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The Kynd
The Kynd ( ) are an English indie rock band from Chalfont St Peter, Buckinghamshire that were professionally active from 1996 to 2000, and then reformed in 2021. The Kynd were part of the Britpop scene during the 1990s and released two singles and an album during that period. Career The Kynd were formed in Chalfont St Peter, Buckinghamshire in 1991. The band consisted of Paul King (vocals), Danny Tipping (guitar), Tristan Tipping (bass), and Bradley Hills (drums). The Kynd's name was taken from the writings of horror author H. P. Lovecraft and appealed to the group because it echoed the deliberate misspelling of 60s band names like the Byrds, the Monkees and the Beatles. The band had early success when they won DJ Gary Crowley's Demo Clash competition on GLR Radio for three consecutive weeks in early 1992. Crowley described the band's sound as "a gorgeous slice of Bucks' beat" and continued to publicly champion the Kynd until their breakup. The band signed to the indepen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalfont St Peter
Chalfont St Peter is a large village and civil parish in southeastern Buckinghamshire, England. It is in a group of villages called The Chalfonts which also includes Chalfont St Giles and Little Chalfont. The villages lie between High Wycombe and Rickmansworth. Chalfont St Peter is one of the largest villages, with nearly 13,000 residents. The urban population for Chalfont St Peter and Gerrards Cross is 19,622, the two villages being considered a single area by the Office for National Statistics. Gerrards Cross was once a hamlet (place), hamlet in the parish of Chalfont St Peter, but became a village and civil parish in its own right and is now a town. Chalfont St Peter is west-north-west of Charing Cross, central London and is also in close proximity to Heathrow Airport, Pinewood Studios, Pinewood and Elstree Studios, Elstree film studios, and the motorway network (M25 motorway, M25, M40 motorway, M40, M1 motorway, M1 and M4 motorway, M4). History Early history At the time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oasis (band)
Oasis were an English rock band formed in Manchester in 1991. Originally known as the Rain, the group initially consisted of Liam Gallagher (lead vocals, tambourine), Paul Arthurs (guitar), Paul McGuigan (bass guitar) and Tony McCarroll (drums). Liam's older brother Noel (lead guitar, vocals) later joined as a fifth member, finalising the group's core lineup. During the course of their existence, they had various lineup changes, with the Gallagher brothers remaining the only staple members. Oasis signed to independent record label Creation Records in 1993 and released their record-setting debut album ''Definitely Maybe'' (1994). The following year they recorded '' (What's the Story) Morning Glory?'' (1995) with drummer Alan White, in the midst of a chart rivalry with peers Blur. Spending ten weeks at number one on the UK Albums Chart, ''(What's the Story) Morning Glory?'' was also an international chart success and became one of the best-selling albums of all time. In addi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britpop Groups
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four", althoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Groups Established In 1991 , the ability to perceive music or to create music
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{{Music disambiguation ...
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music-al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Front (magazine)
''Front'' was a British men's magazine. First published by Cabal Communications in 1998, it was created to rival IPC's publication '' Loaded'', catering to a demographic of 16- to 25-year-old males. It began as part of the British " lads' mag" genre of magazines, though the covers rejected this description with the statement "Front is no lads' mag". Whilst a major selling point was the photo-shoots of models, the magazine also focused heavily on music, films, gadgets and games, plus sections on fashion and sport. Glamour shoots within the magazine usually involved well-known models rather than celebrities. The magazine had also been responsible for a number of high-profile stunts, most notably smuggling an Eric Cantona lookalike, Karl Power, into the Manchester United team photo during a Champions League game. On 7 February 2014, ''Front'' magazine announced on its Facebook page that it had ceased operations and the magazine would no longer be published. The next month, on 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerrang!
''Kerrang!'' is a British weekly magazine devoted to rock, punk and heavy metal music, currently published by Wasted Talent (the same company that owns electronic music publication ''Mixmag''). It was first published on 6 June 1981 as a one-off supplement in the ''Sounds'' newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, ''Kerrang!'' was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s, it became the best-selling British music weekly. History ''Kerrang!'' was founded in 1981. The editor of the weekly music magazine ''Sounds'', Alan Lewis, suggested that Geoff Barton edit a one-off special edition focusing on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Indie Chart
The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, and widely known as the indie chart, the relevance of the chart dwindled in the 1990s as major-label ownership blurred the boundary between independent and major labels. Separate independent charts are currently published weekly by the Official Charts Company. History In the wake of punk, small record labels began to spring up, as an outlet for artists that were unwilling to sign contracts with major record companies, or were not considered commercially attractive to those companies. By 1978, labels like Cherry Red, Rough Trade, and Mute had started up, and a support structure soon followed, including independent pressing, distribution and promotion. These labels got bigger and bigger, and by 1980 they were having Top 10 hits in the UK Singles Chart. Chart success was limited, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airplay (radio)
Airplay is how frequently a song is being played through broadcasting on radio stations. A song which is being played several times every day (spins) would have a significant amount of airplay. Music which became very popular on jukeboxes, in nightclubs and at discotheques between the 1940s and 1960s would also have airplay. Background For commercial broadcasting, airplay is usually the result of being placed into rotation, also called adding it to the station's playlist by the music director, possibly as the result of a Pay for Play sponsored by the record label. For student radio and other community radio or indie radio stations, it is often the selection by each disc jockey, usually at the suggestion of a music director. Geography Most countries have at least one radio airplay chart in existence, although larger countries such as Canada, the United States, the United Kingdom, Germany, Australia, Japan, and Brazil have several, to cover different genres and areas of the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Bell (Welsh Musician)
Andrew Piran Bell (born 11 August 1970) is a Welsh singer, songwriter, musician, record producer, and DJ. He is one of two vocalists and guitarists of the English rock band Ride, and was formerly the bassist of Oasis from 1999 until their breakup in 2009. Bell was also a member of Hurricane #1 as well as Liam Gallagher's post-Oasis project Beady Eye until their breakup in 2014. With Ride, Bell helped pioneer shoegaze, an alternative rock subgenre which reached its peak popularity in the early 1990s. Bell also wrote one song or more on each of Oasis' final three albums. Career Ride Bell formed Ride with Mark Gardener (guitarist), whom he met at Cheney School in Oxford and Laurence Colbert (drummer) and Steve Queralt (bassist), whom he met doing Foundation Studies in Art and Design at Banbury in 1988. While still at Banbury the band produced a tape demo including the tracks "Chelsea Girl" and "Drive Blind". In February 1989, Ride were asked to stand in for a cancelled stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
