The Man Of Newmarket
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The Man Of Newmarket
''The Man of Newmarket'' is a 1678 comedy play by the English writer Edward Howard. It was first staged at the Theatre Royal, Drury Lane by the King's Company. The original cast featured John Wiltshire as Passal, Nicholas Burt as Maldrin, Martin Powell as Nonsuch, Joseph Haines as Whiffler, Thomas Clark as Swiftspur, Cardell Goodman as Trainsted, Philip Griffin as Bowser, Carey Perin as Plodwell, Michael Mohun as Breakbond, John Coysh as Pricknote, Mary Corbett as Clevly and Katherine Corey Katherine Corey ( fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one ... as Quickthridt.Van Lennep p.268 References Bibliography * Nicoll, Allardyce. ''History of English Drama, 1660-1900: Volume 1, Restoration Drama, 1660-1700''. Cambridge University Press, 1952. * Van Lennep, W. ''The London Stage, 1660- ...
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Edward Howard (playwright)
Edward Howard (baptised 1624 – 1712) was an English dramatist and author of the Restoration era. He was the fifth son of Thomas Howard, 1st Earl of Berkshire, and one of four playwriting brothers: Sir Robert Howard, Colonel Henry Howard, and James Howard were the others. The brothers were sometimes confused in their own era, and Edward was sometimes given credit for his brother Henry's play ''The United Kingdoms''. Biography Edward Howard was christened on 2 November 1624, at St. Martin-in-the-Fields. Howard had a reputation as an exacting and difficult author. In their famous satire '' The Rehearsal'', the Duke of Buckingham and his collaborators mocked Howard for being demanding and contentious during the actors' rehearsals of his plays. Howard himself acknowledged his reputation; he wrote a Prologue to his ''Man of Newmarket'' in which the actors Robert Shatterell and Joseph Haynes criticize Howard for not allowing cuts or improvisations in his dramas. Howard complai ...
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Cardell Goodman
Cardell Goodman (also Cardonell) (1649?–1699) was an English actor and adventurer, now known as a Jacobitism, Jacobite conspirator. Early life He was son of a clergyman of the same name at one time in Shaftesbury, Dorset, and on 18 March 1651 removed from the benefice of Freshwater, Isle of Wight, by order of the council of state. The son went to St. John's College, Cambridge, and proceeded B.A. in 1670. According to his own account, as related by Colley Cibber, he was expelled from the university as one of the hot-heads who cut and defaced a picture of the Duke of Monmouth, then chancellor of the university. Goodman was then in London, and became one of the pages of the back-staircase to Charles II, but after five years' service he was dismissed for negligence. He inherited £2,000 on his father's death, but squandered it. Actor Goodman then attached himself to the king's company at Theatre Royal, Drury Lane, Drury Lane Theatre, and made a stage appearance as Polysperchon in ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1678 Plays
Events January–March * January 10 – England and the Dutch Republic sign a mutual defense treaty in order to fight against France. * January 27 – The first fire engine company (in what will become the United States) goes into service. * February 18 – The first part of English nonconformist preacher John Bunyan's Christian allegory, ''The Pilgrim's Progress'', is published in London. * March 21 – Thomas Shadwell's comedy ''A True Widow'' is given its first performance, at The Duke's Theatre in London, staged by the Duke's Company. * March 23 – Rebel Chinese general Wu Sangui takes the imperial crown, names himself monarch of "The Great Zhou", based in the Hunan report, with Hengyang as his capital. He contracts dysentery over the summer and dies on October 2, ending the rebellion against the Kangxi Emperor. * March 25 – The Spanish Netherlands city of Ypres falls after an eight-day siege by the French Army. It is later returned ...
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Katherine Corey
Katherine Corey ( fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one of the longest careers of any actress in her generation. In "The humble petition of Katherine Corey" (see below), she stated that she "was the first and is the last of all the actresses that were constituted by King Charles the Second at His Restauration." Correy started her career under her maiden name, Mitchell, but was Mrs. Corey by 1663. "Mrs Corey was a big woman with a gift for comedy. She was popular in a variety of roles, but especially in old women parts: scolding wives, mothers, governesses, waiting women, and bawds." In his Diary, Samuel Pepys Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most ...
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Mary Corbett
Mary Corbett was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. She appears to have left the company around the time of the merger creating the new United Company.Highfill, Burnim & Langhans p.486-487 Her name is sometimes written as Mary Corbet. Selected roles * Mrs Dainty Fidget in '' The Country Wife'' by William Wycherley (1675) * King Andrew in ''Psyche Debauched'' by Thomas Duffet (1675) * Melesinda in '' Aureng-zebe'' by John Dryden (1675) * Narcissa in ''Gloriana'' by Nathaniel Lee (1676) * Clevly in '' The Man of Newmarket'' by Edward Howard (1678) * Monima in ''Mithridates, King of Pontus'' by Nathaniel Lee (1678) * Sabina in '' Trick for Trick'' by Thomas D'Urfey (1678) * Gratiana in '' Sir Barnaby Whigg'' by Thomas D'Urfey Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator ...
