The Maples (Rhinebeck, New York)
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The Maples (Rhinebeck, New York)
The Maples is a historic house located on 108 Montgomery Street in Rhinebeck (village), New York, Rhinebeck, New York. It was built in the 1830s in the Greek Revival architecture, Greek Revival architectural style, style. Three decades later, its exterior was remodeled, adding ornament (architecture), decoration in the picturesque mode. For decades, The Maples was used as medical offices. When the medical offices closed, the building was listed for sale, but remained empty for three years, falling into despair. In 2017, new owners purchased The Maples and began an extensive renovation, transforming the building into professional office suites. In 1987, it was listed on the National Register of Historic Places. Property The Maples is located on a grassy lot (real estate), lot with tall shade trees in the northern portion of the village, just across from the hospital complex. A shed is in the rear, and a stone wall runs along the front. Both are considered contributing property, ...
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Rhinebeck (village), New York
Rhinebeck is a village in the town of Rhinebeck in Dutchess County, New York, United States. The population was 2,657 at the 2010 census. It is part of the Poughkeepsie– Newburgh– Middletown, NY Metropolitan Statistical Area as well as the larger New York–Newark–Bridgeport, NY- NJ- CT- PA Combined Statistical Area. The postal ZIP code is 12572. U.S. Route 9 passes through the village. History Native American presence The Sepasco band of Native Americans lived in the area of today's Rhinebeck at the time white colonists arrived. Sepasco/Sepascot is derived from the word ''sepuus,'' which means little river or stream, and refers to the Landman's Kill stream whose ''cot'' or ''coot'', meaning mouth, opens onto the southwestern shoreline of present-day Rhinebeck. This was the watershed of the Sepascos. The Sepasco tribe had established a fertile stretch of land as a trail or tract leading from what is currently White School House Road to what later becam ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Mantelpiece
The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. ''Mantelpiece'' is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the ''chimneypiece'' was the most Ornament (architecture), ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened. Where the fireplace continues up the wall with an elaborate construction, as in historic grand buildings, this is known as an overmantel.''OED'' first citation, 1882. Mirrors and paintings designed to be hung above a mantel shelf may be called "mantel mirror", "mantel painting" and so on. History U ...
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Federal Style
Federal-style architecture is the name for the classicizing architecture built in the newly founded United States between 1780 and 1830, and particularly from 1785 to 1815, which was heavily based on the works of Andrea Palladio with several innovations on Palladian architecture by Thomas Jefferson and his contemporaries first for Jefferson's Monticello estate and followed by many examples in government building throughout the United States. An excellent example of this is the White House. This style shares its name with its era, the Federalist Era. The name Federal style is also used in association with furniture design in the United States of the same time period. The style broadly corresponds to the classicism of Biedermeier style in the German-speaking lands, Regency architecture in Britain and to the French Empire style. It may also be termed Adamesque architecture. The White House and Monticello were setting stones for federal architecture. In the early American repub ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Do ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ...
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Roof Pitch
Roof pitch is the steepness of a roof expressed as a ratio of inch(es) rise per horizontal foot (or their metric equivalent), or as the angle in degrees its surface deviates from the horizontal. A flat roof has a pitch of zero in either instance; all other roofs are pitched. A roof that rises 3 inches per foot, for example, would be described as having a pitch of 3 (or “3 in 12”). Description The pitch of a roof is its vertical 'rise' over its horizontal 'run’ (i.e. its span), also known as its 'slope'. In the imperial measurement systems, "pitch" is usually expressed with the rise first and run second (in the US, run is held to number 12; e.g., 3:12, 4:12, 5:12). In metric systems either the angle in degrees or rise per unit of run, expressed as a '1 in _' slope (where a '1 in 1' equals 45°) is used. Where convenient, the least common multiple is used (e.g., a '3 in 4' slope, for a '9 in 12' or '1 in 1 1/3'). Selection Considerations involved in selecting a roof ...
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Palladian Window
Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism. Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Pall ...
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Scroll Saw
A scroll saw is a small electric or pedal-operated saw used to cut intricate curves in wood, metal, or other materials. The fineness of its blade allows it to cut more delicately than a power jigsaw, and more easily than a hand coping saw or fretsaw. Like those tools, it is capable of creating curves with edges, by pivoting its table. The scroll saw's name derives from its traditional use in making scrollwork, sculptural ornaments which prominently featured scroll-head designs. Advantages While somewhat similar to a band saw, a scroll saw uses a reciprocating blade rather than a continuous loop. Like a hand coping saw, the scroll saw's blade can be removed and placed through a pre-drilled starting hole, allowing interior cutouts to be made without an entry slot. Also, the fineness in both width and tooth count of a scroll's blade permits significantly more intricate curves than even the narrowest gauge band-saw blade. The majority of scroll saws offer a small light on a flexi ...
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Bracket (architecture)
A bracket is an architectural element: a structural or decorative member. It can be made of wood, stone, plaster, metal, or other media. It projects from a wall, usually to carry weight and sometimes to "...strengthen an angle". A corbel or console are types of brackets. In mechanical engineering a bracket is any intermediate component for fixing one part to another, usually larger, part. What makes a bracket a bracket is that it is intermediate between the two and fixes the one to the other. Brackets vary widely in shape, but a prototypical bracket is the L-shaped metal piece that attaches a shelf (the smaller component) to a wall (the larger component): its vertical arm is fixed to one (usually large) element, and its horizontal arm protrudes outwards and holds another (usually small) element. This shelf bracket is effectively the same as the architectural bracket: a vertical arm mounted on the wall, and a horizontal arm projecting outwards for another element to be attached o ...
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