The Laundress (Greuze)
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The Laundress (Greuze)
''The Laundress'' (french: La Blanchisseuse) is a 1761 genre painting by French artist Jean-Baptiste Greuze (1725-1805), existing in two versions. The subject of laundresses, also known as washerwomen, was a popular one in art, especially in France. The prime version of ''The Laundress'' was one of fourteen works exhibited by Greuze at the Salon of 1761 and was part of the collection of Greuze's patron, Ange Laurent Lalive de Jully. The painting was mostly unknown for more than two centuries as it was purchased in 1770 by Gustaf Adolf Sparre and privately held in that Swedish art collection and rarely seen until it was acquired by the Getty Museum in 1983. Bailey, Colin B. (2000). Jean-Baptiste Greuze: The Laundress'. Getty Publications. . The second version is now in the Fogg Museum, Harvard. At 39 x 31 cm, it is just slightly smaller than the Getty's, and also dated c. 1761. It was possibly created to allow a print to be made of the subject. Background French artist Je ...
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Jean-Baptiste Greuze
Jean-Baptiste Greuze (, 21 August 1725 – 4 March 1805) was a French painter of portraits, genre scenes, and history painting. Biography Early life Greuze was born at Tournus, a market town in Burgundy. He is generally said to have formed his own talent; at an early age his inclinations, though thwarted by his father, were encouraged by a Lyonnese artist named Grandon, or Grondom, who enjoyed during his lifetime considerable reputation as a portrait-painter. Grandon not only persuaded Greuze's father to give way to his son's wishes, and permit the boy to accompany him as his pupil to Lyon, but, when at a later date he left Lyon for Paris, Grandon carried young Greuze with him. Settled in Paris, Greuze worked from the living model in the school of the Royal Academy, but did not attract the attention of his teachers; and when he produced his first picture, ''Le Père de famille expliquant la Bible a ses enfants'', considerable doubt was felt and shown as to his share in its pr ...
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Ancien Régime
''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France {{disambig ...
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Paintings By Jean-Baptiste Greuze
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1761 Paintings
Events January–March * January 14 – Third Battle of Panipat: Ahmad Shah Durrani and his coalition decisively defeat the Maratha Confederacy, and restore the Mughal Empire to Shah Alam II. * January 16 – Siege of Pondicherry (1760) ended: The British capture Pondichéry, India from the French. * February 8 – An earthquake in London breaks chimneys in Limehouse and Poplar. * March 8 – A second earthquake occurs in North London, Hampstead and Highgate. * March 31 – 1761 Portugal earthquake: A magnitude 8.5 earthquake strikes Lisbon, Portugal, with effects felt as far north as Scotland. April–June * April 1 – The Austrian Empire and the Russian Empire sign a new treaty of alliance. * April 4 – A severe epidemic of influenza breaks out in London and "practically the entire population of the city" is afflicted; particularly contagious to pregnant women, the disease causes an unusual number of miscarriages and pre ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ...
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Mule (shoe)
Mule is a style of shoe that has no back or constraint around the foot's heel. Mules have a history going as far back as Ancient Rome, even though they were not popularly worn until sixteenth-century Europe. There, mules were bedroom slippers and not worn in public. Through the centuries, mules have changed in style and purpose and are no longer just boudoir shoes but are worn at any time, for any occasion. In addition to Western examples, mules come from cultures such as Turkey and Egypt, and appear in popular culture, from famous paintings to iconic celebrities' shoes. History Etymology and original purpose Mule's etymology comes from Ancient Rome. In Ancient Rome, the phrase "''mulleus calceus''" ullet shoewas used to describe the red or purple shoe worn by the three Roman senators and later higher magistrates. In 16th century Europe and France, the Latin root word "mule" was used to refer to both backless shoes and slippers. Mules of the 16th century to the 19th century ...
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Maidservant
A handmaiden, handmaid or maidservant is a personal maid or female servant. Depending on culture or historical period, a handmaiden may be of slave status or may be simply an employee. However, the term ''handmaiden'' generally implies lowly status. Depictions in Abrahamic texts In the King James translation of the Hebrew Bible, the term handmaid is applied to a female servant who serves her mistress, as in the case of Hagar being described as Sarai's handmaid, Zilpah being Leah's handmaid and Bilhah as Rachel's handmaid. In each of these cases, the mistress "gave" their handmaid to their husbands "to wife", to bear his "seed" (children). The use in the Torah of the prefix "to", as in "gave ''to'' wife", may indicate that the wife is a concubine or inferior wife. The text repeats that these people remain handmaids of their mistress though they are also the concubine of the mistress's husband. They are referred to interchangeably by the Hebrew terms () and (). Other modern ...
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The Laundress Autograph Replica Fogg Museum
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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Cabinet Painting
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size. Such paintings are done very precisely, with a great degree of "finish". From the fifteenth century onward, wealthy collectors of art would keep these paintings in a cabinet, which was a relatively small and private room (often very small even in large houses) to which only those with whom they were on especially intimate terms would be admitted. A cabinet, also known as a closet, study (from the Italian studiolo), office, or by other names, might be used as an office or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, so small rooms such as cabinets were more comfortable. They offered more privacy from servants or o ...
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Jan Steen
Jan Havickszoon Steen (c. 1626 – buried 3 February 1679) was a Dutch Golden Age painter, one of the leading genre painters of the 17th century. His works are known for their psychological insight, sense of humour and abundance of colour. Life Steen was born in Leiden, a town in Southern Holland, where his well-to-do, Catholic family were brewers who ran the tavern ''The Red Halbert'' for two generations. Steen's father even leased him a brewery of his own in Delft from the years 1654 until 1657. He was the eldest of eight or more children. Like his even more famous contemporary Rembrandt van Rijn, Jan Steen attended the Latin school and became a student in Leiden. Though no official records of Steen's artistic training are preserved, contemporary sources tell us he received his painterly education from three men, Nicolaes Knupfer (1603–1660), a German painter of historical and figurative scenes in Utrecht, Adriaen van Ostade, and Jan van Goyen, who would later become ...
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Gabriël Metsu
Gabriël Metsu (1629–1667) was a Dutch painter of history paintings, still lifes, portraits, and genre works. He was "a highly eclectic artist, who did not adhere to a consistent style, technique, or one type of subject for long periods". Only 14 of his 133 works are dated. Life Gabriel Metsu was the son of Jacques Metsu (c. 1588 – March 1629) a tapestry worker and painter originally from Hainault, who lived most of his days at Leiden, and Jacquemijntje Garniers (c. 1590 – 8 September 1651), the widow of a painter with three children of her own. It is not known when and where Gabriel was baptized; most likely in a Catholic hidden church but the baptismal records did not survive. Gabriel grew up on Lange Mare and his stepfather, a skipper, must have supported his education, because his mother was a poor midwife. In 1648 Metsu was registered among the first members of the painters' guild at Leiden, but in 1650 he ceased to subscribe. Metsu was possibly trained in Ut ...
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Gerrit Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ''trompe-l'œil'' "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt. Life Dou was born in Leiden, where his father was a manufacturer of stained-glass.Baer, p.28 He studied drawing under Bartholomeus Dolendo, and then trained in the stained-glass workshop of Pieter Couwenhorn. In February 1628, at the age of fourteen, his father sent him to study painting in the studio of Rembrandt (then aged about 21) who lived nearby. From Rembrandt, with whom he remained for about three years, he acquired his skill in colouring and in the more subtle effects of chiaroscuro, and his master's style is reflected in several of his earlier pictures, notably a self-portrait at the age of 22 in the Bridgewater ...
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