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The Lottery (play)
''The Lottery'' is a play by Henry Fielding and was a companion piece to Joseph Addison's ''Cato''. As a ballad opera, it contained 19 songs and was a collaboration with Mr Seedo, a musician. It first ran on 1 January 1732 at the Theatre Royal, Drury Lane. The play tells the story of a man in love with a girl. She claims she has won a lottery, however, making another man pursue her for the fortune and forcing her original suitor to pay off the other for her hand in marriage, though she does not win. ''The Lottery'' mocks the excitement of the lottery and those who sell, rent, or purchase tickets. It was highly successful and set the tone for Fielding's later ballad operas. The play was altered on 1 February 1732 and this revised edition was seen as a great improvement. Background After Fielding returned to work for the Theatre Royal, Drury Lane, he wrote ''The Lottery''. It was a companion piece, in the form of ballad opera, that first ran on 1 January 1732 alongside of Addiso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fielding
Henry Fielding (22 April 1707 – 8 October 1754) was an English novelist, irony writer, and dramatist known for earthy humour and satire. His comic novel '' Tom Jones'' is still widely appreciated. He and Samuel Richardson are seen as founders of the traditional English novel. He also holds a place in the history of law enforcement, having used his authority as a magistrate to found the Bow Street Runners, London's first intermittently funded, full-time police force. Early life Fielding was born 22 April 1707 at Sharpham, Somerset, and educated at Eton College, where he began a lifelong friendship with William Pitt the Elder. His mother died when he was 11. A suit for custody was brought by his grandmother against his charming but irresponsible father, Lt Gen. Edmund Fielding. The settlement placed Henry in his grandmother's care, but he continued to see his father in London. In 1725, Henry tried to abduct his cousin Sarah Andrews (with whom he was infatuated) while she was on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Jackson
Shirley Hardie Jackson (December 14, 1916 – August 8, 1965) was an American writer known primarily for her works of horror and mystery. Over the duration of her writing career, which spanned over two decades, she composed six novels, two memoirs, and more than 200 short stories. Born in San Francisco, California, Jackson attended Syracuse University in New York, where she became involved with the university's literary magazine and met her future husband Stanley Edgar Hyman. After they graduated, the couple moved to New York and began contributing to ''The New Yorker,'' with Jackson as a fiction writer and Hyman as a contributor to "Talk of the Town". The couple settled in North Bennington, Vermont, in 1945, after the birth of their first child, when Hyman joined the faculty of Bennington College. After publishing her debut novel ''The Road Through the Wall'' (1948), a semi-autobiographical account of her childhood in California, Jackson gained significant public attention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Addison
Joseph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was the eldest son of The Reverend Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard Steele, with whom he founded ''The Spectator'' magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century. Life and work Background Addison was born in Milston, Wiltshire, but soon after his birth his father, Lancelot Addison, was appointed Dean of Lichfield and the family moved into the cathedral close. His father was a scholarly English clergyman. Joseph was educated at Charterhouse School, London, where he first met Richard Steele, and at The Queen's College, Oxford. He excelled in classics, being specially noted for his Latin verse, and became a fellow of Magdalen College. In 1693, he addressed a poem to John Dryden, and his first major work, a book of the lives of Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Opera
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported ''opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seedo
Seedo (also Sidow) (c. 1700 – c. 1754), also called Mr Seedo, as his forename is unknown, was a German composer who worked primarily in England until 1736 when he became musical director to Friedrich Wilhelm I of Prussia. Life Seedo was a son of Samuel Peter Sidow, a musician employed by the Elector of Brandenburg. By the mid-1720s, Seedo was working at the Little Theatre in London's Haymarket. On 27 September 1727 he married the singer Maria Manina, who had small parts in London’s Italian operas beginning in 1711, including Handel's ''Teseo''. Between 1731 and 1734, Seedo worked on Drury Lane imitations. He wrote several successful stage works, of which his ballad opera ''The Devil to Pay'' was the most successful. When the work was first performed on stage it was a failure, but when the composer cut it significantly, from a full opera of 42 airs to an afterpiece of sixteen airs, it became a hit. Apart from ''The Beggar's Opera'', ''The Devil to Pay'' was by far the most popu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kitty Clive
Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English musical theatre. She was celebrated both in high-style parts – singing, for instance, Handel’s music for her in ''Messiah'', ''Samson'', and ''The Way of the World'' – and in low-style ballad opera roles. Her likeness was printed and traded in unprecedented volume. She championed women’s rights throughout her career. An image crisis in the late 1740s forced Clive to quit serious song and instead lampoon herself on stage. Though this self-ridicule won Clive public favour back, and she reigned as first comedienne until her retirement in 1769, the strategy’s very success caused her musical legacy to be slighted and forgotten. A definitive biography of Clive by Berta Joncus appeared in 2019. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophilus Cibber
Theophilus Cibber (25 or 26 November 1703 – October 1758) was an English actor, playwright, author, and son of the actor-manager Colley Cibber. He began acting at an early age, and followed his father into theatrical management. In 1727, Alexander Pope satirized Theophilus Cibber in his ''Dunciad'' as a youth who "thrusts his person full into your face" (III 132). On the stage, he was famous for playing Pistol in '' Henry IV, Part 2'', and some of the comic roles his father had played when younger, but unsympathetic critics accused him of overemphasis.Barker, p. 166 His private life later led Theophilus into bad reputation and scandal. He died in a shipwreck while bound for Ireland and a season in Dublin. Early life and career Theophilus Cibber was born during the Great Storm of 1703 and began acting in the Drury Lane Theatre at the age of 16 in 1721.Barker, p. 165 As a young man, Cibber was a notorious rake, and associated with young men of a similar mind and reputation, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Harper (actor)
John Harper (died 1742) was an English actor. He was known for comic parts. Life Harper originally performed at Bartholomew Fair and Southwark Fair; a performance for his benefit at William Bullock's booth in Birdcage Alley, consisting of '' The Jew of Venice'', songs and dances, and the drunken man by Harper, was announced in ''The Daily Courant'' of 24 September 1719. On 7 November 1719 at Lincoln's Inn Fields Harper was the original Montmorency in Charles Beckingham's ''Henry IV of France''. He remained at Lincoln's Inn Fields until 1721.Playing among other parts Dr. Caius in the ''Merry Wives of Windsor'', and Ajax in ''Troilus and Cressida''. On 27 October 1721 his name appears as Sir Epicure Mammon in ''The Alchemist'' at Drury Lane. Here he remained for eleven years, taking parts for a low comedian. For some years he was the Falstaff of Drury Lane, and was more popular in the part than his rival James Quin. He also played the king in '' King Henry VIII'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philological Quarterly
The ''Philological Quarterly'' is a peer-reviewed academic journal covering research on medieval European and modern literature and culture. It was established in 1922 by Hardin Craig. The inaugural issue of the journal was made available at sixty cents per copy and included articles on Chaucer, Henry Fielding, and Shakespeare, among others. Berthold Ullman served with three colleagues on the original board of associate editors. Bill Kupersmith guided the journal through disciplinary reorganizations and changing academic norms during his thirty-year service as editor of the journal. The current editor-in-chief An editor-in-chief (EIC), also known as lead editor or chief editor, is a publication's editorial leader who has final responsibility for its operations and policies. The highest-ranking editor of a publication may also be titled editor, managing ... is Eric Gidal. References External links * Publications established in 1922 Quarterly journals University of Io ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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