maid'' (1926) * '' The Bohemian Dancer'' (1926) * ''Princess Olala'' (1928) * ''Immorality'' (1928) * ''My Heart is a Jazz Band'' (1929) * ''Napoleon at Saint Helena'' (1929) * ''Taxi at Midnight'' (1930) * ''Police Spy 77'' (1930) * ''Retreat on the Rhine'' (1930) * ''Hans in Every Street'' (1930) * ''Marriage in Name Only'' (1930) * ''The Dancer of Sanssouci ''The Dancer o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mutz Greenbaum
Mutz Greenbaum (3 February 1896 – 5 July 1968), sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer. He was the son of the pioneering film producer Jules Greenbaum who had founded Deutsche Bioscope. He began as a cameraman in 1915 working on German silent movies, especially in association with directors Urban Gad, Max Mack, and Franz Hofer. Most of the time he worked for his father's company Greenbaum-Film GmbH in Berlin, even directing some detective films around 1920. His career continued into the sound era and he moved to England working on such films as '' The Stars Look Down'' (1940), '' Hatter's Castle'' (1942), '' Thunder Rock'' (1942), '' So Evil My Love'' (1948), ''Night and the City'' (1950) and ''I'm All Right Jack'' (1959), usually credited as Max Greene. Mutz Greenbaum left Germany in the early 30's, signing with Gaumont-British as director of photography. During the succeeding decades, he worked on many classic films by leading ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulrich Bettac
Ulrich Ewald Berthold Bettac (2 May 1897 – 20 April 1959), was an Austrian actor and theatre director. He was especially well known for his work as a character actor at the Burgtheater in Vienna; he also had a fairly extensive film career. Selected filmography * ''The Girl from Capri'' (1924) * '' The Mistress of Monbijou'' (1924) * ''False Shame'' (1926) * ''A Night at the Grand Hotel'' (1931) * '' Come Back to Me'' (1944) *''Mysterious Shadows'' (1949) * ''Duel with Death'' (1949) *'' 1. April 2000'' (1952) *''Knall and Fall as Imposters'' (1952) *''The Great Temptation'' (1952) * ''Adventure in Vienna'' (1952) * ''Arlette Conquers Paris'' (1953) * '' The Divorcée'' (1953) * '' Mask in Blue'' (1953) *''The Eternal Waltz'' (1954) *'' Sissi'' (1955) * '' André and Ursula'' (1955) * ''Mozart'' (1955) * '' Goetz von Berlichingen'' (1955) *''Sissi – The Young Empress'' (1956) External links Ulrich Bettacat Österreich-Lexikon (in German German(s) may refer to: * Germany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Serda
Julia Serda (6 April 1875 – 3 December 1965) was an Austrian stage and film actress.Grange p.120 She was married to the actor Hans Junkermann. Biography Julia Serda was born on 6 April 1875 in Vienna. She became fascinated by the stage at an early age, taking singing lessons from Pauline Lucca and studying acting at the Vienna Conservatory. Serda made her debut in 1895 at the theater in Breslau, after which she went to Köningsberg for three years. In 1899 she followed a call to the Dresden Court Theater, to which she remained connected until 1908 and was awarded the title of "Royal Saxon Court Actress". During this time, she also made her Berlin debut in 1902, appeared at the Vienna Burgtheater in 1907, and in 1908 at the Meinhard-Bernauer-Bühnen. Serda was most successful for playing the naive and sentimental heroine, for example with the title role in Franz Grillparzer's tragedy ''The Jewess of Toledo'', as Oscar Wilde's '' Salome'', or as a cricket in ''Johannisfeuer' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Frederic Zelnik
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
