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The Lacemaker (Maes)
''The Lacemaker'' is an oil on canvas painting by the Dutch painter Nicolaes Maes, created ''c.'' 1656. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art, in New York. This painting is typical of many paintings of women in interiors painted by Maes in the time. The woman is making bobbin lace using a lace pillow that can be seen in other Maes paintings of lacemakers: File:Nicolaes Maes 009.jpg, '' The Old Lacemaker'', circa 1655 File:Nicolaes Maes, Lacemaker.JPG, ''The Lacemaker'', 1655 The child in a highchair was a popular subject for many Dutch genre painters, and this painting shows how it was used as a safe place to play as well as for eating. The empty bowl of porridge is on the floor along with some other items the boy has let fall. He is wearing a red '' valhoed'' or falling cap, which seems to indicate that confinement in the chair is necessary if any lacemaking is going to get done. Some other 17th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Vermeer
Johannes Vermeer ( , , #Pronunciation of name, see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period Painting, painter who specialized in domestic interior scenes of middle class, middle-class life. During his lifetime, he was a moderately successful provincial Genre works, genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was bare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govert Flinck
Govert (or Govaert) Teuniszoon Flinck (25 January 16152 February 1660) was a Dutch painter of the Dutch Golden Age. Life Born at Kleve, capital of the Duchy of Cleves, which was occupied at the time by the United Provinces, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for etching and drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszoon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saskia married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Lacemakers
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Nicolaes Maes
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Metropolitan Museum Of Art
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1656 Paintings
Events January–March * January 5 – The First War of Villmergen, a civil war in the Old Swiss Confederacy, Confederation of Switzerland pitting its Protestant and Roman Catholic Swiss canton, cantons against each other, breaks out but is resolved by March 7. The Lutheran cantons of the larger cities of Zurich, Bern and Schaffhausen battle against seven Catholic cantons of Lucerne, Schwyz, Uri, Zug, Baden Unterwalden (now Obwalden and Nidwalden) and St. Gallen. * January 17 – The Treaty of Königsberg (1656), Treaty of Königsberg is signed, establishing an alliance between Charles X Gustav of Sweden and Frederick William, Elector of Brandenburg. * January 24 – The first Jewish doctor in the Thirteen Colonies of America, Jacob Lumbrozo, arrives in Maryland. * January 20 – Reinforced by soldiers dispatched by the Viceroy of Peru, Colonial Chile, Spanish Chilean troops defeat the indigenous Mapuche warriors in a battle at San Fabián de Conuco in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Friedsam
Col. Michael Friedsam (1860–1931) was an American philanthropist of New York City. Friedsam was the former president of B. Altman and Company and one of the premier art collectors in America at that time. The Friedsam residence located at 44 East 68th Street was built in 1921. The five-story building fashioned in limestone was designed by Frederick Frost, with wrought ironwork by Samuel Yellin. Friedsam's collection contained numerous masterpieces by artists such as Vermeer, Rembrandt, Jan Van Eyck, and Botticelli. After Friedsam's death in 1931, the residence became a top-rated Catholic high school for girls, Dominican Academy. Many of the original architectural elements, including carved marble fireplaces, stained glass windows, and ornate woodwork, are still in place today creating a unique environment for learning. Friedsam never married and left a fortune to the city of New York. A large part of his collection was bequeathed to the Metropolitan Museum of Art, and anot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Labouchere, 1st Baron Taunton
Henry Labouchere, 1st Baron Taunton, PC (; 15 August 179813 July 1869) was a prominent British Whig and Liberal Party politician of the mid-19th century. Background and education Labouchere was born in Over Stowey, Somerset, into a Huguenot merchant family. His father was Peter Caesar Labouchere and his mother Dorothy Elizabeth, daughter of Sir Francis Baring. He was educated at Winchester College and Christ Church, Oxford, where he took his B.A. (1821) and his M.A. (1828). Political career In 1826, Labouchere became MP for St Michael, as a Whig. In 1830, he moved to the Taunton seat, which he held until 1859. In 1835 he was opposed by Benjamin Disraeli for the Taunton seat; Labouchere won by 452 votes to 282. He was first appointed to office by Lord Grey in 1832, serving as Civil Lord of the Admiralty . After beginning the second Melbourne ministry as Master of the Mint, Privy Counsellor, and Vice-President of the Board of Trade (and, later, Under-Secretary of State for War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Friedrich Waagen
Gustav Friedrich Waagen (11 February 1794 – 15 July 1868) was a German art historian. His opinions were greatly respected in England, where he was invited to give evidence before the royal commission inquiring into the condition and future of the National Gallery, for which he was a leading candidate to become director. He died on a visit to Copenhagen in 1868. Biography Waagen was born in Hamburg, the son of a painter and a nephew and lover of the poet Ludwig Tieck. Having passed through the college of Hirschberg, Silesia (modern Jelenia Góra), he volunteered for service in the Napoleonic campaign of 1813–14, and on his return attended the lectures at Breslau University. He devoted himself to the study of art, which he pursued in the great European galleries, first in Germany, then in the Netherlands and Italy. A pamphlet on the brothers Van Eyck led in 1832 to his appointment to the directorship of the newly founded Berlin Museum (now vastly expanded as the Berlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Smith (art Historian)
John Smith (1781–1855) was a 19th-century British art dealer who developed the concept of the catalogue raisonné. Smith was born in London. He began dealing in art as a framemaker, specializing in wood-carving and gilding.Review of book about Smith on He became an art dealer and art consultant known for his "reasoned catalog" of painters that he wrote in 8 volumes and sold by subscription to his art clients during the years 1829 to 1837, and to which he added a 9th volume as a supplement in 1842. Sources * Volume 1 (1829): , Pieter van Slingelant, |
Hofstede De Groot
Cornelis Hofstede de Groot (9 November 1863 – 14 April 1930), was a Dutch art collector, art historian and museum curator. Life He was born in Dwingeloo and spent some time in Switzerland in his youth due to weak lungs, where he learned German. He became the first academically schooled art historian of the Netherlands, receiving his training in Leipzig, which is why much of his work was published in German, most notably his lengthy 10-part ''Beschreibendes kritisches Verzeichnis der Werke der hervorragendsten Holländischen Mahler des XVII. Jahrhunderts'' (1907–28), also known as a rewrite of John Smith's ''catalogue raisonné'' (9 vols.; 1829–42, London). He became an expert who had many differences of opinion with Abraham Bredius and other art collectors, while serving various institutions to do with the arts of the Netherlands, including the Frans Hals Museum, Gemeentemuseum Den Haag, and the RKD. In 1893 he published a short article on Judith Leyster in the jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Verspronck
Johannes Cornelisz. Verspronck (between 1600 and 1603 – 30 June 1662 (buried)) was a Dutch Golden Age portrait painter from Haarlem. Life Johannes Cornelisz. Verspronck was born between 1600 and 1603 in Haarlem as the son of the painter Cornelis Engelsz from Gouda, who taught him to paint. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the Heilige Geesthuis, at the time one of the wealthiest charity institutions in Haarlem, situated on the Krocht. This was won at the expense of Frans Hals himself, who had painted the regents ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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