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The Life Of Edward II Of England
''The Life of Edward II of England'' (German: ), also known as ''Edward II'', is an adaptation by the German modernist playwright Bertolt Brecht of the 16th-century historical tragedy by Marlowe, '' The Troublesome Reign and Lamentable Death of Edward the Second, King of England, with the Tragical Fall of Proud Mortimer'' (c.1592). The play is set in England between 1307 and 1326. A prefatory note to the play reads: Brecht wrote his adaptation in collaboration with Lion Feuchtwanger. It is written mostly in irregular free verse, with two songs (one of which is from Marlowe's original), over twenty-one scenes.Willett (1967, 25–26). Looking back at the play-text near the end of his life, Brecht offered the following assessment of their intentions: "We wanted to make possible a production which would break with the Shakespearean tradition common to German theatres: that lumpy monumental style beloved of middle-class philistines."Brecht, "On Looking Back Through My First Plays" (195 ...
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RIVERSIDE EDWARD POSTER 20
Riverside may refer to: Places Australia * Riverside, Tasmania, a suburb of Launceston, Tasmania Canada * Riverside (electoral district), in the Yukon * Riverside, Calgary, a neighbourhood in Alberta * Riverside, Manitoba, a former rural municipality * Riverside, Middlesex County, Ontario, a community in the municipality of Southwest Middlesex * Rural Municipality of Riverside No. 168, Saskatchewan * Riverside, Ontario, a neighbourhood of Windsor * Riverside, Simcoe County, Ontario, a community in the township of Tay * Riverside, Toronto, a neighbourhood in Riverdale, Toronto, Ontario * Riverside Ward, former name of River Ward in Ottawa, Ontario New Zealand * Riverside, New Zealand, a locality in Ashburton District, near Wheatstone, New Zealand * Riverside, Whangārei, a suburb of Whangārei United Kingdom * Riverside, Cardiff, an inner-city area and community in Wales * Riverside (Cardiff electoral ward) * Riverside (Liverpool ward), a city council ward in England * ...
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Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse is fr ...
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RIVERSIDE SHAKESPEARE EDWARD II SCENE 1 SMALL
Riverside may refer to: Places Australia * Riverside, Tasmania, a suburb of Launceston, Tasmania Canada * Riverside (electoral district), in the Yukon * Riverside, Calgary, a neighbourhood in Alberta * Riverside, Manitoba, a former rural municipality * Riverside, Middlesex County, Ontario, a community in the municipality of Southwest Middlesex * Rural Municipality of Riverside No. 168, Saskatchewan * Riverside, Ontario, a neighbourhood of Windsor * Riverside, Simcoe County, Ontario, a community in the township of Tay * Riverside, Toronto, a neighbourhood in Riverdale, Toronto, Ontario * Riverside Ward, former name of River Ward in Ottawa, Ontario New Zealand * Riverside, New Zealand, a locality in Ashburton District, near Wheatstone, New Zealand * Riverside, Whangārei, a suburb of Whangārei United Kingdom * Riverside, Cardiff, an inner-city area and community in Wales * Riverside (Cardiff electoral ward) * Riverside (Liverpool ward), a city council ward in England * ...
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Messingkauf Dialogues
''The Messingkauf Dialogues'' (german: Dialoge aus dem Messingkauf) is an incomplete theoretical work by the twentieth-century German theatre practitioner Bertolt Brecht. Brecht, Bertolt (1965 963 Year 963 (Roman numerals, CMLXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events By place Byzantine Empire * March 15 – Emperor Romanos II dies at age 25, probably o .... ''The Messingkauf Dialogues''. Trans. John Willett. Brecht's Plays, Poetry and Prose Series. London: Methuen. . John Willett translates "Der Messingkauf" as "Buying Brass".Willett, John. 1964. "'Der Messingkauf': an editorial note". In Bertolt Brecht, ''Brecht on Theatre: The Development of an Aesthetic''. London: Methuen, 1964. . pp. 169–175. According to one Brecht scholar "Brecht worked on he Messingkaufprimarily during the late 1930s and early 1940s. In Brecht’s words it contains, “a lot of theory in dialog form.”" References ...
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Karl Valentin
Karl Valentin (born Valentin Ludwig Fey, 4 June 1882 in Munich – 9 February 1948 in Planegg) was a Bavarian comedian. He had significant influence on German Weimar culture. Valentin starred in many silent films in the 1920s, and was sometimes called the "Charlie Chaplin of Germany". His work has an essential influence on artists like Bertolt Brecht, Samuel Beckett, Loriot and Helge Schneider. Early work Karl Valentin came from a reasonably well-off middle-class family; his father had a partnership in a furniture-transport business. Valentin first worked as a carpenter's apprentice, and this experience proved useful in the construction of his sets and props later in life. In 1902, he began his comic career, enrolling for three months at a variety school in Munich, under the guidance of Hermann Strebel. His first job as a performer was at the "Zeughaus" in Nürnberg (Nuremberg). In the wake of his father's death Valentin took a three-year break from performing during which he c ...
