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The Merchant (fairy Tale)
The Merchant is an Italian literary fairy tale written by Giambattista Basile in his 1634 work, the ''Pentamerone''.Giambattista Basile, ''Pentamerone''"The Merchant"/ref> Synopsis A merchant's son, Cienzo, was throwing stones with the son of the king of Naples, and cracked the prince's head. His father, fearing the consequences, threw him out with some money, an enchanted horse, and an enchanted dog. In the evening, Cienzo found a tower by a ruined house; the master of the tower would not let him in, for fear of robbers. Cienzo went to the house. In the night, he found it was haunted by three ghosts, lamenting their treasure. He lamented with them. In the morning, they gave him it and warned him to keep care of it. He could not see a ladder up and called for help; the owner of the house came with a ladder and they found a treasure, which Cienzo refused to take part of and went on. Another time, he crossed a river to find a fairy being attacked by robbers; he helped her, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic (paranormal), magic, incantation, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance (love), romance". Colloquially, the term "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Basile
Giambattista Basile (February 1566 – February 1632) was an Italian poet, courtier, and fairy tale collector. His collections include the oldest recorded forms of many well-known (and more obscure) European fairy tales. He is chiefly remembered for writing the collection of Neapolitan fairy tales known as ''Il Pentamerone.'' Biography Born in Giugliano to a Neapolitan middle-class family, Basile was a soldier and courtier to various Italian princes, including the doge of Venice. According to Benedetto Croce he was born in 1575, while other sources have February 1566. In Venice he began to write poetry. Later he returned to Naples to serve as a courtier under the patronage of Don Marino II Caracciolo, prince of Avellino, to whom he dedicated his idyll ''L’Aretusa'' (1618). By the time of his death he had reached the rank of "count" ''Conte di Torrone''. Basile's earliest known literary production is from 1604 in the form of a preface to the Vaiasseide of his friend the Nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentamerone
The ''Pentamerone'', subtitled ''Lo cunto de li cunti'' ("The Tale of Tales"), is a seventeenth-century Neapolitan fairy tale collection by Italian poet and courtier Giambattista Basile. Background The stories in the ''Pentamerone'' were collected by Basile and published posthumously in two volumes by his sister Adriana in Naples, Italy, in 1634 and 1636 under the pseudonym Gian Alesio Abbatutis. These stories were later adapted by Charles Perrault and the Brothers Grimm, the latter making extensive, acknowledged use of Basile's collection. Examples of this are versions of Cinderella, Rapunzel, Puss in Boots, Sleeping Beauty, and Hansel and Gretel. While other collections of stories have included stories that would be termed fairy tales, his work is the first collection in which all the stories fit in that single category. He did not transcribe them from the oral tradition as a modern collector would, instead writing them in Neapolitan, and in many respects was the first writer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghost
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a ''séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess And Dragon
Princess and dragon is a archetypical premise common to many legends, fairy tales, and chivalric romances. Northrop Frye identified it as a central form of the quest romance. The story involves an upper-class woman, generally a princess or similar high-ranking nobility, saved from a dragon, either a literal dragon or a similar danger, by the virtuous hero (see Damsel in distress). She may be the first woman endangered by the peril, or may be the end of a long succession of women who were not of as high birth as she is, nor as fortunate. Normally the princess ends up married to the dragon-slayer. The motifs of the hero who finds the princess about to be sacrificed to the dragon and saves her, the false hero who takes his place, and the final revelation of the true hero, are the identifying marks of the Aarne–Thompson folktale type 300, the Dragon-Slayer. They also appear in type 303, the Two Brothers. These two tales have been found, in different variants, in countries all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
False Hero
The false hero is a stock character in fairy tales, and sometimes also in ballads. The character appears near the end of a story in order to claim to be the hero or heroine and is usually of the same sex as the hero or heroine. The false hero presents some claim to the position. By testing, it is revealed that the claims are false, and the hero's true. The false hero is usually punished, and the true hero put in his place. Vladimir Propp identified it as one of the seven roles he found in an analysis of Russian folktales, but the figure is widely found in many nations' tales. Traits In some tales, the false hero appears early, and constitutes the main obstacle to the hero. These include ''The Goose Girl'' where a serving maid takes the princess's place, and makes her a goose girl, ''The White and the Black Bride'' where the stepmother pushes the bride into the river and puts her own daughter in her place, and ''The Lord of Lorn and the False Steward'', where the steward robs the you ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Three Dogs
The Three Dogs is a German fairy tale. Andrew Lang included it in ''The Green Fairy Book'', listing his source as the Brothers Grimm. A version of this tale appears in '' A Book of Dragons'' by Ruth Manning-Sanders. It is Aarne-Thompson type 562, The Spirit in the Blue Light. Other tales of this type include '' The Blue Light'' and '' The Tinderbox''.D.L. Ashliman, The Blue Light: Folktales of Aarne-Thompson-Uther Type 562' Synopsis A dying peasant told his son and daughter that he had only his house and three sheep to leave them; they could divide them as they wished, but must not quarrel. The brother asked his sister which she wished to have. She chose the house. He told her he would take the sheep and seek his fortune. He met a stranger who offered to trade three dogs for his sheep: Salt, which would bring him food; Pepper, who would tear attackers to pieces; Mustard, which could break iron or steel with its teeth. The brother agreed and once the trade was done, asked Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sea-Maiden
The Sea-Maiden (Scottish Gaelic: ''A Mhaighdean Mhara'') is a Scottish fairy tale collected by John Francis Campbell in ''Popular Tales of the West Highlands'', listing his informant as John Mackenzie, fisherman, near Inverary. Joseph Jacobs included it in ''Celtic Fairy Tales''. Translations Campbell's tale was translated into German language as ''Die Seejungfrau'' ("The Sea-Maiden") by translator . Synopsis A mermaid offered a fisherman much fish in return for his son. He said he had none. In Campbells' version, she offered him grains: three for his wife, three for a mare, three for a dog, three to plant in the yard; then there would be three sons, three foals, three puppies, and three trees, and she should have one son when he was three. In Jacobs's version, she merely said he would have a son, and when the boy was twenty, she would take him. In Campbell's version, the mermaid let him put her off until the boy was twenty. In both, the father grew troubled. The son (o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
