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The Magic Touch (album)
''The Magic Touch'' is a 1962 album by jazz pianist and arranger Tadd Dameron and His Orchestra, released on Riverside Records. It was also Dameron's final completed work before his passing three years later. The ''Allmusic Review'' of the line-up says that "one has to be in awe of them, and that only Dameron was able to convene such a band of extraordinary jazz performers in their prime." Nastos, Michael G.at Allmusic. The album has since been reissued many times on Original Jazz Classics, most recently in 2008. Reception In his ''Down Beat'' magazine review critic John S. Wilson awarded the album three stars and wrote: "Although Dameron's arrangements are, for the most part, designed as settings for soloists, neither the soloists nor the arrangements generate much interest." Track listing All songs composed by Dameron except where noted. # "On a Misty Night" # "Fontainebleau" # "Just Plain Talkin'" # " If You Could See Me Now" (Dameron, Sigman) # "Our Delight" # "Dial B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording '' The Genius of Ray Charles'' (1959). Career He began in Los Angeles as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the American Broadcasting Company. He went on to play in The Tonight Show Band and can be heard on the Miles Davis albums '' Miles Ahead'' (1957), ''Porgy and Bess'' (1958), and ''Sketches of Spain'' (1960). Death A resident of Teaneck, New Jersey, Royal died of cancer at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Evans
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continues to influence jazz pianists today. Born in Plainfield, New Jersey, United States, he was classically trained at Southeastern Louisiana University and the Mannes School of Music, in New York City, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded '' Kind of Blue'', the best-selling jazz album ever. In late 1959, Evans left the Miles Davis band and began his career as a leader, with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tate Houston
Tate Houston (November 30, 1924 – October 18, 1974) was a Detroit-based American baritone and tenor saxophonist. He played with Lionel Hampton's band and in 1946, he recorded with the Billy Eckstine band. In 1947, he played with Sonny Stitt and Milt Jackson, with whom he would continue to play, and record, into the early 1960s, and in 1948, he recorded with JC Heard’s septet in a horn section comprising Joe Newman, Bennie Green, and Wardell Gray. In February 1949, he recorded as part of the Hal Singer Sextet, which included Chippy Outcalt, Walter Buchanan, George “Butch” Ballard, and in April and June that year, he played on NY recording sessions for RCA Victor, backing Big John Greer. Musicians at those sessions were Frank Galbreath (trumpet), Zolman "Pork" Cohen (trombone), Tony Scott (clarinet), Big John Greer (tenor saxophone, vocals), Houston (on baritone and tenor saxes), Leroy Lovett (piano), Danny Perri (guitar), Henry Holmes (bass) and Art Blakey (drums) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Griffin
John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music. Early life and career Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker's brother. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Richardson
Jerome Richardson (November 15, 1920 – June 23, 2000) was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band. Richardson was born in Oakland, California, and died in Englewood, New Jersey, of heart failure at the age of 79. Discography As leader * '' Midnight Oil'' (New Jazz, 1959) * '' Roamin' with Richardson'' (New Jazz, 1959) * ''Going to the Movies'' (United Artists, 1962) * '' Groove Merchant'' (Verve, 1967) * ''Jazz Station Runaway'' (TCB, 1997) As sideman * 1955: Oscar Pettiford: '' Another One'' (Bethlehem) * 1955: Kenny Clarke: ''Bohemia After Dark'' (Savoy) * 1955: Ernie Wilkins: '' Flutes & Reeds'' (Savoy) with Frank Wess * 1955: Nat Adderley: '' That's Nat'' (Savoy) * 1955: Sarah Vaughan: '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Wright
Leo Wright (December 14, 1933 in Wichita Falls, Texas – January 4, 1991 in Vienna) was an American jazz musician who played alto saxophone, flute and clarinet. He played with Charles Mingus, Booker Ervin, John Hardee, Kenny Burrell, Johnny Coles, Blue Mitchell and Dizzy Gillespie in the late 1950s, early 1960s and in the late 1970s. Relocating to Europe in 1963, Wright settled in Berlin and later Vienna. During this time he performed and recorded primarily in Europe, using European musicians or fellow American expatriates, such as Kenny Clarke and Art Farmer. He died of a heart attack in 1991 at the age of 57. Discography As leader/co-leader * ''Blues Shout'' (Atlantic, 1960) * '' Suddenly the Blues'' (Atlantic, 1961) * '' Soul Talk'' (Vortex, 1963) * ''Modern Jazz Studio Number 4'' (Amiga, 1965 970 * ''Flute + Alto – Sax'' (Amiga, 1965 967 *''Alto Summit'' ( MPS, 1968) with Lee Konitz, Pony Poindexter and Phil Woods * ''It's All Wright'' (MPS, 1972) * ''Evening Breeze'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Dodgion
Jerry Dodgion (born August 29, 1932) is an American jazz saxophonist and flautist. Dodgion was born in Richmond, California. He played alto sax in middle school and began working locally in the San Francisco area in the 1950s. He played in bands with Rudy Salvini, John Coppola/ Chuck Travis and Gerald Wilson and worked with the Vernon Alley Quartet, who accompanied Billie Holiday in 1955. He played with Gerald Wilson from 1953 to 1955, Benny Carter in the 1950s, Red Norvo from 1958 to 1961, Benny Goodman (for his 1962 tour of the Soviet Union), Oliver Nelson, Thad Jones and Mel Lewis (from 1965-1979), Herbie Hancock, Duke Pearson, Blue Mitchell, Count Basie, and Marian McPartland. Dodgion was married to drummer/singer Dottie Dodgion for 20 years. Dodgion had a long career as a sideman, recording up to 2004 only two dates as leader or co-leader: two tracks in 1955 for Fantasy Records with Sonny Clark on piano and an album in 1958 for World Pacific with Charlie Mariano. Dodgion's f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Watkins
Julius Watkins (October 10, 1921 – April 4, 1977) was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the ''Down Beat'' critics poll in 1960 and 1961 for Miscellaneous Instrument. Life and career Watkins was born in Detroit, Michigan, United States. He began playing the French horn when he was nine years old. Watkins began his career in jazz playing the trumpet in the Ernie Fields Orchestra from 1943 to 1946. By the late 1940s, he had played some French horn solos on recording sessions led by Kenny Clarke and Babs Gonzales. After moving to New York City, Watkins studied for three years at the Manhattan School of Music. He started appearing in small-group jazz sessions, including two led by Thelonious Monk, featuring on "Friday the 13th" on the album ''Thelonious Monk and Sonny Rollins'' (1954). Watkins recorded with many other jazz musicians, including John Coltrane, Freddie Hubbard, Charle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britt Woodman
Britt Woodman (June 4, 1920 – October 13, 2000) was an American jazz trombonist. Career Woodman was a childhood friend of Charles Mingus, but first worked with Phil Moore and Les Hite. After service in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946. During the 1950s he worked with Ellington. As a member of Ellington's band he can be heard on '' Such Sweet Thunder'' (1957), ''Ella Fitzgerald Sings the Duke Ellington Song Book'' (also 1957), '' Black, Brown, and Beige'' (1958) and '' Ellington Indigos'' (1958). In 1960 he left Ellington to work in a pit orchestra. Later he worked with Mingus and can be heard on the album ''Mingus Mingus Mingus Mingus Mingus'' (1963). In the 1970s, he led his own octet and worked with pianist Toshiko Akiyoshi. In 1989, he was in the personnel for the album ''Epitaph'' dedicated to the previously unrecorded music of Charles Mingus. He died in Hawthorne, California at the age of 80, having suffered severe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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