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John Coysh
John Coysh was an English stage actor of the seventeenth century. He was a member of the King's Company, based at the Theatre Royal, Drury Lane. He first headed a nursery of young actors at Hatton Garden, including the future star Sarah Cooke. He also led a travelling troupe of actors to provincial theatres around Britain. The playwright Elkanah Settle helped produced drolls for the group to perform. From 1671 he was an established performer at Drury Lane. However his career on the London stage appears to have ended with the creation of the merged United Company in 1682. Highfill, Burnim & Langhans p. 21 Selected roles * Muly Labas in ''The Empress of Morocco'' by Elkanah Settle (1673) * Mingo in ''The Spanish Rogue'' by Thomas Duffet (1673) * Plautus in ''Nero'' by Nathaniel Lee (1674) * Riccamare in ''The Amorous Old Woman'' by Thomas Duffet (1674) * Jeffrey in ''Psyche Debauched'' by Thomas Duffet (1675) * Aristander in ''The Rival Queens'' by Nathaniel Lee (1677) * Physician i ...
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Michael Mohun
Michael Mohun (1616? – buried 11 October 1684) was a leading English actor both before and after the 1642–60 closing of the theatres. Mohun began his stage career as a boy player filling female roles; he was part of Christopher Beeston's theatrical establishment at the Cockpit Theatre, "eventually becoming a key member of Queen Henrietta's Men." For the period from 1642 to 1659, Mohun was an officer in military units loyal to the House of Stuart; he served in England, Ireland, and the Low Countries, and rose to the rank of major. He was seriously wounded at Dublin, and was a prisoner of war for two extended periods. At the end of the English Interregnum, Mohun was one of the men — George Jolly and John Rhodes were others — who attempted to restart dramatic performance. In 1659 Mohun performed with other pre- Commonwealth actors in an unlicensed troupe at the Red Bull Theatre. As the manager of the troupe, Mohun came to an agreement with the Master of the Revels ...
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Carey Perin
Carey Perin (occasionally written as Perrin) was an English stage actor of the seventeenth century. He was a long-standing member of the King's Company based at the Theatre Royal, Drury Lane.Wilson p.23 He then joined the merged United Company in 1682. His last known role was in Thomas Southerne's ''The Maid's Last Prayer''. Selected roles * Cicco in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Meleager in ''The Rival Queens'' by Nathaniel Lee (1677) * Zannazarro in '' Wits Led by the Nose'' by William Chamberlayne (1677) * Plodwell in '' The Man of Newmarket'' by Edward Howard (1678) * Physician in '' Trick for Trick'' Thomas D'Urfey (1678) * Sir Geoffrey Jolt in ''The Rambling Justice'' by John Leanerd (1678) * Old Gentlewoman in ''The Country Innocence'' by John Leanerd (1678) * Benedick in '' Sir Barnaby Whigg'' by Thomas D'Urfey (1681) * Meroin in '' The Heir of Morocco'' by Elkanah Settle (1682) * Labienus in ''Constantine the Great'' by Nathaniel Lee (1683) * Long ...
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Philip Griffin
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.Highfill, Burnim & Langhans p.369-71 Selected roles * Sanchez in ''The Spanish Rogue'' by Thomas Duffett (1673) * Laula in ''The Empress of Morocco'' by Thomas Duffett (1673) * Caligula's Ghost in ''Nero'' by Nathaniel Lee (1674) * Menander in ''Sophonisba'' by Nathaniel Lee (1675) * Grimani in '' Love in the Dark'' by Francis Fane (1675) * Mecaenas in ''Gloriana'' by Nathaniel Lee (1676) * Vernish in ''The Plain Dealer'' by William Wycherley (1676) * Rash in ''The Country Innoce ...
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Thomas Clark (actor)
Thomas Clark was an English stage actor of the seventeenth century. He was a long-standing member of the King's Company, based at the Theatre Royal, Drury Lane in London, from 1670 onwards.Highfill, Burnim & Langhans p.299-300 He was part of the group of actors who briefly left for Edinburgh in 1679 after a dispute with the management of the company. Selected roles * Drusillus in ''Nero'' by Nathaniel Lee (1674) * Massina in ''Sophonisba'' by Nathaniel Lee (1675) * Novell in ''The Plain Dealer'' by William Wycherley (1675) * Woossat in ''Psyche Debauched'' by Thomas Duffett (1675) * Ovid in ''Gloriana'' by Nathaniel Lee (1676) * Hephestion in ''The Rival Queens'' by Nathaniel Lee (1677) * Dollabella in '' All for Love'' by John Dryden (1677) * Aldernold in ''King Edgar and Alfreda'' by Edward Ravenscroft (1677) * Swiftspur in ''The Man of Newmarket'' by Edward Howard (1678) * Franck in '' Trick for Trick'' by Thomas D'Urfey (1678) * Aquilius in ''Mithridates, King of Pontus'' by N ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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