The Last Judgement (Vasari And Zuccari)
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The Last Judgement (Vasari And Zuccari)
''The Last Judgment'' in the Cattedrale di Santa Maria del Fiore, Italy is a fresco painting which was begun by the Italian Renaissance master Giorgio Vasari in 1572 and completed after his death by Federico Zuccari, in 1579. Initially commissioned by Grand Duke Cosimo I de' Medici, it is located on the ceiling of the dome of the cathedral. It was the subject of an extensive restoration undertaken between 1989 and 1994. History As the dome of the Cattedrale di Santa Maria del Fiore in Florence approached completion there were number of suggestions as to how to decorate its ceiling. One was that it should be covered with a mosaic decoration to make the most of the available light coming through the circular windows of the drum and through the lantern. However, there was little existing experience with mosaic and it was considered extremely expensive. There was also concern at the time as to what impact their weight would have on the dome, which does not seem very important toda ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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03 2015 Giudizio Universale-Cristo-Giorgio Vasari-Federico Zuccari-Cupola-Santa Maria Del Fiore (Firenze) Photo Paolo Villa FOTO9275bis
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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1570s Paintings
Year 157 ( CLVII) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Civica and Aquillus (or, less frequently, year 910 '' Ab urbe condita''). The denomination 157 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *A revolt against Roman rule begins in Dacia. Births * Gaius Caesonius Macer Rufinianus, Roman politician (d. 237) * Hua Xin, Chinese official and minister (d. 232) * Liu Yao, Chinese governor and warlord (d. 198) * Xun You Xun You (157–214), courtesy name Gongda, was a statesman who lived during the late Eastern Han dynasty of China and served as an adviser to the warlord Cao Cao. Born in the influential Xun family of Yingchuan Commandery (around present- ..., Chinese official and statesman (d. 214) Deat ...
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Catholic Paintings
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the one, ...
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Fresco Paintings In Florence
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Paintings By Giorgio Vasari
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Istituto Poligrafico E Zecca Dello Stato
The Italian Istituto Poligrafico e Zecca dello Stato (IPZS) (State Mint and Polygraphic Institute), founded in 1928, is situated at the via Salaria 691 in Rome. As well as producing coins, passports, and postage stamps for Italy, it serves the micro-states of the Vatican City, San Marino, and the Sovereign Military Order of Malta. It also publishes books under the imprint Libreria dello Stato. The O.C.V. (''Officina Carte Valori'') and traditional productions factory, the multimedial production institute and the Mint are also located in the capital. Other factories are located in Verrès, Val d'Aosta, and Foggia, Apulia. Banknotes are produced by the Bank of Italy. In 2002, IPZS became a public limited company (''società per azioni'' or SpA) with the Italian Ministry of Economy and Finance (''Ministero dell'Economia e delle Finanze'') as sole shareholder. History On 27 December 1911, the Italian mint was officially inaugurated by king Victor Emmanuel III in the seat located i ...
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Cristina Acidini Luchinat
Cristina Acidini (born 15 May 1951) is an Italian author and art historian. Her name also appears as Cristina Acidini Luchinat. She is the former Superintendent of Museum and Artistic Heritage State Board for the Florence area from 1991 to 1999. About She was born on 15 May 1951 in Florence, Italy. She received a Bachelor of Arts degree from the University of Florence in 1977. In 1991, she was visiting professor at State University of New York at Plattsburgh. In 1997, she received an Eisenhower Fellowship and visited more than 70 museums in the United States; she published a book ''Il Museo d'arte americano dietro le quinte di un mito'' on the subject in 1999. From 2000 to 2008, she was director of the Opificio delle pietre dure. Acidini has been a senior officer in the Italian Ministry for Art and Culture and was deputy superintendent of the Museum and Artistic Heritage State Board for the Florence area from 1991 to 1999. She has been president of the Accademia delle Arti del ...
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Thesaurus Florentinus
Thesaurus Florentinus is a project for the acquisition and reconstruction of the images of the mural paintings in the Cupola of Santa Maria del Fiore in Florence and a computer system to manage the hundreds of thousand pieces of information gathered during the restoration campaign ended in 1995. The project was conceived by Arch. Riccardo Dalla Negra and realised by Lapo Bertini, Silvia Brotini, Auro Pampaloni, Marco Menichetti, Lara Calosi and Arianna Sacchetti with the technological support of IBM and Eastman Kodak and the financial support of the ''Ministero dei Beni Culturali'' of Italy and Ente Cassa di Risparmio di Firenze. The project started in 1992 and ended in 2000. References Library of Congress permalink*{{cite book, title=Cupola di Santa Maria del Fiore: architettura, pittura, restauro , last=Acidini Luchinat , first=Cristina , author2=Dalla Negra, Riccardo , publisher=Istituto poligrafico e Zecca dello Stato (Roma), year=1996, isbn=88-240-3839-5}Library of Congress perm ...
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Fresco-secco
Fresco-secco (or a secco or fresco finto) is a wall painting technique where pigments mixed with an organic binder and/or lime are applied onto a dry plaster. The paints used can e.g. be casein paint, tempera, oil paint, silicate mineral paint. If the pigments are mixed with lime water or lime milk and applied to a dry plaster the technique is called lime secco painting. The secco technique contrasts with the fresco technique, where the painting is executed on a layer of wet plaster. Because the pigments do not become part of the wall, as in buon fresco, fresco-secco paintings are less durable. The colors may flake off the painting as time goes by, but this technique has the advantages of a longer working time and retouchability. In Italy, fresco technique was reintroduced around 1300 and led to an increase in the general quality of mural painting. This technological change coincided with the realistic turn in Western art and the changing liturgical use of murals. The treatise ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Cristina Acidini
Cristina Acidini (born 15 May 1951) is an Italian author and art historian. Her name also appears as Cristina Acidini Luchinat. She is the former Superintendent of Museum and Artistic Heritage State Board for the Florence area from 1991 to 1999. About She was born on 15 May 1951 in Florence, Italy. She received a Bachelor of Arts degree from the University of Florence in 1977. In 1991, she was visiting professor at State University of New York at Plattsburgh. In 1997, she received an Eisenhower Fellowship and visited more than 70 museums in the United States; she published a book ''Il Museo d'arte americano dietro le quinte di un mito'' on the subject in 1999. From 2000 to 2008, she was director of the Opificio delle pietre dure. Acidini has been a senior officer in the Italian Ministry for Art and Culture and was deputy superintendent of the Museum and Artistic Heritage State Board for the Florence area from 1991 to 1999. She has been president of the Accademia delle Arti del ...
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