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The Mancini Touch
''The Mancini Touch'' is a 1960 album by American composer and arranger Henry Mancini. Reception Greg Adams reviewed the album for Allmusic and wrote that "The result is a carefully arranged album on which the soloists occasionally improvise". "Free and Easy" written for the Sal Mineo film ''Rock, Pretty Baby'' "...speaks to his popular focus in spite of the jazz trappings" and "Bijou" anticipates "the sound of "Baby Elephant Walk" and "The Pink Panther Theme"" Adams felt that the depiction of Mancini on the cover of the album as a "puppeteer controlling dancers", anticipated the "development of Muzak in the late '60s" with the "belief in the power of music to manipulate mood and action". The initial ''Billboard'' magazine review from January 25, 1960 commented that "Henry Mancini proves on this fine new album that he can do more than the music for "Peter Gun" with this very attractive big band waxing that could turn into another best-seller. The outstanding Mancini arrangemen ...
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Henry Mancini
Henry Mancini ( ; born Enrico Nicola Mancini, ; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995. His works include the theme and soundtrack for the ''Peter Gunn'' television series as well as the music for ''The Pink Panther'' film series ("The Pink Panther Theme") and " Moon River" from '' Breakfast at Tiffany's''. ''The Music from Peter Gunn'' won the inaugural Grammy Award for Album of the Year. Mancini enjoyed a long collaboration in composing film scores for the film director Blake Edwards. Mancini also scored a No. 1 hit single during the rock era on the Hot 100: his arrangement and recording of the " Love Theme from ''Romeo and Juliet''" spent two weeks at the top, starting with the week ending June 28, 1969. Early ...
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Trav'lin' Light (song)
"Trav'lin' Light" is a 1942 song composed by Trummy Young and Jimmy Mundy with lyrics by Johnny Mercer. Background When Whiteman and his band arrived at Capitol Records' studio for a recording session, Trummy Young brought along his girlfriend, Billie Holiday. Songwriter Johnny Mercer, one of the co-founders of the new label, discovered that Young had a newly written tune with him. Mercer quickly wrote lyrics for it and gave it a title so Holiday could record it with the band. The record label identified the singer as 'Lady Day,' Holiday's nickname, because she was under contract with another label. Chart performance In 1942, with vocals by Billie Holiday, Paul Whiteman hit number one on the Harlem Hit Parade charts for three non consecutive weeks. The song also hit the pop charts at number 23 for one week. The Paul Whiteman release lists Billie Holiday as "Lady Day". The trombone is played by Skip Layton. The recording was also re-released as a V-Disc V-Disc ( "V" for Vict ...
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Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ...
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Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Arrangements
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces. ...
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Bob Haymes
Robert William Haymes (March 29, 1923 – January 27, 1989), also known by the stage names Robert Stanton and Bob Stanton, was an American singer, songwriter, actor and radio and television host. He is best remembered for co-writing the song " That's All", part of the Great American Songbook. He was the younger brother of singer and actor Dick Haymes.Solid! biography of Bob Haymes


Early life

Haymes was born in . His mother was Marguerite Wilson, an American of Irish descent. Benjamin Haymes, from Buenos Aires, Argentina was of ...
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That's All (1952 Song)
"That's All" is a 1952 song written by Alan Brandt with music by Bob Haymes. It has been covered by many jazz and blues artists. The first recording, by Nat King Cole in 1953, achieved some popularity but was not among that year's top 20 songs. It was Bobby Darin's version from his 1959 album of the same title that introduced the song to a wider audience, and it has since become a jazz standard. The song is part of the Great American Songbook, and Alec Wilder included it in his book ''American Popular Song: The Great Innovators, 1900–1950'', even though it was composed two years after that period. Wilder gave two reasons for making this exception: (1) “it is one of the last free-flowing, native, and natural melodies in the grand pop style”; (2) “it went through no initial hit phase but became an immediate standard”. Cover versions *Edie Adams on the final episode of ''The Lucy–Desi Comedy Hour'' (1960) *Michael Bublé on ''Michael Bublé (2003) *Ceil Clayton on ''Ce ...
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Charles Thompson (jazz)
Charles Phillip Thompson (March 21, 1918 – June 16, 2016) was an American swing and bebop pianist, organist, composer, and arranger. Early life Thompson was born in Springfield, Ohio, United States, on March 21, 1918.DeVeaux, Scott; Kernfeld, Barr"Thompson, Sir Charles."''The New Grove Dictionary of Jazz'' (2nd ed.). Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved July 7, 2015. His father was a minister and his stepmother played the piano. "He first studied violin and briefly played tenor saxophone, but took up piano as a teenager." He moved with his family to Parsons, Kansas, in the southeastern part of the state. Later Thompson attended a Kansas City high school. By the age of twelve, Thompson was playing private parties with Bennie Moten and his band in Colorado Springs, Colorado. During this time, Count Basie played off and on with Moten's band. During a show, Basie called Thompson up to perform. He was dubbed "Sir Charles Thompson" by Lester ...
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Bob Russell (songwriter)
Bob Russell (April 25, 1914 – February 18, 1970) was an American songwriter (mainly lyricist) born Sidney Keith Rosenthal in Passaic, New Jersey. Career Russell attended Washington University in St. Louis, Missouri. He worked as an advertising copywriter in New York; for a time, his roommate there was Sidney Sheldon, later a novelist. He turned to writing material for vaudeville acts, and then for film studios, ultimately writing complete scores for two movies: ''Jack and the Beanstalk (1952 film), Jack and the Beanstalk'' and ''Reach for Glory''. The latter film received the Locarno International Film Festival prize in 1962. A number of other movies featured compositions by Russell, including ''Affair in Trinidad'' (1952), ''The Blue Gardenia, Blue Gardenia'' (1953), ''The Girl Can't Help It'' (1956), ''The Girl Most Likely'' (1957), ''A Matter of WHO'' (1961), ''Abbott and Costello Meet Captain Kidd'' (1952), ''Sound Off (film), Sound Off'' (1952), ''That Midnight Kiss'' (1949 ...
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Illinois Jacquet
Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument. Early life Jacquet's parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet,The Sons and Daughters of Jean Baptiste Jacquet (1995) When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton pl ...
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Claude Thornhill
Claude Thornhill (August 10, 1908 – July 1, 1965) was an American pianist, arranger, composer, and bandleader. He composed the jazz and pop standards "Snowfall" and "I Wish I Had You". Early years Thornhill was the son of J. Chester Thornhill and his wife, Maude. When he was 11 years old, he played piano professionally. While still a youth, he played with two local combos. As a student at Garfield High School in Terre Haute, he played with several theater bands. Thornhill entered the Cincinnati Conservatory of Music at the age of 16. He also studied at the Curtis Institute of Music in Philadelphia. Career As a youth, he was recognized as an extraordinary talent and formed a traveling duo with Danny Polo, a musical prodigy on the clarinet and trumpet from nearby Clinton, Indiana. He and clarinetist Artie Shaw started their careers at the Golden Pheasant in Cleveland, Ohio, with the Austin Wylie Orchestra. Thornhill and Shaw went to New York together in 1931. Thornhill went to ...
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