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The Mark IV
The Mark IV were an American musical ensemble, based in Chicago, consisting of Bob Peterson, Leon McGeary, William (Bill) Thomas, and Michael McCarthy. They were originally named The Rhythm Makers. They later changed their name to Mark V, and then – as members left – to The Mark IV, and eventually ending in the 1980s as The Mark IV Trio. The band appears to have recorded only as The Mark IV, however, and they had their biggest hit in 1959 with the novelty song, "I Got a Wife" (Mercury 71403). "I Got a Wife" was set to a lively polka beat, and reached No. 24 in US ''Billboard'' Hot 100 chart, and No. 14 on Canadian radio station CHUM's "Chum Chart". The song was later covered by Frankie Yankovic and other polka bands. Early success The B-side of "I Got a Wife" was "Ah-Ooo-Gah", a straight 1950s rocker, punctuated with an old-time car horn effect. Prior to "I Got a Wife," the group released at least two singles on Cosmic Records. One of these was "Goose Bumps" b/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mark IV
The Mark IV were an American musical ensemble, based in Chicago, consisting of Bob Peterson, Leon McGeary, William (Bill) Thomas, and Michael McCarthy. They were originally named The Rhythm Makers. They later changed their name to Mark V, and then – as members left – to The Mark IV, and eventually ending in the 1980s as The Mark IV Trio. The band appears to have recorded only as The Mark IV, however, and they had their biggest hit in 1959 with the novelty song, "I Got a Wife" (Mercury 71403). "I Got a Wife" was set to a lively polka beat, and reached No. 24 in US ''Billboard'' Hot 100 chart, and No. 14 on Canadian radio station CHUM's "Chum Chart". The song was later covered by Frankie Yankovic and other polka bands. Early success The B-side of "I Got a Wife" was "Ah-Ooo-Gah", a straight 1950s rocker, punctuated with an old-time car horn effect. Prior to "I Got a Wife," the group released at least two singles on Cosmic Records. One of these was "Goose Bumps" b/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Bandstand
''American Bandstand'', abbreviated ''AB'', is an American music-performance and dance television program that aired in various versions from 1952 to 1989, and was hosted from 1956 until its final season by Dick Clark, who also served as the program's producer. It featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run–D.M.C.—usually appeared in person to lip-sync one of their latest singles. Freddy Cannon holds the record for most appearances, at 110. The show's popularity helped Dick Clark become an American media mogul and inspired similar long-running music programs, such as '' Soul Train'' and British series ''Top of the Pops''. Clark eventually assumed ownership of the program through his Dick Clark Productions company. Background ''American Bandstand'' premiered locally in late March 1952 as ''Bandstand'' on Philadelphia television station WFIL-TV Channel 6 (n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Marterie
Ralph Marterie (24 December 1914 – 10 October 1978) was an Italian big-band leader born in Acerra (near Naples), Italy. Life and career Marterie first played professionally at age 14 in Chicago. In the 1940s, he played trumpet for various bands. His first job as a bandleader was courtesy of the US Navy during World War II. He was then hired by the ABC Radio network, and the reputation built from these broadcasts led to a recording contract in 1949 with Mercury Records. His highest success in the U.S. charts was a cover of "Skokiaan" in 1954. In 1953 he recorded a version of Bill Haley's "Crazy, Man, Crazy", which is generally regarded as one of the first rock and roll songs. His version of "Crazy, Man, Crazy" reached No. 13 on the Billboard jockey chart and No. 11 on Cashbox in June, 1953. His recordings of " Pretend" and " Caravan" also made the Top 10. "Caravan" sold over one million copies, and was awarded a gold disc. In 1957, he hit No. 25 on the ''Billboard'' Hot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Bloomfield
Michael Bernard Bloomfield (July 28, 1943 – February 15, 1981) was an American guitarist and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, as he rarely sang before 1969. Respected for his guitar playing, Bloomfield knew and played with many of Chicago's blues musicians before achieving his own fame and was instrumental in popularizing blues music in the mid-1960s. In 1965, he played on Bob Dylan's ''Highway 61 Revisited'', including the single "Like a Rolling Stone", and performed with Dylan at that year's Newport Folk Festival. Bloomfield was ranked No. 22 on Rolling Stone's list of "100 Greatest Guitarists of All Time" in 2003 and No. 42 by the same magazine in 2011. He was inducted into the Blues Hall of Fame in 2012 and, as a member of the Paul Butterfield Blues Band, was inducted into the Rock and Roll Hall of Fame in 2015. Early years Bloomfield ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Butterfield
Paul Vaughn Butterfield (December 17, 1942May 4, 1987) was an American blues harmonica player, singer and band leader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop. In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West, in San Francisco; the Fillmore East, in New York City; the Monterey Pop Festival; and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. After the breakup of the group in 1971, Butterfield continued to tour and record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Cetera
