The Last Dance (40 Below Summer Album)
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The Last Dance (40 Below Summer Album)
''The Last Dance'' is the fourth studio album by the American metal band 40 Below Summer. It was released on October 31 (Halloween) 2006 via Crash Music. The single "Relapse" from the album had a video directed and produced by Frankie Nasso. The CD/DVD combo was released on October 31, 2006 via Crash Music Inc. The two-disc release features nine demo versions of songs intended for their third and final major LP, and a DVD with the band's "last" performance at the Starland Ballroom in New Jersey (September 2005). Track listing (album) # "New Age Slaves" – 3:47 # "5 of a Kind" – 4:27 # "Tell Me Now" – 4:20 # "It's About Time" – 3:36 # "Relapse" – 4:32 # "Anxiety 101" – 4:07 # "Alaskan Thunderfuck" – 5:10 # "It's So Easy" (Guns N' Roses cover) – 3:11 # "Cut in Half" – 4:23 Track listing (DVD) # "Intro" # "Suck It Up" # "Rope" (Video) # "Wither Away" # "I'm So Ugly" # "Rope" # "Falling Down" # "Still Life" # "Jonesin'" # "Little Lover" # "A Season in Hell" # "Drown" ...
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40 Below Summer
40 Below Summer is an American nu metal band from New Jersey. Forming in 1998, the band broke up seven years later in 2005. After two small reunions in 2006 and 2010, they permanently reformed in 2011. Their latest album, ''Transmission Infrared'', was released on iTunes on October 16, 2015. History Beginnings (1998–2000) 40 Below Summer came together after drummer and Peruvian native Carlos Aguilar met singer Max Illidge in a band named Alien. Joey D'Amico met Max Illidge in late 1997, and later joined the duo playing guitar. Pete Savad joined soon after playing bass at first, then moving to guitar with the addition of Jordan Plingos on bass. The self-released ''Side Show Freaks'' (1999) was recorded with these lineups at their rehearsal location in the Music Building, NYC. Savad left the band as they got close to signing their first record deal. Moving Plingos to guitar, the band added Steve Ferreira who was soon replaced by Puerto Rico, Puerto Rican-born Hector Graziani o ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Demo Albums
Demo, usually short for demonstration, may refer to: Music and film *Demo (music), a song typically recorded for reference rather than release * ''Demo'' (Behind Crimson Eyes), a 2004 recording by the band Behind Crimson Eyes * ''Demo'' (Deafheaven album), a 2010 EP by Deafheaven * ''Demo'' (The Flat liners Album), a 2002 album by the band The Flatliners * ''Demo'' (Miss May I album), a 2008 recording by the metalcore band Miss May I *"Demo", a 1990 single by Die Krupps * "Demo" (P-Model song), a 1979 recording by songwriters Susumu Hirasawa and Yasumi Tanaka *'' Demo (Skinless)'', a 1994 recording by the band Skinless * ''Demo 2004'' (Year of No Light album), a 2004 recording by Year of No Light *'' Demo #2'', an unreleased recording by Neutral Milk Hotel *''Demo'', 2008 debut EP by Yuna Computing and technology *Demo (computer programming), a multimedia spectacle of programming skill *The Demo, a computer demonstration in 1968, sometimes called "the mother of all demos" *DEMOn ...
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2006 Live Albums
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics Six is the smallest positive integer which is neither a square number nor a prime number; it is the second smallest composite number, behind 4; its proper divisors are , and . Since 6 equals the sum of its proper divisors, it is a perfect number; 6 is the smallest of the perfect numbers. It is also the smallest Granville number, or \mathcal-perfect number. As a perfect number: *6 is related to the Mersenne prime 3, since . (The next perfect number is 28.) *6 is the only even perfect number that is not the sum of successive odd cubes. *6 is the root of the 6-aliquot tree, and is itself the aliquot sum of only one other number; the square number, . Six is the only number that is both the sum and the product of three consecutive positive numbers. Unrelated to 6's being a perfect number, a Golomb ruler of length 6 is a "perfect ruler". Six is a con ...
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40 Below Summer Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, t ...
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Crash Music Inc
Crash or CRASH may refer to: Common meanings * Collision, an impact between two or more objects * Crash (computing), a condition where a program ceases to respond * Cardiac arrest, a medical condition in which the heart stops beating * Couch surfing, temporarily staying at another person's home * Gate crashing, the act of entering an event without invitation * Stock market crash, a sudden dramatic decline of stock prices Arts and entertainment Film * ''The Crash'' (1932 film), a drama starring Ruth Chatterton * ''Crash'' (1974 film), a Norwegian drama directed by Rolf Clemens * ''Crash!'', a 1977 suspense drama starring José Ferrer and Sue Lyon * ''Crash'' (1978 film), a made-for-TV docudrama starring William Shatner and Adrienne Barbeau * '' Crash: The Mystery of Flight 1501'', a 1990 made-for-TV film starring Cheryl Ladd * ''Crash'' (1996 film), a drama directed by David Cronenberg * ''Crash'' (2004 film), directed by Paul Haggis and winner of the 2005 Academy Award ...
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2006 Albums
The following is a list of albums, EPs, and mixtapes released in 2006. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable, defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2006 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2006 albums Albums 2006 File:2006 Events Collage V1.png, From top left, clockwise: The 2006 Winter Olympics open in Turin; Twitter is founded and launched by Jack Dorsey; The Nintendo Wii is released; Montenegro 2006 Montenegrin independence referendum, votes to declare ...
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Album Art
An album cover (also referred to as album art) is the front packaging art of a commercially released studio album or other audio recordings. The term can refer to either the printed paperboard covers typically used to package sets of and 78-rpm records, single and sets of LPs, sets of 45 rpm records (either in several connected sleeves or a box), or the front-facing panel of a cassette J-card or CD package, and, increasingly, the primary image accompanying a digital download of the album, or of its individual tracks. In the case of all types of tangible records, it also serves as part of the protective sleeve. Early history Around 1910, 78-rpm records replaced the phonograph cylinder as the medium for recorded sound. The 78-rpm records were issued in both 10- and 12-inch diameter sizes and were usually sold separately, in brown paper or cardboard sleeves that were sometimes plain and sometimes printed to show the producer or the retailer's name. These were invariably ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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