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The Lodger (opera)
''The Lodger'' is an opera in two acts composed by Phyllis Tate. The libretto is by David Franklin, after the 1913 novel of the same name by Marie Belloc Lowndes. The opera was commissioned by the Royal Academy of Music, with a grant from the William Manson Fund, and the premiere took place there on 16 July 1960. Writing history The opera took three years to write, and the planning and libretto-writing took longer than the composing. Tate started with a synopsis, and after Franklin had turned it into a libretto, she acknowledged that "his great experience as a singer at Glyndebourne and Covent Garden has been of enormous help to me." Originally, the first scene would have lasted for eight hours, but "we managed to whittle it down so that the whole opera lasts a mere two and a quarter hours now." Roles Synopsis Emma Bunting, a poverty-stricken landlady in Victorian London, takes in a gentlemanly lodger who gives financial help to her and her husband George. Slowly it emerges ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Northern College Of Music
The Royal Northern College of Music (RNCM) is a conservatoire located in Manchester, England. It is one of four conservatoires associated with the Associated Board of the Royal Schools of Music. In addition to being a centre of music education, RNCM is one of the UK's busiest and most diverse public performance venues. History The RNCM has a history dating back to the 19th century and the establishment of the Royal Manchester College of Music (RMCM). In 1858, Sir Charles Hallé founded the Hallé orchestra in Manchester, and by the early 1890s had raised the idea of a music college in the city. Following an appeal for support, a building on Ducie Street was secured, Hallé was appointed Principal and Queen Victoria conferred the Royal title. The RMCM opened its doors to 80 students in 1893, rising to 117 by the end of the first year. Less than four decades later, in 1920, the Northern School of Music was established (initially as a branch of the Matthay School of Music), and fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camden Festival
Camden Festival was an annual spring festival founded in 1954 and held in London, England. Originally, it was named the St Pancras Festival until 1965. It continued until 1987. The festival specialised in the revival of long-forgotten operas, some of which subsequently made their way back into the repertory. Performances were given at St Pancras Town Hall until 1969, and thereafter at the Bloomsbury Theatre (formerly Collegiate Theatre). Among now well-known singers who appeared in the Festival was the young Kiri Te Kanawa who sang Elena in Rossini's '' La donna del lago'' in 1969 prior to joining the Covent Garden Opera in 1970. The Camden Festival was superseded by the Bloomsbury Festival Camden Festival was an annual spring festival founded in 1954 and held in London, England. Originally, it was named the St Pancras Festival until 1965. It continued until 1987. The festival specialised in the revival of long-forgotten operas, some ... in 1988. Today, the festival consists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrita Records
Lyrita is a British classical music record label, specializing in the works of British composers. Lyrita began releasing LPs in October 1959 as Lyrita Recorded Edition for sale by mail order subscription. The founder of the company, Richard Itter (5 April 1928 - 1 March 2014) of Burnham, Buckinghamshire, was a businessman and record collector. Having heard many poor records, he determined to make only good ones. Lyrita concentrated on the work of United Kingdom composers. At first this consisted of the piano music of Arnold Bax, Gordon Jacob, E.J. Moeran and Michael Tippett amongst others. The earliest recordings were made in the music room of Itter's home. Itter was responsible for the engineering, production, and editing of the recordings. If he managed to sell 100 copies Itter was able to break even. RCS.2 was the first catalog number, and Gordon Jacob wrote a composition specifically for this album, "Elegy for Piano and Cello", to fill out the programme on the disc. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Groves
Sir Charles Barnard Groves CBE (10 March 191520 June 1992) was an English conductor. He was known for the breadth of his repertoire and for encouraging contemporary composers and young conductors. After accompanying positions and conducting various orchestras and studio work for the BBC, Groves spent a decade as conductor of the Bournemouth Symphony Orchestra. His best-known musical directorship was of the Royal Liverpool Philharmonic Orchestra, beginning in 1963, with which he made most of his recordings. From 1967 until his death, Groves was associate conductor of the Royal Philharmonic Orchestra, and in the 1970s he was one of the regular conductors of the Last Night of the Proms. He also served as president of the National Youth Orchestra from 1977, and, during the last decade of his life, as guest conductor for orchestras around the world. Life and career Early years Groves was born in London, the only child of Frederick Groves and Annie (née Whitehead). Groves b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Owen Brannigan