Peter Paul Cetera ( ; born September 13, 1944) is an American retired musician best known for being a lead vocalist and the bassist of the rock band Chicago from 1967 until his departure in 1985, before launching a successful solo career. His career as a recording artist encompasses 17 albums with Chicago and eight solo albums. With " If You Leave Me Now", a song written and sung by Cetera on the group's tenth album, Chicago garnered its first Grammy Award. It was also the group's first number one single. As a solo artist, Cetera has scored six Top 40 singles, including two that reached number one on ''Billboards Hot 100 chart in 1986, " Glory of Love" and "The Next Time I Fall". "Glory of Love", the theme song from the film ''The Karate Kid Part II'' (1986), was co-written by Cetera, David Foster, and Diane Nini, and was nominated for both an Academy Award and a Golden Globe Award for best original song from a motion picture. In 1987, Cetera received an ASCAP award for "Gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Campbell (singer-songwriter)
Richard S. Campbell (January 25, 1944 – April 25, 2002), was a US folk rock singer-songwriter and film producer. He is best known for his 1966 album ''Dick Campbell Sings Where It's At'', rated as "the sole masterpiece of the fake-Dylan field" Early career Born in Boston Massachusetts and raised in Monroe, Wisconsin, Campbell was a relatively obscure singer-songwriter, who had released a couple of singles and composed for others including Artie Sullivan and all 34 tracks on Ken Nordine's album ''Colors''. In 1965 he sent "a couple of ''Dylan-esque'' songs" to Mercury Records. Mercury were looking for an artist to compete with Bob Dylan who was signed to Columbia Records, so Mercury asked Campbell "to write ten more, come back in two weeks, and make an album." Mercury teamed Campbell up with the then unknown producer Lou Reizner, who used Mike Bloomfield and The Paul Butterfield Blues Band, who had previously backed Bob Dylan, to ensure the style was very similar to Dylan's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artist
United Artists Corporation (UA), currently doing business as United Artists Digital Studios, is an American digital production company. Founded in 1919 by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, the studio was premised on allowing actors to control their own interests, rather than being dependent upon commercial studios. UA was repeatedly bought, sold, and restructured over the ensuing century. Metro-Goldwyn-Mayer acquired the studio in 1981 for a reported $350 million ($ billion today). On September 22, 2014, MGM acquired a controlling interest in entertainment companies One Three Media and Lightworkers Media, then merged them to revive United Artists' television production unit as United Artists Media Group (UAMG). However, on December 14 of the following year, MGM wholly acquired UAMG and folded it into MGM Television. United Artists was again revived in 2018 as United Artists Digital Studios. Mirror, the joint distribution ventur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mairzy Doats
“Mairzy Doats” is a novelty song written and composed in 1943 by Milton Drake, Al Hoffman, and Jerry Livingston. It contains lyrics that make no sense as written, but are near homophones of meaningful phrases. The song's title, for example, is a homophone of "Mares eat oats". The song was first played on radio station WOR, New York, by Al Trace and his Silly Symphonists. It made the pop charts several times, with a version by the Merry Macs reaching No. 1 in March 1944. The song was also a number-one sheet music seller, with sales of over 450,000 within the first three weeks of release. The Merry Macs recording was Decca Records' best-selling release in 1944. Twenty-three other performers followed up with their own recordings in a span of only two weeks that year. Meaning The song's refrain, as written on the sheet music, seems meaningless: :''Mairzy doats and dozy doats and liddle lamzy divey'' :''A kiddley divey too, wouldn't you?'' However, the lyrics of the bridge pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
At The Hop
"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included a number 3 placing on the UK charts. The song returned to prominence after it was performed by rock and roll revival act Sha Na Na at the 1969 Woodstock Festival and featured in the 1973 coming-of-age teen comedy ''American Graffiti''. Musically, it is notable for combining several of the most popular formulas in 1950s rock'n'roll, the twelve-bar blues, boogie-woogie piano, and the 50s progression. The original version by Danny & the Juniors was included in Robert Christgau's "Basic Record Library" of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny And The Juniors
Danny & the Juniors are an American doo-wop and rock and roll vocal group from Philadelphia, Pennsylvania originally consisting of Danny Rapp, Dave White, Frank Maffei and Joe Terranova. Formed in 1955, they are most widely recognized for their 1957 hit single "At the Hop". 1950s Danny Rapp (lead), Frank Maffei (2nd tenor), Joe Terranova (baritone) (aka Joe Terry), and Dave White Tricker (first tenor) (aka Dave White) met at John Bartram High School and started singing together in the mid 1950s. Known as the Juvenaires at the time, they sang at school parties and other local events. Local record producer John Madara, took notice of them and introduced them to local DJs Larry Brown and Artie Singer, who had a record label known as Singular Records. In 1957, they recorded a John Madara and Dave White penned song "Do the Bop", recording the song as Johnny Madara and The Juvenaires. Singer took it to a fellow DJ named Dick Clark. Clark liked it and suggested changing their name to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