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Asya Lacis
Asya may refer to: People *Asya (singer) (born 1965), Turkish singer *Asya, ring name of American bodybuilder, model and professional wrestler Christi Wolf *Asya Abdullah (born 1971), Kurdish politician, co-chairwoman of the Democratic Union Party (PYD) *Asya Branch (born 1998), American beauty pageant titleholder and Miss USA 2020 winner *Asya Bussie (born 1991), American basketball player *Asya Miller (born 1979), American goalball player *Asya Pereltsvaig (born 1972), Russian linguist * Asya Saavedra, founding member of the music group Smoosh renamed Chaos Chaos Arts and entertainment * ''Asya'' (1994 album), self-titled 1994 album by Turkish singer Asya * ''Asya'' (1996 album), self-titled 1996 album by Turkish singer Asya *''Asya'', a novella by Ivan Turgenev * ''Asya'' (film), a 1977 Soviet drama film *''The Story of Asya Klyachina'', also known as ''Asya's Happiness'' and ''Asya Klyachina's Story'', 1966 Soviet movie Others *Bank Asya, Turkish private finance house *Asya ...
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Walter Benjamin
Walter Bendix Schönflies Benjamin (; ; 15 July 1892 – 26 September 1940) was a German Jewish philosopher, cultural critic and essayist. An eclectic thinker, combining elements of German idealism, Romanticism, Western Marxism, and Jewish mysticism, Benjamin made enduring and influential contributions to aesthetic theory, literary criticism, and historical materialism. He was associated with the Frankfurt School, and also maintained formative friendships with thinkers such as playwright Bertolt Brecht and Kabbalah scholar Gershom Scholem. He was also related to German political theorist and philosopher Hannah Arendt through her first marriage to Benjamin's cousin Günther Anders. Among Benjamin's best known works are the essays "The Work of Art in the Age of Mechanical Reproduction" (1935), and "Theses on the Philosophy of History" (1940). His major work as a literary critic included essays on Baudelaire, Goethe, Kafka, Kraus, Leskov, Proust, Walser, and translation theory. ...
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Demonstration (acting)
'Demonstration' is a monstration that serves as proof in storytelling. Demonstration is a central part of the Brechtian approach to acting. It implies a definite distance built into the actor's manner of playing a character (in contrast to the absolute identification with a character demanded by the Stanislavski-influenced "method acting Method acting, informally known as The Method, is a range of training and rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, u ..." approach). References Bertolt Brecht theories and techniques {{theatre-stub ...
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Epic Theater
Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is. History The term " epic theatre" comes from Erwin Piscator who coined it during his first year as director of Berlin's Volksbühne (1924–27).Wiles (1980). Piscator aimed to encourage playwrights to address issues related to "contemporary existence." This new subject matter would ...
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Non-Aristotelian Drama
Non-Aristotelian drama, or the 'epic form' of the drama, is a kind of play whose dramaturgical structure departs from the features of classical tragedy in favour of the features of the epic, as defined in each case by the ancient Greek philosopher Aristotle in his ''Poetics'' (c.335 BCE) The German modernist theatre practitioner Bertolt Brecht coined the term 'non-Aristotelian drama' to describe the dramaturgical dimensions of his own work, beginning in 1930 with a series of notes and essays entitled "On a non-aristotelian drama".Willett (1964, 46). In them, he identifies his musical ''The Threepenny Opera'' (1928) as an example of "epic form". " Aristotle's definition," Brecht writes, "the difference between the dramatic and epic forms was attributed to their different methods of construction."From an essay by Brecht probably written in 1936; Brecht (1964, 70). Method of construction here refers to the relation the play establishes between its parts and its whole: Brecht also ...
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Twentieth-century Theatre
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism. Throughout the century, the artistic reputation of theatre improved after being derided throughout the 19th century. However, the growth of other media, especially film, has resulted in a diminished role within the culture at large. In light of this change, theatrical artists have been forced to seek new ways to engage with society. The various answers offered in response to this have prompted the transformations that make up its modern history. Developments in ar ...
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History Of Theatre
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment and ''theatrical'' or ''performative'' elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world. Origins Despite theatre's resemblance to the performance of ritual activities, and the important relationship that theatre shares with ritual, there is no conclusive evidence to show that theatre originated from ritual.Cohen and Sherman (2020, ch. 7). This similarity of early theatre to ritual is negatively attested by Aristotle, who in his ''Poetics'' defined theatre in contrast to the performances of sacred mysteries: theatre di ...
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