Owen Brannigan OBE (10 March 19089 May 1973) was an English bass, known in opera for buffo roles and in concert for a wide range of solo parts in music ranging from Henry Purcell to Michael Tippett. He is best remembered for his roles in Mozart and Britten operas and for his recordings of roles in Britten, Offenbach and Gilbert and Sullivan operas, as well as recordings of English folk songs. Brannigan began as an amateur singer and attended music college part-time, while working as a joiner, until his quality was recognised and he was awarded a scholarship during World War II. Although he had an international opera career, he performed most frequently with English opera companies, particularly Sadler's Wells opera, and later at Glyndebourne and Covent Garden. Highlights of his broad repertory included creating three roles in Benjamin Britten's early operas, and two more in later Britten operas that were written specifically for him. On record and in concert at the Proms h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Young (tenor)
Alexander Basil Young (London, 18 October 1920Macclesfield, 5 March 2000) was an English tenor who had an active career performing in concerts and operas from the late 1940s through the early 1970s. He was particularly admired for his performances in the operas of Handel, Mozart, and Rossini and of choral works of the 18th century.Blyth, Alan. Obituary - Alexander Young. ''Opera'', June 2000, Vol.51 No.6, p657. Life and career After vocal studies at the Royal College of Music with Steffan Pollmann,Rosenthal, Harold/Blyth, Alan. Alexander Young. In: ''The New Grove'', 2nd edition, 2001. and undertaking his war service, Young made his professional debut at the 1948 Edinburgh Festival as Scaramuccio in a production of ''Ariadne auf Naxos'' conducted by Beecham. In 1953 he performed the role of Tom Rakewell in the United Kingdom premiere of Stravinsky's ''The Rake's Progress'', a Third Programme broadcast. He would perform the role on stage at Covent Garden in 1962 and on record in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Ward (tenor)
Joseph Ward OBE (22 May 1932 in Preston – 27 April 2019Jennette JohnstoneVale Joseph Ward The Wagner Society in Queensland,Francisco SalazarObituary: English Tenor Joseph Ward Diesoperawire.com 8 May 2019) was an English tenor, formerly a baritone, who created roles in operas by Benjamin Britten and Michael Tippett. He has also made a career as a singing teacher – his pupils include Jane Eaglen – and opera producer. In the 1950s, he toured with the Carl Rosa Opera, appearing in several operas including the company's final production staged in Nottingham in 1956. BBC, accessed 16 December 2016 As a baritone he created the role of Starveling in Britten's '' |
Johanna Peters
Johanna Peters (3 January 1932 – 27 May 2000) was a Scottish mezzo-soprano who played a prominent role in British operatic life during her 40-year career, first as singer, and later as a distinguished voice teacher at the Guildhall School of Music. As a singer, she was particularly known for her intelligent portrayal of a wide variety of character parts and created the roles of Hippolyta in Benjamin Britten's ''A Midsummer Night's Dream'' and The Widow Sweeney in Nicholas Maw's '' The Rising of the Moon''. For many years she and her companion, Anne Wood Anne Wood, CBE (born 18 December 1937) is an English children's television producer, responsible for creating shows such as ''Teletubbies'' with Andrew Davenport. She is also the creator of ''Tots TV'' and ''Rosie and Jim''. She was a recipien ..., ran their own small touring company, Phoenix Opera. Britten–Pears Foundation ArchiveJohanna Peters. Retrieved 29 October 2013. References 1932 births 2000 deaths Operatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Third Programme
The BBC Third Programme was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by Radio 3. It first went on the air on 29 September 1946 and quickly became one of the leading cultural and intellectual forces in Britain, playing a crucial role in disseminating the arts. It was the BBC's third national radio network, the other two being the Home Service (mainly speech-based) and the Light Programme, principally devoted to light entertainment and music. History When it started in 1946, the Third Programme broadcast for six hours each evening from 6.00pm to midnight, although its output was cut to just 24 hours a week from October 1957, with the early part of weekday evenings being given over to educational programming (known as "Network Three"). The frequencies were also used during daytime hours to broadcast complete ball-by-ball commentary on test match cricket, under the title ''Test Match Special". The Third's existence was controve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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